LOS ANGELES—For Carlin James, playing Christopher, the brother of Andrew Cunanan (Darren Criss), in “American Crime Story: The Assassination of Gianni Versace,” is one of the highlights of his acting career so far.
The Long Beach, California native considers it an honor to get cast in the recent installment of Ryan Murphy’s true crime anthology series, which garnered praise from critics who cited the entire cast’s performances and collected 18 nominations in the 69th Primetime Emmy Awards.
James talked about the challenge of “being part of a mixed, Filipino-American TV family that contradicts the model-minority stereotype (understatement).”
He added, “Not to mention, working with Jon Jon Briones and Joanna Adler (who played Modesto and Mary Ann Cunanan, Andrew’s parents). Are you kidding me? Those two are A-plus talents and gracious, amazing people. Just watching them work made me a better actor.”
The Fil-Am’s other credits include numerous TV shows and commercials, including ABC’s “The Middle,” Netflix’s “Dear White People” and the CBS shows, “NCIS” and “Criminal Minds.” Among his recent projects are “Brampton’s Own,” “Broken,” “Turner Risk” and “Indivisible.”
How would you describe your journey as an actor so far? It’s been a rough journey, but one I’m so happy to be on. I’ve struggled, failed and been terrible so much throughout the past few years. But I’m at a point in my life where I can look back and be grateful for all those life-lessons. In my mind, I’m always behind, so I feel like I have a lot more to do to get where I need to go.
How do you prepare for an audition? Any good luck rituals, etc.? When I know I have an audition coming up, it hangs over my head like a cloud. Not in a bad way, but even if it’s a few days away, it’s something I can feel. I start working pretty late at night, and realize I get the most done between 1 a.m. and 3 a.m. I do have a terrible sleep schedule, but it’s something that works for me. I have this weird thing about running my scenes in the shower, too. I swear by it. Every job I’ve ever booked was due to an awesome solo shower-rehearsal.
What is the most frustrating part of trying to land roles in Hollywood? When I was starting out, it was frustrating not even getting the opportunity to read for certain roles. But now, the most frustrating part of trying to land roles is getting out of my own way. Life and bills happen, and sometimes, I can’t help but think about how booking the job can help with that. I forget that if I just relax, trust myself and enjoy the process, then all else will fall into place.
How do you handle rejection? Much better than I used to! I always say the hardest part wasn’t hearing “No” because that at least leads to closure. The hardest part is working so hard and investing so much time, energy and emotion, and hearing back nothing at all. And that’s usually how it goes. Over time, you accept it and realize there’s only so much within your control. So we do our best in the room, leave it there, and then move on to the next one… like Jay-Z.
Have there been times when you almost gave up? I never gave serious thought to giving up. Announcing to my family and friends that I was going to pursue a career in acting was big for me. There was never a Plan B, and I couldn’t face them and say, “I give up.” I’m competitive and being told that it would only happen in my dreams may or may not have also played a part in it.
Seriously though, I’ve cried, bled and broken a bone. And I’m pretty sure I’ve gone halfway crazy because of this career-choice. Except Pop-A-Shot (electronic basketball game). I’m really good at Pop-A-Shot.
Do you, as an actor of color, feel that opportunities for minority actors are improving or getting worse? And do you think that the inclusion rider (mentioned by Frances McDormand in her best actress acceptance speech in this year’s Oscars, which is added to an A-list actor’s contract to ensure that the casting and production meet certain levels of diversity) is helping? Absolutely. I feel that opportunities for minority actors are getting better. If you watch a ’90s TV show and then watch a TV show from today, you can’t truthfully tell me it’s not. As a Fil-Am actor myself, I won’t say we’re where we want to be, but I think we’re making good progress. There’s a lot of diverse talent out there building up their resumes and, eventually, they will get the recognition they deserve.
As for the inclusion rider, I can’t say I know for certain its effect just yet. But it can only help. Story is king, and as long as it’s told accurately, I’ll be happy. It’s when you show a group of friends in the ’90s set in New York City and there’s not one POC (people of color), that’s kind of unbelievable.
What’s your stand on whitewashing in Hollywood? I won’t lie. It doesn’t bug my friends and family so much. But for me, it hurts to see it. So much of what we do as actors is dependent on us being comfortable with who we are as people, as real-life, vulnerable human beings. So when I see it happen, it sometimes feels like my self-worth is being slapped in the face. Dramatic, I know. I’m an actor.
This is not a new thing though, and Hollywood is starting to take notice, so that’s good for everyone. We can focus on the problem, but that’d be too easy. I’m just glad that things are getting better, and solutions (such as the inclusion rider) are being talked about.
Screen star Matt Bomer discusses making his Broadway debut in THE BOYS IN THE BAND, his directorial debut and what the first workshop for SPRING AWAKENING was like. | 19 July 2018
Career Conversations with Matt Bomer, currently starring in The Boys in the Band, moderated by Broadway World’s Richard Ridge of “Backstage with Richard Ridge!” | 12 July 2018
“Ryan Murphy turned to me one day with my dog-eared, well-worn script and was like, ‘You should be a director.’ Then he called and offered me the opportunity on Versace. It was just a really profound gift. I’ve never met an actor I didn’t like—even the prickly ones I love. It was a great opportunity to work with people like Darren Criss and Edgar Ramirez and all this great theater talent. Thank God you have someone like Ryan who is willing to look at someone like Jon Jon Briones and see the talent in him and give him a huge opportunity. It was a great, great first directing gig. I have a few directing offers for the fall. I’m not sure how it’s all going to go, but I know I will be directing for Ryan in the fall.“
ruben__madera: An amazing 18 Emmy nominations for the cast and crew of The Assassination of Gianni Versace: American Crime Story. So very thankful and proud to be part of this cast! Congrats to all!
Could this year’s Emmys see an equivalent to Lady Bird in its nomination pool? Like Greta Gerwig’s 2017 multiple-Oscar nominee, several Emmy-eligible episodes from acclaimed shows were directed by actors — take Tracee Ellis Ross, who directed an episode of her show Blackish, Jodie Foster (Black Mirror), Jason Bateman (Ozark) and Matt Bomer (The Assassination of Gianni Versace: American Crime Story). Even if these actor-directors don’t end up vying for winged women in September, they’re demonstrating that acting remains a unique pipeline to directing on television.
[…] Actors often say their experience gives them insight into working with other actors — in terms of giving both advice and space. “Knowing when to step back because [the actors] were already doing their thing, that came very naturally to me. I’ve been doing that for most of my life,” says Bomer, 40. Still, directing demands that actors understand a set in a more “holistic” way than they customarily need to, Bomer adds. The former Suits actor, who had never directed before Versace, read directing books, asked former directors for advice and went to the Directors Guild of America’s First-Time Episodic Director Orientation Program to pick up technical skills like how to set up a shot, in order to prepare.
ACS news 