American Crime Story: The Assassination of Gianni Versace Review

One of the most highly anticipated series of the year, American Crime Story returned to television with its second season, The Assassination of Gianni Versace, focussing on Andrew Cunanan’s murdering spree in the 1990s. It comes off the back of its first season, The People vs. O.J. Simpson, which was met with widespread critical acclaiming, winning the Primetime Emmy Award for Outstanding Limited Series, along with awards for its stars Courtney B. Vance, Sarah Paulson, and Sterling K. Brown. To say that The Assassination of Gianni Versace had a lot of weight on its shoulders to be good would be an understatement, as The People vs. O.J. Simpson set up the anthology series to be one of the best in all television, and to say that it delivered to those high standards would be difficult, but what we have is a high quality series nonetheless.

In terms of the show’s narrative structure, it takes a different approach to the first series as we start with the titular murder in the very first scene, and then work back episode by episode, before the finale focussing on the aftermath of Versace’s murder. This gives us a different approach to the way that we view the characters, which is vital in a series such as this which tells such a tragic event. The first we see of the murderous Andrew Cunanan, played brilliantly by Darren Criss, is of him preparing to murder, and then murdering fashion designer Gianni Versace, who is precisely portrayed by the excellent Edgar Ramirez. As we work backwards through the series, we unravel more and more information about Cunanan, as we see him not falling into the normal characteristics of what we see normally portrayed in serial killers in fiction. This is because, as crazy as the story is, its a true story, and the producers of the show have a fine balancing act in the way that they portray these characters, almost all of whom end up with a demise of some sort or another. They pull this off to great effect, as the covering of multiple time periods allows us to see the characters at their highest and lowest points, in particular Cunanan, who becomes the focus of the series and leads to the real question trying to be answered- why did he do the things he did?

In his portrayal of Cunanan, Darren Criss does an outstanding job in what is a complicated role. He completely runs the show, as he gets to be flamboyant, confident, yet slimy and creepy, helped by the dramatic irony that comes with the show as we see what Cunanan is capable of, and with this in mind stops the audience for having much sympathy for him. Criss’ dedication to the role is admirable, and with a lesser actor in the role, the show may completely collapse, that’s the level of intensity he brings to the table. In supporting roles, Edgar Ramirez is uncanny as Versace, and he really takes control of the scenes that he is in. Some have complained about the lack of insight we see into Versace’s life, yet personally I found it satisfactory due to the way that Ramirez really gets down to the nitty gritty of the character in the limited scenes that he is in for us to get an impression of what he was like. In recurring roles, Cody Fern and Finn Wittrock are mesmerizing as David Madson and Jeff Trail, respectively, with the episodes that they appear being real highlights of the series, in particular “House by the Lake”, which is an incredibly intense episode with the opening 10-15 minutes almost being like something out of a horror film. Also in Guest Roles, Judith Light brings real emotional heft to her role as Marilyn Miglin, particularly in “A Random Killing”, which is a real tour-de-force for her, and Jon Jon Briones is really terrific in the final two episodes of the series as Andrew’s father, with his scenes with Criss towards the end “Creator / Destroyer” being another series highlight. However, Penelope Cruz’s performance as Donatella Versace came across as quite wooden, and didn’t quite match the tone of the series, which is a shame due to her being such a talented and experienced actress, especially alongside mostly character actors, who very much steal the show from her.

Taking on a different challenge from the first season, with this being more of a character study and asking why, rather than a ‘whodunit’, FX has made American Crime Story to be a force to be reckoned with the way that it can seemlessly approach different kinds of crime, which bodes well for the upcoming seasons of the show. Does the series match the dizzy heights of The People vs. O.J. Simpson? Not quite, but it does manage to tell this story in the right way- honouring the victims of these crimes, it’s deeply reflective and portrays the real tragedy of the events, and does it in its own stylistic way that is fitting to the 21st century television audience.

