There’s a misperception out there that TV critics are some sort of monolith. That there’s some sort of critical consensus.
To prove that wrong, you need look no further than the nominees for this year’s Television Critics Association Awards — which include a few shows I don’t much care for, one that troubles me greatly and one I absolutely loathe.
Don’t get me wrong. The TCA Awards are more legit than, say, the Emmys, because they’re given by people who actually watch almost everything on TV. (Nobody can watch everything anymore.)
And I’ll happily endorse the overwhelming majority of the TCA Awards nominees.
But I’m not a big fan of “Bill” or “GLOW.” And this might get me in trouble, but I’m kind of over “The Handmaid’s Tale” after Season 2.
I’ve also been stewing over “The Assassination of Gianni Versace” for months. The more I think about it, the more I’m troubled by the fact that so much of the supposed docudrama was complete fiction.
Tag: awards talk
If I Had an Emmy Ballot 2018 | Festivals & Awards | Roger Ebert
BEST SUPPORTING ACTOR, LIMITED SERIES OR MOVIE
Cody Fern, Assassination of Gianni Versace
Robert Forster, Twin Peaks
Scoot McNairy, Godless
Peter Sarsgaard, The Looming Tower
Jimmi Simpson, Unsolved: The Murders of Tupac and the Notorious B.I.G.
Michael Stuhlbarg, The Looming TowerBEST SUPPORTING ACTRESS, LIMITED SERIES OR MOVIE
Penelope Cruz, Assassination of Gianni Versace
Laura Dern, Twin Peaks
Nicole Kidman, Top of the Lake: China Girl
Judith Light, Assassination of Gianni Versace
Naomi Watts, Twin Peaks
Meritt Wever, Godless
If I Had an Emmy Ballot 2018 | Festivals & Awards | Roger Ebert
Emmys 2018: Supporting Actor in a Limited Series or Movie — Our 6 Dream Nominees!
The latest Emmy punditry suggests The Assassination of Gianni Versace: American Crime Story‘s titular co-star Édgar Ramírez is a lock to nab a nomination for Supporting Actor in a Limited Series or Movie. There’s also a decent amount of heat surrounding Ramirez’ onscreen squeeze Ricky Martin.
But as TVLine’s Dream Emmy panel sees it, there’s a third, far more under-the-radar member of Versace‘s ensemble that is most deserving of one of the category’s six slots. Who is it?! You know the drill (see gallery widget, promptly click it and all will be revealed).
CODY FERN, THE ASSASSINATION OF GIANNI VERSACE: AMERICAN CRIME STORY
WHY HE DESERVES A NOD: We didn’t expect a show with Versace’s name in the title to stray so far from its apparent focus — but if it hadn’t, we never would have experienced the rollercoaster relationship between Andrew Cunanan and his friend-turned-victim David Madson, embodied with haunting realism by Fern. From his horrified spiral upon discovering Andrew’s dark impulses, to the imagined closure he got with his late father in death, Fern delivered a touching performance that embodied the series’ overall themes of rejection and despair.
Emmys 2018: Supporting Actor in a Limited Series or Movie — Our 6 Dream Nominees!
TV Critics Debate: Last-Minute Emmy Pleas for ‘The Americans,’ ‘Counterpart’ and More
DF: Do you have a particular dog in the movie/miniseries categories? And do you have any particular confusion or concern that American Vandal has apparently been deemed a miniseries for Emmy consideration? The idea of Jimmy Tatro from American Vandal going head-to-head with Benedict Cumberbatch for Patrick Melrose feels peculiar to me, though it feels good-peculiar, not bad-peculiar. After The Assassination of Gianni Versace: American Crime Story, which is a lock for a pile of nods, voters get to weigh in on projects as different as Godless, Top of the Lake: China Girl, Marvel’s The Defenders and, of course, Twin Peaks, which I know is your Big Little Lies for this year.
TG: The less said about Twin Peaks the better. Maybe the American Vandal entry hints at something completely and wholly different in season two, which is about the only way that could be sustained anyway. Patrick Melrose is very intriguing in this category because I think it could nab a number of awards beyond Benedict Cumberbatch, but it could also get lost behind Howards End, The Looming Tower and even The Terror. But the one I’ll be rooting for is Godless. It was completely unexpected, smart, surprising, entertaining and had numerous excellent performances in a genre weighed down by familiarity. I hope it gets rewarded for all of that.
TV Critics Debate: Last-Minute Emmy Pleas for ‘The Americans,’ ‘Counterpart’ and More
Emmys 2018: Supporting Actress in a Limited Series or Movie — Our 6 Dream Nominees!
