Lou Eyrich “MEET THE HOLLYWOOD COSTUME DESIGNERS”

WANT TO KNOW ALL THE FACTS ABOUT THE COSTUMES IN THE ASSASSINATION OF GIANNI VERSACE?
In this new episode of Meet the Hollywood Costume Designers Lou Eyrich had a chat with us about how she created the ‘90s-era Miami “heat and sizzle” for the tv show The Assassination of Gianni Versace.
Spoiler: it wasn’t easy at all!
Bonus: Lou takes you to one of the most beautiful costume houses in Los Angeles. | 23 February 2018


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Pop Rocket Episode 162: Pop Rocket is for Lovers with Dave White

Karen Tongson takes over hosting duties this week and film critic Dave White joins the panel to discuss all things Valentine’s Day. Who are our favorite TV couples? Are rom coms over? What couple do our panelists aspire to be like? Plus, Karen talks the Winter Olympics, Dave tells us about his new favorite chef, and Wynter has a few more words on Versace. | 14 February 2018

Aimee Mann Strips Back The Cars’ “Drive” on New Cover – Cover Me

The music gods are off to a good start for 2018. Aimee Mann wins a Grammy. The Cars get voted into the Rock Hall of Fame. And, combining the two, Mann has covered one of the Cars’ biggest hits: “Drive.”

The Cars recorded “Drive” for 1984’s Heartbeat City, the Mutt Lange-produced album that marked the height of the band’s commercial success. “Drive” is a beautiful soft-rock ballad that was accompanied by a heavy rotation MTV video. Remember Paulina Porizkova crying while marking on the wall?

Mann recorded her cover for the television series The Assassination of Gianni Versace: American Crime Story (she also appears in an episode performing “Drive” in a bar). Mann has covered other songs before for tributes or a movie, and most of those efforts only get traction with her loyal fan base. Her take on Three Dog Night’s “One” (a cover of a cover) has broken out wider; she still performs it often on tour.

So what would you expect from a singer-songwriter that covers a dreamy synth song from the 1980s? An acoustic guitar ballad? Ding, ding, ding. Aimee’s stripped-down playing and her unique voice accentuate the melancholy in “Drive.” This simple music plays to Aimee’s strength, and she does not disappoint. The Cars’ original version holds up today 34 years later, so there is a slim chance of improving this classic with a poppy overproduced version; thankfully she went in a different direction.

Give Aimee Mann’s acoustic cover of “Drive” a listen and sing along like you just lost your true love at the school dance.

Aimee Mann Strips Back The Cars’ “Drive” on New Cover – Cover Me

‘The Assassination of Gianni Versace’ recap: Three is a party

We gave it an A

We reunite with Andrew Cunanan in a beautiful beach home, arms laden with shopping bags, wearing sunglasses, and diving naked into a pool. It’s the the closest he’s come to the first morning we saw Gianni Versace experience in the pilot: Cunanan found a way to live that rich and famous life — the only difference is he never earned it.

Cunanan meticulously wraps a gift in Tiffany-blue wrapping paper and carefully selects an outfit from a closet curated like a department store. He wipes some cocaine on his gum. This little scene — we’re reminded — takes place one year before the murders began. And so what, we must ask, caused this man who seems to be so on top of the world to completely snap?

Cunanan is having a birthday party, and we get a glimpse of the wonderful Annaleigh Ashford again as a pre-murder spree friend, Lizzie, interrogating him about his new gay lifestyle and questionable relationship with a much older man, Norman (in whose beautiful home he’s been staying). “I…curate his art,” Cunanan answers, when Lizzie asks what he’s been doing at the house of the older man. But even though he’s a live-in boyfriend, Cunanan only wants David.

Jeffrey arrives first, wearing a suburban dad’s uniform of bad jeans and a button-down shirt, and Cunanan tries to manipulate the scene a little better for David’s benefit, so Cunanan looks more “loved.” He buys Jeffrey a new pair of shoes and asks him to corroborate the white lie he told about Jeffrey still being in the Navy. “But Jeff — being an officer in the Navy just sounds so impressive!” Oh how innocent his manipulations began.

David finally arrives, all the way from Minneapolis, and Cunanan kisses him on the lips. It’s obvious that David is impressed, and also impressed when Jeffrey presents Cunanan with his self-bought gift, right on cue. But the chemistry between Jeffrey and David is also immediate, and sends Cunanan into the bathroom for another line of coke.

It’s one of the older Norman’s friends who puts Cunanan in his place, attempting to protect his friend: “Too lazy to work, too proud to be kept,” he sneers at Cunanan. “That room is full of people who love me,” Cunanan said, gesturing to the party. “That room is full of people who don’t know you,” the man replies.

