TV Guy: From the White House to the ‘Big Brother’ house

The ruthless materialism championed by Bravo and the notion of gay men as magical ambassadors to otherwise unattainable “good taste” is precisely what writer-producer Ryan Murphy has so savagely satirized in Andrew Cunanan on “The Assassination of Gianni Versace: American Crime Story” (10 p.m., FX, TV-MA).

The series takes place in a gay milieu, but Cunanan’s compulsions transcend sexuality. As in the film “American Psycho,” the character’s homicidal tendencies are a neurotic outgrowth of his brand-name perfectionism.

TV Guy: From the White House to the ‘Big Brother’ house

Versace on the ground: tragedy in a fashion empire

Ryan Murphy’s latest installment in his award-winning “American Crime Story” franchise has everyone talking. According to Show Buzz Daily, “The Assassination of Gianni Versace” had 2.22 million viewers glued to their screen on the night of its premiere; by the following morning, Versace’s name was the most searched-for topic on the internet.

While it will only have nine episodes in total, “American Crime Story” has already proven itself to be Emmy-nominated material. The costume and set designs are absolutely phenomenal, and the resemblance between the actors and the people they are portraying is uncanny. From the heartbreaking emotions of Versace’s widowed lover Antonio D’Amico played by Ricky Martin to the tour de force that is Versace’s sister Donatella played by Penélope Cruz, “Versace” has all of the glamor, sex and scandals that make for quality television.

Undoubtedly, the most unforgettable element of this season’s hottest show is its antagonist, Andrew Cunanan. Portrayed by the charismatic Darren Criss, best remembered as Blaine Anderson from “Glee,” also created by Ryan Murphy, Andrew Cunanan is the true subject of the series. The first ten minutes of episode one are a chilling performance of the one thing Cunanan would be best known for doing: murdering acclaimed fashion designer Gianni Versace played by Édgar Ramírez. From there, viewers are taken back in time — and inside Cunanan’s mind — to explore the events that led to this shocking crime.

Only two episodes have aired so far, but that’s more than enough to prove that this is the role of Criss’ career. The actor does a first-rate job as Cunanan, capturing his desire for attention and the outrageous lengths he took to be noticed.

Not much was known about Andrew Cunanan back in 1997 when he shot Versace on the front step of his Miami mansion; as a matter of fact, not much is known about him to this very day. This is not surprising, as Cunanan himself was a pathological liar who made himself impossible to find. One can imagine how much trouble this caused the FBI as they embarked on what would be dubbed “the largest failed manhunt in U.S. history.”

What little is known about Cunanan lies within the pages of Maureen Orth’s “Vulgar Favors: The Assassination of Gianni Versace,” is derived from. Orth writes of a man-child obsessed with his image whose reckless behavior ultimately led to his own self-destruction.

Family

Andrew Phillip Cunanan was born on August 31, 1969. He was the youngest child of Pete and Mary Ann Cunanan and clearly the favorite of their four children.  Pete and Mary Anne wanted the best for Andrew, at any cost. Mrs. Cunanan would frequently dress up her son and make sure he always looked his best, a routine that Andrew would obsess upon later in life. Pete would frequently remind Andrew that in order to succeed in this world, you had to appear successful.

The key word here is “appear”. The Cunanan’s had a modest income at best, as Pete was barely able to hold down his position as a stockbroker. The family could hardly afford their $189,000 townhouse in Rancho Bernardo, California, but that didn’t prevent Andrew from getting the biggest bedroom in the house.

Pete eventually left his family and returned to his homeland in the Philippines, leaving behind an emotionally unstable Mary Ann and a spoiled rotten son who no longer had a father to buy him the finer things in life (which were completely out of Pete’s price range to begin with).

But that didn’t stop Andrew from wanting to create the perfect image of himself.

Education

From an early age, Andrew was a big reader. He was known to spend most of his time indoors, studying the pages of an encyclopedia. When he was in the seventh grade, Andrew’s IQ stood at 147 and was inducted into his school’s gifted program.

Andrew was well-liked by his teachers because of his manners and intelligence. The other students knew him for his flashy fashion choices and tall tales. He desperately wanted acceptance from people who held a greater social status than he did; Cunanan spoke of a father who owned the Coca-Cola and Wrigley Chewing Gum factories.