JUDITH LIGHT, THE ASSASSINATION OF GIANNI VERSACE: AMERICAN CRIME STORY
WHY SHE DESERVES A NOD: A welcome addition to any project, Light delivered yet another stellar performance as perfume tycoon Marilyn Miglin, whose husband was among those seduced and murdered by serial killer Andrew Cunanan. Light brought a tremendous depth to an already complicated character, a grieving widow who was forced to accept that not even her most potent fragrance could mask the stench of her husband’s betrayal. Frankly, this season’s biggest crime was that we only got to spend two episodes with Light’s fascinating creation.
Emmys 2018: Supporting Actress in a Limited Series or Movie — Our 6 Dream Nominees!
Emmys 2018: Lead Actor in a Limited Series — Our 6 Dream Nominees!
DARREN CRISS, THE ASSASSINATION OF GIANNI VERSACE: AMERICAN CRIME STORY
WHY HE DESERVES A NOD: Gianni Versace may have gotten his name featured in the title of FX’s second American Crime Story, but it was Andrew Cunanan — played to haunting perfection by a not-so-Gleeful Darren Criss — who captivated audiences until the season’s unforgettable conclusion. With each gut-wrenching breakdown and unnerving look, Criss embodied a character capable of skyrocketing him from teen-TV heartthrob to Emmy-nominated powerhouse. And need we remind you about that infamous underwear dance? Playing this role took some serious, well, you know.
Emmys 2018: Lead Actor in a Limited Series — Our 6 Dream Nominees!
A case for ‘Twin Peaks’ and twin nominations for Laura Dern and Jeff Daniels
“Big Little Lies” and “Feud: Bette and Joan” made the limited series Emmy categories the races to watch last year, offering a wealth of first-rate acting and entertaining and intimate moments. This year’s races don’t quite offer the same appeal, though my dream — and, yeah, it’s a surreal one containing plenty of low-frequency ambient noise — is that David Lynch will finally win a trophy on prime-time television. What would he say? Would Candie, Mandie and Sandie accompany him to the stage? Emmy voters: Make this happen!
In the meantime, biding time in the Black Lodge, let’s offer a few thoughts on this year’s primary limited series categories.
LIMITED SERIES
“Twin Peaks”
“The Assassination of Gianni Versace: American Crime Story”
“The Looming Tower”
“Godless”
“Howards End”
Possible spoilers: “Genius: Picasso,” “Patrick Melrose,” “American Vandal,” “Top of the Lake: China Girl”
In the mix: “The Sinner,” “The Alienist,” “Alias Grace,” “The Terror,” “Waco”
Analysis: I’ll wait until after the nominations before embarking on a full-court-press hard sell for “Twin Peaks.” “Versace” figures to be its primary competition; it’s an ambitious and often alienating follow-up to the Emmy-winning “The People v. O.J. Simpson” that was less about the titular event and more a look at the heartbreaking harm of homophobia on a national and personal scale. It was lurid, uneven and often inert, but also a fascinating depiction of what it was like to be gay in America in the ’90s. It will be interesting to see just how deeply voters invest in Ryan Murphy’s divisive series.
LEAD ACTOR, LIMITED SERIES/MOVIE
Darren Criss, “The Assassination of Gianni Versace: American Crime Story”
Kyle MacLachlan, “Twin Peaks”
Al Pacino, “Paterno”
Benedict Cumberbatch, “Patrick Melrose”
Jeff Daniels, “The Looming Tower"
Michael B. Jordan, “Fahrenheit 451”
Possible spoilers: Antonio Banderas, “Genius: Picasso”; Jesse Plemons, “Black Mirror: USS Callister”
In the mix: Daniel Brühl, “The Alienist”; Evan Peters, “American Horror Story: Cult”; Matthew Macfadyen, “Howards End”; Jared Harris, “The Terror”; Taylor Kitsch, “Waco”
Analysis: Daniels has been on a phenomenal run since Aaron Sorkin cast him in the Emmy-winning “The Newsroom” six years ago. He figures to pull in two Emmy nominations this year — here for his turn on “The Looming Tower” as the FBI investigator tracking Osama bin Laden and over in supporting for playing a trigger-happy outlaw on Netflix’s “Godless.” (Laura Dern, another national treasure, figures to pull off an Emmy double-dip of her own for “Twin Peaks” and “The Tale.”)
Daniels is one certainty in a competitive category that doesn’t lack big names and outsized performances. “Paterno” wasn’t anything special, but Pacino was convincing in the way he humanized the disgraced Penn State football coach without excusing his complicity in the child sex abuse scandal that rocked the school. He’s in, as are Cumberbatch, Criss, the electrifying MacLachlan and probably Jordan for his expressive turn in “Fahrenheit 451.”