Cunanan is desperate to interrupt David and Jeffrey’s immediate report, but he’s thwarted by a familiar face: Lee Miglin, who came all the way from Chicago, clearly crazy about Cunanan even though Cunanan is embarrassed by him. Cunanan is surrounded by all of his future victims in a group photo—the next scene shows he’s scratched out all of their faces but David’s.

Cunanan presents requests to Norman in order to stay together: an increased living allowance, a car, and his entire inheritance. But Norman is a savvy businessman, and he fires back with the one thing Cunanan hates the most: the truth about who he is. Norman knows Cunanan’s real name. He knows that he had been working minimum wage and living with his mother. Norman presents the facts and Cunanan walks away, silenced. Norman is too generous with Cunanan — he offers to increase his living allowance and pay for his college (“I already have a PhD!” Cunanan shouts). He sees through the lies and still wants to help him. “You can have this life, if you work for it, but if you won’t, you must share it with me,” Norman says. He refuses Cunanan his list, and after throwing a chair through a glass table, the boy sulks off like a petulant child. “I’m leaving. I expect you to call.”

Cunanan’s real home is a miserable oatmeal apartment with a bare mattress, and we see his first act of vindictive revenge: the postcard attempting to out Jeffrey to his father, for the sin of Jeffrey hitting it off with David at the party. Jeffrey confronts Cunanan and holds Cunanan against the wall. He tells Cunanan he got a new job — in Minneapolis. Where David lives. “I’m leaving,” he says. “I thought you should know.” Jeffrey gives Cunanan a filthy look as he leaves.

Cunanan now does what he has to to win back David: offering a fully funded trip to Los Angeles, the desperation in his voice only slightly audible. One can only imagine the credit card debt he’s racking up. David has come, but it’s obvious he’s uneasy, especially when Cunanan makes it clear he imagines them sharing a future. Cunanan drowns him in expensive gifts and fancy food — more desperation.

And David feels guilty. “Andrew, I’m not the one,” he says, after offering to pay for half of everything. “I’m sorry.” The truth of the situation’s weirdness comes out — they had one great night together in San Fransisco. Just one. And Cunanan is trying to recreate their perfect meeting.

“So know me! Get to know me!” Cunanan cries. David, it turns out, just wants to know the real Cunanan. The two of them gleefully peel off their jackets and sit across from each other. David asks about Cunanan’s parents, but his eyes go dull as Cunanan continues to spew lies about his extravagant upbringing.

Cuannan goes back to his apartment alone, with no messages on his answering machine and a massive credit card bill. In the story he tells to the bartender that night, he proposed to David and David said yes. In his meth-fueled dream, Versace is tailoring his suit. “We’re the same!” Cunanan says to Versace’s cold arrogance. “The only difference is you got lucky!” Versace says that that isn’t the only difference. “Oh yeah?” Cunanan says. “What else you got?” Dream-Versace doesn’t even smile. “I am loved,” he says.

Now Cunanan is twitchy and strung out. His stories to the bartender don’t make sense. He doesn’t have money to pay his meth dealer. And so he returns to the house where he had so recently hosted a birthday party. He pleads on his hands and knees for Norman to let him in, barking Norman’s name, while Norman lifts a phone to call the police.

Cunanan has nowhere to go but his mother’s house. She believed his lies, she brags about him to her friends, and she comforts him, bathing him in a tub like an infant. And then he’s sent on his way — off to do all of the great things she thinks he’s doing.

What city is next, she asks.

“Minneapolis.”

‘The Assassination of Gianni Versace’ recap: Three is a party

Who Was Andrew Cunanan’s Former Lover? Your Guide To ‘The Assassination Of Gianni Versace’ Episode 6

It was almost nice that The Assassination of Gianni Versace: American Crime Story took last week off. After the one-two punch that was “House by the Lake” and “Don’t Ask, Don’t Tell”, audiences probably needed some time to emotionally recover from the series. However, rest time is over, and FX’s bleak, soulful, and murderous crime drama is back; from now on, things are getting more personal than ever.

Whereas the first half of the Versace season of American Crime Story focused almost exclusively on exploring Andrew Cunanan‘s five tragic victims, the second half is primarily about Cunanan. The source material for this series, Maureen Orth’s Vulgar Favors, devotes many chapters to Cunanan’s early life, influences, and mistakes, and American Crime Story is no different, starting with Episode 6, “Descent.” Consider this your fact-filled guide to the new and old characters introduced in this episode as well as any other lingering questions you may have.

Who was Norman, Andrew Cunanan’s former lover?