When Andrew attended The Bishop’s School in La Jolla, California, he showed a strong interest in history, particularly the twenties and thirties in France and England. He thought of them as the “gay eras”, a comment that underlined his sexuality. While Cunanan had a beautiful mind, he never applied himself. Instead, he chose to hang out with “the druggies” and expressed no interest in going to college.

Regardless, Andrew was voted “Most Likely to Be Remembered” when he graduated from Bishop in 1987.

Personal Life

After he graduated from Bishop, Cunanan settled in the Castro district of San Francisco—one of the most liberated gay communities in the U.S. Here Andrew was able to make a name for himself, as only he could. He continued to lie about himself everywhere he went, making sure his stories would resonate with whatever social circle he happened to be dancing through.

Cunanan would collect his income by hustling; his preference was older and wealthier men who were “in the closet”. He considered these particular clients to be his ticket to the high life.

During this time, Cunanan met former naval officer Jeffrey Trail. While their relationship is slightly unclear, it is certain that Cunanan had an unhealthy idolization for Trail. Whatever Trail did, Andrew would have to do too.

Trail, who was struggling with his sexuality, eventually broke things off with Andrew to pursue a career in propane selling.

Heartbroken, Andrew knew he’d have to move on. He found the love of his life in architect David Madson. They pursued a long-distance relationship: Andrew remained in San Francisco and Madson lived in Minneapolis. They shared good chemistry, but Andrew’s lack of honesty was something David could not tolerate. Thus, Madson ended the relationship abruptly.

But the most unforgettable gentleman Andrew came into contact with was a kindly fashion designer from Italy.

Relationship with Versace

Gianni Versace was best known for linking the fashion world to the music world, as he was good friends with celebrities such as Madonna and Sting. He and his partner Antonio D’Amico were well-respected icons in the gay community.

Versace honored his roots in all of his creations: the icon of his company, Medusa’s head, reflects his Graeco-Roman art influence. Versace was the first fashion designer to employ celebrities in his marketing campaigns and gave them front-row seats in his shows.

Versace was a generous man; he spoiled his nieces and nephews and always said hello to his neighbors on his morning walks in Miami Beach.

Versace also designed costumes for musicals; he crafted the outfits for the San Francisco premiere of “Capriccio.”  On opening night, Versace and D’Amico were among the guests of honor. Also in attendance was Andrew Cunanan.

Versace actually mistook Andrew for someone else, a move Andrew was quick to take advantage. When the two met backstage, Versace thought he recognized Andrew from his Lake Como house near the Swiss Border (Andrew had never been to Italy). Regardless, Versace wanted to speak to Cunanan to see if he was familiar with the area. Cunanan spun another of his tales and claimed he was from Italy himself.

While this was his only known encounter with Versace, Andrew would add excessive details to the story as time went on.

Murders and Suicide

Eventually, there came a point in Andrew’s life when he lost his grip on reality; he was tangled in a web of lies he spun himself and was about to snap.

Cunanan began his infamous killing spree on April 27, 1997. His first victim was his old acquaintance Jeffrey Trail. Cunanan traveled to Minneapolis, where Trail was staying at the time. The two had an argument which ended with Andrew using a claw hammer to beat Trail to death. Cunanan proceeded to roll Trail’s body up into a rug and stuck it into the closet of his next victim, his ex David Madson.

Madson was found shot and killed on the banks of Rush Lake on May 3rd, 1997.

The next day, Cunanan traveled to Chicago and murdered prominent real estate developer Lee Miglin. Miglin was found taped up and killed with hardware tools in the basement of his home. As Cunanan made off with Miglin’s car, the FBI added Cunanan to their Top Ten Most Wanted list.

Andrew’s fourth victim was William Reese, a caretaker from New Jersey. Andrew shot Reese and stole his red pick-up truck after he heard on the radio that the FBI was tracking Miglin’s stolen car. Then, he headed to Miami and remained in hiding for two months.

Cunanan shot Gianni Versace twice in front of his Miami mansion on the morning of July 15, 1997. Police officers found Reese’s stolen car, Cunanan’s clothes, an alternative passport, and old newspaper clippings in a nearby parking garage but were never able to capture him.

Cunanan’s final victim was himself: a little over a week after killing Versace, Andrew shot himself in the head with the gun he had used to kill Madson, Reese, and Versace. He had stolen this gun from his first victim Jeffrey Trail. His body was found in the second-story bedroom of a Miami Beach houseboat.