SUPPORTING ACTRESS, LIMITED SERIES/MOVIE
Laura Dern, “Twin Peaks”
Nicole Kidman, “Top of the Lake: China Girl”
Penélope Cruz, “The Assassination of Gianni Versace”
Judith Light, “The Assassination of Gianni Versace”
Merritt Wever, “Godless”
Angela Lansbury, “Little Women”
Possible spoilers: Naomi Watts, “Twin Peaks”; Jennifer Jason Leigh, “Patrick Melrose”; Ellen Burstyn, “The Tale”
In the mix: Julia Ormond, “Howards End”; Elizabeth Debicki, “The Tale”; Philippa Coulthard, “Howards End”; Tracey Ullman, “Howards End”; Sharon Stone, “Mosaic”
Analysis: Betty White was 92 when she earned her last Emmy nomination in 2014 for hosting “Betty White’s Off Their Rockers.” Lansbury, who turned 92 in October, would join her as the oldest Emmy nominee for her turn as Aunt March in the BBC production of “Little Women,” which aired on PBS’ “Masterpiece.” Lansbury has hinted it might be her final role. She has 18 previous Emmy nominations — 12 for “Murder, She Wrote” — but has never won. Playing the opinionated matriarch, Lansbury was dependably amusing and a complete joy to watch. Who wouldn’t want to see her finally win?
SUPPORTING ACTOR, LIMITED SERIES/MOVIE
Jeff Daniels, “Godless”
Edgar Ramirez, “The Assassination of Gianni Versace: American Crime Story”
Michael Shannon, “Fahrenheit 451”
Michael Stuhlbarg, “The Looming Tower”
Peter Sarsgaard, “The Looming Tower”
Ricky Martin, “The Assassination of Gianni Versace: American Crime Story”
Possible spoilers: Bill Camp, “The Looming Tower”; Brandon Victor Dixon, “Jesus Christ Superstar Live in Concert”; Jason Ritter, “The Tale”; Sam Waterston, “Godless”
In the mix: Bill Pullman, “The Sinner”; Tahar Rahim, “The Looming Tower”; Scoot McNairy, “Godless”; T.R. Knight, “Genius: Picasso”; Hugo Weaving, “Patrick Melrose”; Cody Fern, “The Assassination of Gianni Versace: American Crime Story”
Analysis: After Daniels and Shannon, this category comes down to a question of voters sifting through the members of the “Looming Tower” and “Versace” ensembles, with Dixon being a wild card for his intense portrayal of Judas on “Superstar.” (The mesh glitter top costume will fix him in many voters’ minds.) Choosing among Sarsgaard, Stuhlbarg, Camp and Rahim for “Looming Tower” is impossible, but Rahim — a star in his native France who has worked with filmmakers Asghar Farhadi and Jacques Audiard — deserves special mention for providing the series its moral center.
A case for ‘Twin Peaks’ and twin nominations for Laura Dern and Jeff Daniels
Feinberg Forecast: Where Things Stand Midway Through Nom Voting
FRONTRUNNERS
The Assassination of Gianni Versace: American Crime Story (FX)
Godless (Netflix)
The Looming Tower (Hulu)
Patrick Melrose (Showtime)
Genius (National Geographic)FRONTRUNNERS
Darren Criss (The Assassination of Gianni Versace: American Crime Story)
Al Pacino (Paterno)
Benedict Cumberbatch (Patrick Melrose) — podcast
John Legend (Jesus Christ Superstar)
Jeff Daniels (The Looming Tower) — podcast
Antonio Banderas (Genius: Picasso)Best Supporting Actor in a Limited Series or a Television Movie
FRONTRUNNERS
Jeff Daniels (Godless) — podcast
Edgar Ramirez (The Assassination of Gianni Versace: American Crime Story)
Brandon Victor Dixon (Jesus Christ Superstar)
Tahar Rahim (The Looming Tower)
Peter Sarsgaard (The Looming Tower)
Bill Camp (The Looming Tower)MAJOR THREATS
Ricky Martin (The Assassination of Gianni Versace: American Crime Story)
Sam Waterston (Godless)
Scoot McNairy (Godless)
Bill Pullman (The Sinner)
Alex Rich (Genius: Picasso)
Michael Shannon (Fahrenheit 451) — podcast
Hugo Weaving (Patrick Melrose)POSSIBILITIES
Cody Fern (The Assassination of Gianni Versace: American Crime Story)
Jason Ritter (The Tale)
Beau Bridges (Mosaic)
Alice Cooper (Jesus Christ Superstar)
Dylan Baker (Little Women)
Robert Forster (Twin Peaks)Best Supporting Actress in a Limited Series or a Television Movie
FRONTRUNNERS
Merritt Wever (Godless)
Nicole Kidman (Top of the Lake: China Girl) — podcast
Penelope Cruz (The Assassination of Gianni Versace: American Crime Story)
Judith Light (The Assassination of Gianni Versace: American Crime Story)
Sharon Stone (Mosaic)
Ellen Burstyn (The Tale)
Feinberg Forecast: Where Things Stand Midway Through Nom Voting
Hayley Atwell is a natural in ‘Howards End’
The category of Outstanding Limited Series is a hot topic this week. Lynette and Kristen discuss why it’s time for the rules to be changed, and if this is the year a streaming service will win. Plus, Hayley Atwell joins the podcast to discuss her role on the period drama Howards End. She also reveals who convinced her to take the role and shares some fun behind-the-scenes stories of her love for pulling on-set pranks. Credits: Hosts: Henry Goldblatt (@henrygoldblatt), Lynette Rice (@lynetterice), and Kristen Baldwin (@kristengbaldwin) Producer/Editor: Patrick Antonetti (@pja477) at Cadence13 Supervising Producer: Cristina Everett (@cristinaeverett) | 18 June 2018
Emmy Nominations 2018: Variety’s TV Critics on Their Dream Picks
This year’s Emmy nominations are almost upon us, and with the possibilities more scattered than usual, so are our opinions on who deserves to get a nod. So, with voting now underway, Variety’s TV critics got together to hash out their favorite contenders and — more importantly — point to some of the stellar performances that might not have enough support or clout to be recognized, but really ought to be.