American Crime Story: The Assassination of Gianni Versace Review

Best Television Movie – Feinberg Forecast: Emmy Standings As the Race Heads Into May

The charts below reflect how THR’s awards columnist Scott Feinberg believes the Emmy standings would look if voting for the 2018 race ended today. (Eligible for consideration is work released between June 1, 2017 and May 31, 2018.) These projections are formulated using a combination of personal impressions (from sampling many programs), historical considerations (how other shows with similar pedigrees have resonated), precursor awards (some groups have historically correlated with the TV Academy more than others) and consultations with industry insiders (including voters, content creators, awards strategists and fellow members of the press).

Best Limited Series

FRONTRUNNERS

The Looming Tower (Hulu)
The Assassination of Gianni Versace: American Crime Story (FX)
Twin Peaks (Showtime)
Godless (Netflix)
Patrick Melrose (Showtime)

Best Actor in a Limited Series or a Television Movie

FRONTRUNNERS

Darren Criss (The Assassination of Gianni Versace: American Crime Story)
Al Pacino (Paterno)
John Legend (Jesus Christ Superstar)
Kyle MacLachlan (Twin Peaks)
Jeff Daniels (The Looming Tower) — podcast
Antonio Banderas (Genius: Picasso)

Best Supporting Actor in a Limited Series or a Television Movie

FRONTRUNNERS

Edgar Ramirez (The Assassination of Gianni Versace: American Crime Story)
Michael Shannon (Fahrenheit 451) — podcast
Tahar Rahim (The Looming Tower)
Peter Sarsgaard (The Looming Tower)
Michael Stuhlbarg (The Looming Tower)
Bill Camp (The Looming Tower)

MAJOR THREATS

Brandon Victor Dixon (Jesus Christ Superstar)
Jeff Daniels (Godless) — podcast
Ricky Martin (The Assassination of Gianni Versace: American Crime Story)
Sam Waterston (Godless)
Robert Forster (Twin Peaks)
Beau Bridges (Mosaic)
Scoot McNairy (Godless)
Alex Rich (Genius: Picasso)

POSSIBILITIES

Hugo Weaving (Patrick Melrose)
Alice Cooper (Jesus Christ Superstar)
Dylan Baker (Little Women)
Luke Evans (The Alienist)
Josh Charles (Law & Order True Crime: The Menendez Murders)
John Leguizamo (Waco)
Cody Fern (The Assassination of Gianni Versace: American Crime Story)
Jason Ritter (The Tale)

Best Supporting Actress in a Limited Series or a Television Movie

FRONTRUNNERS

Laura Dern (Twin Peaks)
Penelope Cruz (The Assassination of Gianni Versace: American Crime Story)
Nicole Kidman (Top of the Lake: China Girl) — podcast
Angela Lansbury (Little Women)
Judith Light (The Assassination of Gianni Versace: American Crime Story)
Merritt Wever (Godless)

Best Television Movie – Feinberg Forecast: Emmy Standings As the Race Heads Into May

Jon Jon Briones Talks about “American Crime Story: Assassination of Gianni Versace,” MISS SAIGON and Receiving the 2018 East West Players Visionary Award

Congrats to Jon Jon Briones who will be receiving the 2018 East West Players Visionary Award at the East West Players (EWP) Annual Visionary Awards Dinner & Silent Auction at the Hilton Universal City tonight.

East West Players (EWP), the nation’s longest-running professional theater of color and the largest producing organization of Asian Pacific American artistic work is celebrating THE COMPANY WE KEEP, its 52nd Anniversary season with the Annual Visionary Awards Gala Benefit.

Lily Mariye, Suzy Nakamura and Wendy Chang/Dwight Stuart Youth Fund will also be honored. Recognizing the achievements of individuals who have raised the visibility of the Asian Pacific American (APA) community through their craft, proceeds from the gala fundraiser  will benefit East West Players’ educational and artistic programs.

