extratv: Brace yourselves for the #ACSVersace finale! Stars @ricky_martin, @darrencriss & @edgarramirez25 are dishing! bit.ly/2DIzfrH
Author: acsversace news
‘American Crime Story: Versace’ recap: ‘Creator/Destroyer’ – TheCelebrityCafe.com
Modesto sucks.
Growing up is never easy — especially when you have a father like Modesto Cunanan (Jon Jon Briones). That’s what we learned the in the eight and penultimate episode of American Crime Story: Versace, entitled “Creator/Destroyer,” as we journey back into Andrew and Gianni’s childhood.
Gianni’s is, not surprisingly, finished before the opening credits even role, as we’ve learned by now that the focus of this season is on Andrew. His backstory is mostly meant to contrast Andrew’s — Gianni always wanted to be a dress-designer and, despite his teacher calling him a ‘pansy’ in front of the whole school, he was supported by his mother, Franca (Francesca Fanti).
To be fair, Andrew’s father Modesto truly wanted the best for Andrew, at one point in time. Modesto also only wanted the very best, both for himself and his family. He moved his family into an incredibly expensive home (probably not the best move), banking on the fact that he was going to be hired as a stock broker by Merrill Lynch and that Andrew would get accepted into an exclusive private school.
And, once again to be fair, both of those things end up happening. While Andrew’s siblings are left on the sideline (Andrew is clearly the favorite and Modesto doesn’t bother giving any of them the time of day), Andrew makes it in and Modesto gets hired. Andrew is even gifted the master bedroom and then given a car, well before he can drive. Things, for the time being, are looking up.
Until they aren’t, of course, as Modesto’s true nature begins to reveal himself. He accuses his wife of not having enough faith in him, portraying an abusive relationship between the two of them. There’s also a slight hint that Modesto may have also been sexually abusive to Andrew, although we’re left to ponder just how far exactly this goes.
Fast forward to Andrew’s high-school years and things have gotten worse. Modesto no longer holds his job at Merrill Lynch, but now in a pretty small and cramped cubicle, trying to scam elderly people out of money (someone better call Saul Goodman!)
Andrew is trying to make the best of the situation, going around to parties in ridiculous red one-suits and all that, once again proving he’s never exactly been one to fit in.
That’s when the FBI shows up. Modesto has conned enough people out of their money for it to have been a crime. While Modesto escapes the office, runs home to grab his extra cash and still has time left to escape in the car his favorite son, Andrew and his mother are left to deal with the authorities.
Guess what: they don’t (surprise, surprise) get to keep the house.
Frustrated and confused, Andrew decides he’ll go find wherever his father ran off to and try to get some questions answer. That place just so happens to be Manila, so suddenly Andrew is on a plane that’s headed to the Philippines.
He doesn’t exactly find the reunion he was hoping for. While Modesto is happy to see him at first, the conversation quickly turns sour when he feels Andrew has been ungrateful for all he’s done. “You’re not upset that I stole; you’re upset that I stopped,” Modesto tells him before spitting in his face.
Returning home defeated, Andrew and his mother are forced to move out and find jobs. We see Andrew apply for at the pharmacy we then see him working at in the previous episode, which is when he’s asked by the owner about what his father does.
This is when we see Andrew get that ever so familiar grin on his face, as he conjures up a fable. He says that his father owns a pineapple business, making millions upon millions of dollars.
And we all know that the lies only escalate from there.
There’s only one episode of American Crime Story: Versace left, airing Wednesday night on FX!
‘American Crime Story: Versace’ recap: ‘Creator/Destroyer’ – TheCelebrityCafe.com
Tanya McRae: Went to a screening and panel discussion last night for the awesome FX show “American Crime: Assassination of Gianni Versace” last night. Very interesting discussion with the cast – Ricki Martin was almost in tears as he reflected about his years of being of being gay and in the closet and hiding his partners. Deep. Thanks for the hang time Victoria Kay!
Judith Light Weighs In on Possibility of a ‘Who’s the Boss?’ Revival (Exclusive)
In the age of TV revivals, there’s only one question left to ask: Who’s the Boss?.
The beloved ‘80s sitcom, starring Tony Danza, Judith Light and Alyssa Milano, seems ripe for a reboot, but Light tells ET that might never happen.
“I don’t know,” she admits. “Nobody’s really talked about it, and I don’t know that that would… I mean, we’re all working. Tony’s got a show on Netflix, Alyssa’s working, Danny [Pintauro]’s working, and you know, Katherine [Helmond]’s working, I’m not sure we’d be able to put it together. Nobody’s really talked about it, so I don’t know.”