Andrew Cunanan, the man “most likely to be remembered”, finally got the fame he wanted all his life.

Versace on the ground: tragedy in a fashion empire

IMDbPro adds Requested Features, Reveals Most Popular Content

The Top 10 TV Shows Viewed on IMDbPro App (in order) are Black Mirror, The Marvelous Mrs. Maisel, The Crown, Stranger Things, Godless, The End of the F***ing World, This Is Us, Riverdale, Peaky Blinders, American Crime Story. These are the 10 TV shows that were the most popular with IMDbPro members as determined by page views on the IMDbPro app since its launch on December 4, 2017.

IMDbPro adds Requested Features, Reveals Most Popular Content

FX’s “American Crime Story” donates $15,000 worth of set materials to Habitat for Humanity

Twentieth Century Fox Television and the production crew of FX Networks’ American Crime Story: The Assassination of Gianni Versace have made donations of nearly $15,000 worth of furniture, artwork, lights and more materials used on set to the Habitat for Humanity of Greater Los Angeles. The organization helps provide home improvement materials to families in need, and TCFTV provided an entire warehouse worth of items at entirely no cost. 21st Century Fox’s film and television productions regularly find new homes for leftover set materials in order to both reduce waste and support the communities where these projects work and film.

“After American Crime Story: Versace wrapped this season, our team had to find a home for many of the gently-used set pieces,” said Lisa Day, who oversees environmental sustainability efforts across Twentieth Century Fox. “Fox is dedicated to keeping as many reusable items out of the landfill as possible, so we decided to donate much of it to Habitat for Humanity of Greater Los Angeles ReStores. It’s reassuring to know these set pieces will be given a second life and support a great cause.”

ReStores are nonprofit home improvement centers operated by Habitat LA that sell new and lightly used furniture, appliances, home accessories, building materials, and more at a fraction of the standard retail price. Fox donation included scores of items, including living room furniture, outdoor patio furniture, desks, dining room tables, kitchen appliances, curtains, glassware, bookcases, coffee tables, bedroom furniture, chandeliers, floor lamps, wall lamps, mirrors, TV mounts, barstools, and more, with many items featuring designs that mimic Gianni Versace’s trademark style.

TCFTV donated additional set materials to The Actors Gang, a 35 year-old theater company based in Los Angeles.

Learn more about Habitat for Humanity of Greater Los Angeles ReStores and check out the slideshow below of some of the donated items:

FX’s “American Crime Story” donates $15,000 worth of set materials to Habitat for Humanity

The Assassination of Gianni Versace: American Crime Story episode 3, House By The Lake, advanced preview

Wednesday’s all-new episode of The Assassination of Gianni Versace: American Crime Story is the most emotional episode yet!

The fourth episode of American Crime Story season two is titled “House By The Lake,” and the official synopsis from FX is: “Minneapolis architect David Madson is forced to go on the run with Andrew Cunanan.” The episode was written by Tom Rob Smith and directed by Dan Minahan.

So what can you expect? We have binged-watched the first eight episodes of the season to bring you an advanced preview each week of what you’ll see! Avoiding all spoilers? This is your last chance to turn away now!

Who were David Madson (Cody Fern) and Jeffrey Trail (Finn Wittrock)? “House By The Lake” will keep us in the dark about Jeffrey Trail (for now), but we’ll learn all about Madson. This is the most emotional episode to date, and, if memory serves me right, the entire season.

The fourth episode will also feature a very bloody murder. While last week we witnessed Lee Miglin’s murder and declared it the most brutal in the series, Wednesday’s Versace: American Crime Story is definitely the bloodiest. The weapon used is a hammer (27 blows), so you can imagine the damage.

Lines to look out for, can you guess who delivers them?

  • “He asked me to marry him. Said I was the man of his dream. Last chance of happiness.”
  • “I’ll get 30 years. But you’ll get 10. I can’t allow that to happen, David. This wasn’t your fault.”
  • “No one else will get hurt, as long as you’re by my side.”
  • “You’ve never worked for anything. It was an act.”

The Assassination of Gianni Versace: American Crime Story episode 3, House By The Lake, advanced preview

The Assassination Of Gianni Versace: American Crime Story — A Must See Show

If you are not familiar with this case, it involved fashion designer and icon Gianni Versace, who was at the top of his fashion world and was quickly evolving into so much more. However, everything came to a halt in 1997, when he was shot and murdered near his home in Florida by Andrew Cunanan.