Actor Jon Jon Briones was born and raised in Quezon City, Philippines. At 9 years old he was sent to live at Santo Domingo convent as a boy soprano in the “Tiples of Santo Domingo” choir. This was to be his first formal training. In 1989, he joined the original London cast of Miss Saigon. Recently, he played the Engineer in the London 2014 revival (Olivier Award nominee, What’s One Stage Award winner) and its Broadway transfer (Drama Desk Award nominee, Theater Award winner). He has appeared in several other productions of Miss Saigon, among numerous additional stage credits. He has had the privilege of working with East West players in La Cage Aux Folles (Ovation Award nominee) and A Little Night Music. He was proudly involved in the pre-Broadway development of Allegiance at The Old Globe. Last month, Briones received raves for his chilling and brilliant portrayal as Modesto Cunanan on the television drama American Crime Story: Assassination of Gianni Versace.

Lia: Congratulations on your 2018 East West Players Visionary Award. What does receiving this award mean to you?
Jon Jon: It’s
always nice when you get compliments for your work but to be honored is totally different and very humbling. It really means a lot. It’s the highest form of “You’re alright”.

Lia: What shows have you performed in at East West Players?
Jon Jon:
My first show was A Little Night Music in 2012 and I played Fredrik Egerman. And then I did La Cage Aux Folles for them in 2016 and I played Georges.

Lia: How were you cast as Modesto Cunanan in “American Crime Story: Assassination of Gianni Versace.”
Jon Jon:
Darren Criss told me that when they started filming at the beginning of 2017, he and head writer Tom Rob Smith were talking about the role of Modesto Cunanan and they thought that I might be right for the part (they both saw me in Miss Saigon in London). They then started talking about me to the producers of the show. My agent contacted me about an audition that I have to tape because the audition was in LA and I was in NYC doing Miss Saigon. I taped my audition, sent it and as they say the rest is history.

Lia: How did you develop the character?
Jon Jon:
Research about Modesto on line did not yield a lot but reading Maureen Orth’s book and talking to her, discussing the character with writer Tom Rob Smith really helped me understand Modesto better. The two of them were a wealth of information.

Lia: How has your life or career changed since appearing on the show?
Jon Jon:
It’s a little better, I have to admit. Hopefully this will lead to better and complex roles not just for me but for other actors of Asian descent.

Lia: You were in the ensemble in the original production of Miss Saigon. What did it mean for you to lead the show on Broadway after all these years?
Jon Jon:
It meant so much to me. A couple of years ago I’ve accepted the fact that making my Broadway debut will not come into fruition because of my age and the lack of roles in shows for people like me. And I can’t seem to get cast in other Asian shows like The King and I. They probably think I’m not regal enough. I can’t blame them. I’m as blue collar looking as anyone out there. But when Cameron asked me if I wanted to do The Engineer on Broadway, I couldn’t believe it. The dream was not dead. And I made my Broadway debut at the age of 52.

Lia: Did you enjoy working in New York even though you are LA based?
Jon Jon:
We used to live in New York a few years ago and I just love the city! And everyday when I walk down the street on my way to the theatre, I get this overwhelming feeling of gratitude for living in the city and playing the lead in a Broadway show. Life was good!

Lia: How did you balance the stage and TV shooting schedule?
Jon Jon:
That was interesting and pretty cool. A few times I had to take the red eye after an evening performance in NYC, arrived in LA early morning, took a short nap and then get picked up for an early morning shoot. I filmed for a few days and then took a red eye back to New York after a late night shoot, arrived in my New York apartment to sleep for a few hours and then do 2 shows. And then repeat. I credit my agent for making it work.

Lia: Your entire family is in the business. Was “American Crime Story” the first time that you worked with your daughter, Isa Briones, on screen?
Jon Jon:
That was the first time I worked with my daughter and it was pretty cool.

Lia: You must be so proud of her LA Ovation Award for Featured Actress in a Musical for East West Players’ production of Next to Normal, which garnered the top awards. How was she cast in Hamilton?
Jon Jon:
We’re very proud of her! They really loved her even the first time she auditioned that they kept calling her back to work with her. Maybe it was a combination of her being a little young (18 at that time) or know where to put her but she finally booked the show after 7 months.

Lia: What’s next for you?
Jon Jon:
I’m hoping to announce something good soon. We’ll see.

Jon Jon Briones Talks about “American Crime Story: Assassination of Gianni Versace,” MISS SAIGON and Receiving the 2018 East West Players Visionary Award