Behind the Title: Encore (and Ryan Murphy) Colorist Kevin Kirwan – Randi Altman’s postPerspective

HOW HAS THE VISUAL STYLE EVOLVED OVER THE YEARS AS YOU AND RYAN HAVE WORKED TOGETHER?
It’s a show-by-show thing. Shows like Glee, or something like the new series that we just started, 911, are pretty straightforward, nothing stylized, good contrast, nice poppy colors, don’t go too dark, feature the performance, make sure you can see into the actors’ expressions… that sort of thing.

American Horror Story is a different creature each season. These anthology series are fun because even though it’s technically the same show each time, the seasons all have their own theme. The look is much more tailored to fit the individual story. Season 2, which was called Asylum, was my favorite in terms of look. Very desaturated, dark and moody. It was a grungy, forbidding vibe that I really had fun with.

We just finished the second season of American Crime. This one was The Assassination of Gianni Versace. It’s very warm and colorful, especially when we were in Miami, but as we descended into Andrew Cunanan’s world it got a bit dirty, and we got to play a bit.

The first season of American Crime, The People Vs. OJ Simpson, was pretty gritty. It had a really tight look and a nice period feel.

Behind the Title: Encore (and Ryan Murphy) Colorist Kevin Kirwan – Randi Altman’s postPerspective

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