So, for now, it’s a big question mark. What’s not in question, though, is Light’s standout performance on FX’s The Assassination of Gianni Versace: American Crime Story as Marilyn Miglin, the widow of Lee Miglin, a victim of spree killer Andrew Cunanan. Light’s work as a woman forced to put on a brave face as she grapples with her husband’s murder, and alleged infidelity, has sparked major awards buzz. ET caught up with the actress at a For Your Consideration event for the show in Los Angeles on Monday night.
‘American Crime Story: Versace’ Cast on How They’ve Worked With the Designer’s Real-Life Family
“[An award] would mean that all people who were involved, who supported me in doing this, I would be able to thank them all, as I already have,” she gushes. “It would be an acknowledgment of this entire team, from my dear friend, Jon Robin Bates, who wrote me about it in the first place, to our producers, Brad Simpson, Nina Jacobson, and of course the extraordinary Ryan Murphy.”
“And Mike Farrell, who is a remarkable actor who plays my husband in the piece,” Light continues, “and Darren Criss and Ricky Martin and Edgar Ramirez and Penelope Cruz. I mean, you’re talking about, and Gwyneth Horder-Payton who directed it, and Tom Rob Smith who wrote it, so it would be a real acknowledgment of a team that put this together that really said, this was a story that needed to be told.”
@macquayle: Great time at the @ACSFX FYC event last night. Tune in for the season finale of #ACSVersace tomorrow! You don’t want to miss it. #FYC
House of Cards’ final season is shaping up to be “phenomenal,” according to new star Cody Fern.
“[There’s] an exciting energy,” Fern tells ET. “Listen, everyone is just so thrilled to be supporting Robin [Wright], and I think that she is a powerhouse, and it’s been about Robin since season two, and anyone who’s in denial of that hasn’t been watching the show. So, we’re just thrilled to get behind Robin and she is a powerhouse. I mean, what she is doing with Claire Underwood is phenomenal. And, it’s only going to get more interesting.”
Season six of the Netflix hit fully shifts focus to Wright’s President Claire Underwood after Kevin Spacey, who played Claire’s husband, Frank, was fired from the series following allegations of sexual misconduct. Spacey has denied any wrongdoing.
As for Fern, his character is still a secret. What he will confirm is, his character’s not a good guy.
“No one’s a good guy on this show!” he notes. “No one. Uh… that’s what I can tell you.”
“I can’t tease you with anything, only because it’s so under wraps!” Fern adds. “It’s even under wraps for the cast. We find out right before we’re shooting what’s happening. So, everything is a surprise and it’s, every moment in House of Cards is anew. I will tell you, I work with everybody in the show, so my character gets to do a lot of backflips.”
Fern’s House of Cards casting comes after he’s received rave reviews for his portrayal of David Madson, one of spree killer Andrew Cunanan’s victims, on FX’s The Assassination of Gianni Versace: American Crime Story. ET caught up with the 29-year-old actor at a For Your Consideration event in Los Angeles on Monday night.
“I think playing David has been a particular treat,” he gushed. “Obviously, it’s incredibly tragic, but the material for an actor was just… second to none … it’s been a real journey for me and… I’m just so grateful to be a part of it, you know?”
The Assassination of Gianni Versace: American Crime Story | Season 2 Ep. 8: The Job Scene | FX
Mind games have consequences. Watch this SELECTED SCENE from Episode Eight of The Assassination of Gianni Versace. | 20 March 2018
Stars Talk ‘ACS: Assassination Of Gianni Versace’ Finale
“American Crime Story: Assassination of Gianni Versace” stars Ricky Martin, Edgar Ramirez and Darren Criss talk about the final episode of the show and why they hope the show will spark a conversation about ongoing homophobia in America. | 20 March 2018
@edgarramirez25: 🇪🇸Esta ha sido una de las experiencias más intensas y transformadoras de mi vida. Gracias #PenelopeCruz por tu entrega, confianza y arrojo. En tus ojos encontré a Gianni • 🇬🇧Thank you #penelopecruz for your trust,courage and dedication. In your eyes I found Gianni ❤️
Paste’s Power Rankings: The 10 Best Shows on TV Right Now
4. The Assassination of Gianni Versace: American Crime Story
Network: FX
Last Week’s Ranking: 4We use the word “ego” almost as if we’re describing a character flaw. In fact, the literal translation of the word is “I am.” To be completely egoless might be the ostensible aim of some religious philosophies, but there’s a big difference between relinquishing one and never developing one in the first place. People with broken or empty or malformed egos are miserable and very often highly dangerous. “Creator/Destroyer” is basically a primer on how to build a human being with no stable idea of who he is—in this case, Andrew Cunanan (Darren Criss), by his father, Modesto (Jon Jon Briones). The pressure of that instability is like the seismic buildup between tectonic plates in a subduction zone. The longer the pressure builds, the more catastrophic the quake’s going to be when the ground finally gives way. —Amy Glynn