However, the show was created and produced by the talented Ryan Murphy whose credits include Nip Tuck, Glee, American Horror Story, The People v. O.J. Simpson, and Feud. This new series is based on the non-fiction book by Maureen Orth‘s, Vulgar Favors. The story is taken from her book that gives the account of psycho-killer Andrew Cunanan.

The main reason it is a must watch is due to the casting of the actors. Ryan Murphy, and his team of writers and producers, have really outdone themselves with the casting. First, you have Edgar Ramirez, who is uncanny as Gianni Versace, and Penelope Cruz as Gianni’s sister, also a fashion icon in her own right, is splendid. Ricky Martin portrays Gianni’s partner and lover Antonio, and let us not forget the portrayal of the unforgettable performance by Darren Criss as the demented Andrew Cunanan. It depicts life in Miami and South Beach, and shows Gianni’s and Andrew’s world collide. Cunanan was a gay man who wanted to live the finer life and wanted to pretend to be in a higher class to fit in. This is when his obsession with the famous Italian designer began.

Clearly, this show focuses on the tragic murder, which happened in July of 1997. But one of the most amazing storytelling in this series is how it goes back and forth from the time of the murder to detail the string of gruesome murders by Cunanan. Then it also details Gianni’s rise in the fashion world and his relationship with his sister Donatella, as well as his lover Antonio and their complicated relationship.

Now, there is violence and nudity so clearly, this is an adult show. But what I love is the suspenseful and edge-of-your-seat moments this series brings. Let us not forget how the show depicts Versace’s iconic signature of the Medussa.

Here is the trailer for the show.

The Assassination Of Gianni Versace: American Crime Story — A Must See Show

Interview with American Crime Story actress: Fabiana Pascali

2.While working on American Crime Story: The Assassination of Gianni, what did you learn about Gianni that people outside of his circle may not know?

I didn’t know Gianni had cancer at some point of his life. There is a moment on set in a facsimile of the Versace studio house in Milan, when Penelope Cruz tells us her brother was ill with cancer.

There were also rumors that it was AIDS.  The Versace family denied it publically, yet that’s something floating around. It was something I learned on set, either of which is sad [either] way.

Interview with American Crime Story actress: Fabiana Pascali

The Assassination of Gianni Versace: More People Are Dead But the American Dream is Still Alive

“So often, we are told the American Dream is dead,” the fragrance mogul Marilyn Miglin tells the crowd at a fundraiser in this week’s installment of American Crime Story. (At this point, it is hard to tell if I’m the one who’s heavy-handedly foreshadowing the next episode’s themes, or if it’s Ryan Murphy.) Played by Judith Light with alternating hopelessness and chill hauteur, she’s seen first in the kind of uptight pastel-pink suit jacket that can’t help but make a woman look a) like a business-savvy mom, and b) as though she thinks the g-spot is a nightclub in the seedy part of town. She is the wife of the real estate tycoon—and Catholic, closeted gay man—Lee Miglin.

There are no scenes with Gianni in this episode, and none with the Versace family, either. What we see instead is the startling murder that appears to be a killer’s stepping-stone to full psychosis; and a lavender marriage that does not appear to be an outright sham, but merely unconventional. When Marilyn, away on business, calls the house and does not get an answer from her husband, it’s unusual enough for her to worry. When she gets back home, she finds an open, dripping ice-cream carton—chocolate-flavored, as much a visual contagion in their ivory-on-cream-on-alabaster space as the pair of gloomy couches in Todd Haynes’s Safe. It’s a sinister enough development to leave her rattled.

By the time the opening credits roll, she has been widowed, and we’ve guessed that Miglin is another victim of Versace’s killer, Andrew Cunanan; and we’ve guessed, too, how they knew each other. Marilyn says only, in the softest voice and to herself: “I knew it.” How much Marilyn Miglin really knew is never made apparent to us. What is made apparent is that Marilyn and Lee, whatever their dynamic, loved each other. How many men, she asks the TV camera, in a dynamite appearance on a shopping channel not long after Lee is killed, support their wives’ ambitions? How many men lift women up, instead of bring them down?