OUTSTANDING LIMITED SERIES
D’Addario: We’ve gotten spoiled in recent years—the era of “Big Little Lies,” “The People v. O.J. Simpson,” and “Fargo”—such that this year seems pretty widely considered “weak.” There are plenty of credible nominees that exist in a slightly older mode: The tony TV literary adaptation. I was pleasantly surprised by both Netflix’s “Alias Grace” and Showtime’s “Patrick Melrose,” series that assay widely-respected recent novels with elegance, but verve, too. They may not be quite as edgy as the limited series that have bloomed in recent years, but they weren’t “Masterpiece Theatre,” either.
Framke: I’ll freely admit that this category doesn’t excite me much this year, with a couple exceptions. One is “Alias Grace,” which crawled under my skin for days after I finished it. The other is “American Crime Story: Assassination of Gianni Versace,” which didn’t get nearly as much attention or adulation as “People vs. OJ,” but was slick and confrontational in a way that kept my attention.
D’Addario: I’m glad we agree on “Alias Grace”—its direction, by Mary Harron, was eerily discomfiting, expanding the question of just what accused murderess Grace does and doesn’t know about her own capacity for evil. But I’m going to diverge from you on “American Crime Story,” which troubled me and has stayed with me in not-good ways. While many found this the pinnacle of TV impresario Ryan Murphy’s achievements, I was dubious of its psychologizing of Andrew Cunanan, and the degree to which it seemed to paint all gay men as either villains or victims.
LEAD ACTOR, LIMITED SERIES OR MOVIE
Framke: Given your ambivalence towards “The Assassination of Gianni Versace,” I’ll stump here for Darren Criss, whose performance just about chilled my blood with every blink. And on the complete opposite of the spectrum (and in what I’ll admit is a “no way in hell” nomination dream), I’ll say that Jimmy Tatro‘s surprisingly grounded “American Vandal” role deserves more attention than it got.
D’Addario: I’ll admit I didn’t vibrate on “Vandal’s” frequency. I admired Kyle MacLachlan’s sheer commitment to his “Twin Peaks” role(s) enough to hope he lands a nomination, but find myself rooting for “Patrick Melrose’s” Benedict Cumberbatch. The actor’s no stranger to the Emmys thanks to “Sherlock,” but his compelling, painful, redemptive journey through addiction and self-loathing on “Melrose” deserves notice.
SUPPORTING ACTOR, LIMITED SERIES OR MOVIE
Framke: If the FYC campaigns are any indication, this might be Jeff Daniels’ race to lose, but his consciously hammy performance in “Godless” left me pretty cold. Instead, I find myself in a somewhat hilarious position that my middle school self would find perfectly appropriate: rooting for Ricky Martin’s heartbreaking performance in “ACS: Versace.” I will also happily accept Cody Fern’s.
D’Addario: Cody Fern was a genuine discovery in “Versace.” My vote, though, would go to Jason Ritter, putting his considerable charm towards risky and, eventually, genuinely scary use as a predator in “The Tale.” It’s a performance that walks close to the edge without losing balance.
SUPPORTING ACTRESS, LIMITED SERIES OR MOVIE
D’Addario: If anyone onscreen in “Versace” earned a prize, it’s Penelope Cruz’s uncanny Donatella, balancing feral pain with the need to save face. In my dream world, Riley Keough’s sharp, dogged work in “Paterno” pays off, and Frances Conroy gets in for an eerie, brief appearance in “The Tale,” one that leaves a painful afterburn.
Framke: I see your Penelope Cruz and raise you a Judith Light — which might be one of my favorite sentences I’ve ever written. Bless TV forever and ever, amen.
Emmy Nominations 2018: Variety’s TV Critics on Their Dream Picks