Conversely, it is never clear if Cunanan kills Miglin and exposes him because he thinks that Miglin is a hypocrite for being closeted, or because he thinks that homosexuality is shameful, something to be punished and reduced to ridicule. “I want you to know that when they find your body, you will be wearing ladies’ panties,” he hisses, “surrounded by gay porn. I want the world to see that the great Lee Miglin is a sissy.” Just after we see Cunanan beside the body, we cut to him carving, and then eating, some great hunk of red meat on the Miglins’ spotless kitchen table; it’s designed to make us think, if only for a second, that he’s actually eating Lee. The trope that a cannibal can eat a great man and absorb his powers seems tailor-made for a social-climbing sociopath who steals from every wealthy man he kills. (Think, too, of wendigos, the mythic demons in the shape of men who eat men, designed to represent the very ordinary human flaw of greed.) He is as guilty of the very Catholic sin of covetousness as he is of the legal crime of murder.

After Marilyn refers to the rumored death of the American dream—just days before the actual death of her husband—she is moved to issue a rebuttal: “Except—look at my husband, Lee. One of seven children. The son of an Illinois coal miner. He began his career selling premixed pancake batter out of the trunk of a beat-up old car. And today Lee manages 32 million square feet of commercial property across the Midwest.” The message is as clear and keenly bourgeois as a cut-glass punch bowl: rags are honorable, an inspiring plot-point, when they end in untold riches and acclaim. It was hardly accurate to say before that there had been no sign of the Versace family in this episode, when its themes of modest origins, of betterment and growth and the anointing power of lovely or expensive things, were the cornerstones of Gianni’s myth—“[originally] from a small village in Calabria overrun with poverty and corruption,” says a recent piece in Numero, “Gianni Versace built a destiny that was the complete opposite [of] his humble beginnings.”

It feels worth mentioning that the episode is called A Random Killing. I had thought at first that this referred to Marilyn’s description of her husband’s death as a random robbery—her defense against the knowledge or suspicion that he had in fact been killed by a man he’d solicited for sex. In fact, the random murder comes in the last five minutes of the show, when Cunanan escapes the scene and realizes he needs a new car. Pulling over and then following a man into a church, he leads him down into to the basement. After listening to him say, politely, that he has a wife and child, that he would very much like it, sir, if he could only see them again, the killer shoots him point-blank in the back of the skull. It is the ugliest and most indelible scene so far in a story filled with brutal, memorable vignettes of pain; and by the time we know what’s happening, it’s far too late to turn our heads away—to disengage.

The Assassination of Gianni Versace: More People Are Dead But the American Dream is Still Alive

Killer Queen: Andrew Cunanan, My Love Rival

I wouldn’t normally do this kind of thing, but Mark Simpson made me.

Write a preface, that is – for the following journalistic essay “Killer Queen” on “gay spree killer” and “Versace assassin” Andrew Cunanan, my erstwhile love rival who once offered to kill me. It was first published in The Stranger July 23, 1997, concurrent with the breaking news of Andrew’s death by self-inflicted gunshot to head upon being cornered by police, a week after shooting Versace to death outside his house in Miami.

The uber-cool Seattle alternative weekly had a red hot global scoop on its cover. The piece was widely picked up and also syndicated in The London Times, the Irish Independent and The Face. This is the first time it has been available online, however. So in a 21st Century sense, this is the first time it actually exists.

Some 20 years later as I write this, American cable channel FX is airing episode 3 of The Assassination of Gianni Versace: American Crime Story. The show is said to be “loosely based” on a book by Vanity Fair contributor Maureen Orth: Vulgar Favors: Andrew Cunanan, Gianni Versace, and the Largest Failed Manhunt in U.S. History.

Full article

Added to supplemental materials

Killer Queen: Andrew Cunanan, My Love Rival

4 Best Moments From ‘The Assassination of Gianni Versace’ 2×03

Episode 3 is completely committed to sharing Lee Miglin’s devastating story, with William Reese having a little screen time as well.

Here are the 4 best moments from ‘American Crime Story: The Assassination of Versace, “A Random Killing.”

Lee Miglin and Marilyn Miglin

In this episode, we got to watch the life of Lee Miglin – a commercial real estate developer- and his wife, Marilyn Miglin. This relationship was far from perfect; a 38 year marriage based on a lie, yet they made the best of it. Their marriage was definitely one to sympathise with and was incredibly moving, as we see Marilyn continue to live her life as an ambitious woman with a closeted husband. Marilyn comes home from a work trip in Toronto, where she realises that something is very off. When the police arrive, a bloodcurdling scream is heard from the garage as Lee’s dead body is found. Rewind a week before, Lee and Marilyn are happier than ever at a fund-raising luncheon for Gov. Jim Edgar, Republican of Illinois. Marilyn introduces her husband admiringly and shocks Lee with her gushing words.

“So often we are told the American dream is dead. Except I say: Look at my husband, Lee. One of seven children. The son of an Illinois coal miner. He began his career selling premixed pancake batter out of the trunk of a beat-up old car. And today Lee manages 32 million square feet of commercial property across the Midwest.”

Marilyn later catches Lee on the phone to someone – who we know at this point is Andrew – and he lies, telling her it was a business call. With Marilyn now away at this point, Lee invites Andrew to stay over for the night, where he shows Andrew his plans to build a 125-story, 1,952 foot Sky Needle, which would and could have been the world’s tallest building.

Lee Miglin’s Sexuality

It’s safe to say that Marilyn knew of her husband’s secret, however she persevered with the marriage, not allowing this to break them apart. After Lee has shown Andrew his plans for the Sky Needle, the two kiss and Lee says, “It feels like I’m alive.” As hard as it is to watch Marilyn hide her husband’s secret, you also begin to feel a little bit of sympathy for Lee, as Andrew is allowing him to be the man he’s always wanted to be. (Until you know, he murders him – but Lee doesn’t know this just yet.)

“Escorts don’t normally kiss, do they? I am not like most escorts. I am not like most anybody. I could almost be a husband, a partner.”

Again, Lee’s ability to lie and give false hope to people so easily is plain disturbing, as we all know the outcome.

Lee Miglin’s Death

Lee Miglin’s death has to be the most sadistic and painful scenes to watch. I felt so uncomfortable from Andrew’s cold-hearted speech to Lee’s final breath, like I genuinely could have turned the episode off. The fact that this all did really happen in real life and in this exact way just makes the whole thing way too realistic and due to me having no clue about any of Andrew’s victims until this episode, it really left me mourning these two men who did not deserve what they were given and I really hope justice was served for the both of them.

“I know that you’re not wearing your hearing aid, so I am going to speak very loudly and very clearly so you can understand. I want you to know that when they find your body, you will be wearing ladies’ panties. Surrounded by gay porn. I want the world to see that the great Lee Miglin is a sissy. Soon the whole world will know that the great Lee Miglin, who built Chicago, built it with a limp wrist. The cops will know, the press will know, your wife will know, your children will know, the neighbors will know. Tell me something, Lee: What terrifies you more, death or being disgraced?” – Andrew

Andrew once again wraps his victim’s face up with masking tape. Then he begins brutally punching him in the face, knocking him out and stabbing him multiple times. Andrew’s use of homophobic language suggests that is filled with so much self-hatred. The whole scenario of Cunanan making cross-dressing and looking at porn out as a crime and a disgrace is one of the most devastating moments of the season so far.

William Reese’ Death

As twisted and disturbing as Lee’s death was, I have to admit, William’s was down right the most heart-breaking death to witness (between the three murders we have seen). Andrew flee’s to New Jersey after murdering Lee and he finds out from a radio station that the police are currently looking for him and that investigators have been tracking his every movement by car phone. In search of a new car to steal, Andrew follows William Reese, a caretaker, to his home through a cemetery. He holds William at gun point as he forces him in to the basement, where William gets down on his knees and pleads for his own life. His plea was cut short when Andrew heartlessly shot him in the head with no hesitation whatsoever.

At this very moment of the series, my hatred for Andrew grew so strongly and I was absolutely disgusted at his lack of remorse and committing his most mundane murder that really didn’t need to happen. However, that being said, Darren Criss is still absolutely out-standing throughout this show and I am seriously running out of ways to describe how flawlessly he is portraying this character. Give this man all the awards immediately!

With six episodes remaining and two bodies to go, we best start mentally preparing for what’s to come next, as not mentally preparing really has done no good since this episode.

What did you think to this episode of The Assassination of Gianni Versace: American Crime Story? Write up a comment and let us know your thoughts!

4 Best Moments From ‘The Assassination of Gianni Versace’ 2×03