The main drama in “Descent” revolves around a previously unknown older man named Norman. That would be Norman Blachford, a conservative retired millionaire who made his fortune on sound-abatement equipment and knew Cunanan while he was in his 60s. They were presumably in a relationship together and discussed by the media a fair amount. According to Maureen Orth’s article about the Cunanan case for Vanity Fair, “The Killer’s Trail”, Blachford reportedly gave Cunanan $2,000 a month as well as a 1996 Infiniti I30T. The pair would travel around the world, and they also joined Gamma Mu, a private fraternity of “very rich, mostly Republican, and often closeted gay men.”

It was allegedly Cunanan who convinced Blachford to sell his home in Scottsdale Ariz., to buy a mansion in La Jolla, which is where “Descent” primarily takes place. The two had broken up by September of 1996. According to Orth, the relationship between David Madson, Jeff Trail, and Andrew Cunanan had also become strained during this time.

Who plays Norman Blachford?

That would be Michael Nouri. He’s perhaps best known for his roles in The Hidden, Flashdance, and The Terminal.

Who was the disapproving man at Cunanan’s birthday party?

While Andrew (Darren Criss) runs around his birthday party attempting to make David Madson jealous, The Assassination of Gianni Versace presents a guest who calls out Cunanan for the liar he is on multiple occasions. This man doesn’t seem to have a direct doppelgänger. However, he does echo the concerns some acquaintances had about Blackford and Cunanan’s relationship.

In the Orth article, one man described Cunanan as “sad on two levels: He’s got a lot going for him, I thought. He doesn’t need all this sham.… He was also a young man ultimately with no career ambitions in any direction. He pretty much said he was interested in older men for their financial situations. He made no bones about that, and he would say it in front of Norman.”

Who is Elizabeth Cote, Andrew Cunanan’s friend?

Cunanan and Cote knew each other from junior high school. Later after Cote got married and had a daughter, the young couple took Cunanan in as his sort of “patrons.” Cunanan was the godfather of Cote’s daughter, and he would often lie about her, saying that she was his ex-wife.

Who plays Elizabeth Cote?

That would be Annaleigh Ashford. She’s perhaps best known for playing Betty DiMello in Masters of Sex, but she also starred in the TV movie version of The Rocky Horror Picture Show.

What was Andrew Cunanan’s relationship with his parents like?

It was complicated to say the least. Cunanan was born to Modesto “Pete” Cunanan and Mary Anne Schillaci, and though he was the youngest of the couple’s four children, by all accounts he was spoiled by them. He would often lie about his family’s financial status, making up grandiose stories about their wealth so he could better fit in with his peers at The Bishop’s School.

Most chillingly, Orth revealed that Cunanan was violent to his mother on at least one occasion. In the Vanity Fair piece, she writes, “But it didn’t take long for neighbors to reveal to me that Andrew had once slammed his mother against a wall so hard that he dislocated her shoulder.”

Who plays Andrew Cunanan’s mom?

You can thank Joanna Adler for that chilling performance. Adler is perhaps best known for her role as Detective Farmer on The Sinner and as Young Kaplan on The Blacklist.

Who Was Andrew Cunanan’s Former Lover? Your Guide To ‘The Assassination Of Gianni Versace’ Episode 6

The Assassination of Gianni Versace: Fact-checking Episode 6

The second season of Ryan Murphy’s American Crime Story anthology series, titled The Assassination of Gianni Versace, explores the titular designer’s brutal 1997 murder at the hands of serial killer Andrew Cunanan. We’re walking through all nine episodes with Miami Herald editorial board member Luisa Yanez — who reported on the crime and its aftermath over several years for the Sun-Sentinel’s Miami bureau — in an effort to identify what ACS: Versace handles with care versus when it deviates from documented fact and common perception. The intention here is less to debunk an explicitly dramatized version of true events than to help viewers piece together a holistic picture of the circumstances surrounding Versace’s murder. In other words, these weekly digests are best considered supplements to each episode rather than counterarguments. Below are Yanez’s insights — as well as our independent research — into the veracity and potency of events and characterizations presented in episode six, “Descent.”

What They Got Right

The tension with Norman Blachford’s friends
In “Descent,” one particular friend of Norman’s named David Gallo (and yes, that’s SNL alum Terry Sweeney in a rare onscreen appearance) sizes Andrew up as trouble and corners him for a lecture. In real life, reports emerged as soon as May 1997 — prior to Versace’s death — that some of those close to Blachford had misgivings about Andrew. We couldn’t verify whether Gallo himself was based on a specific person who cornered Andrew at the La Jolla mansion – or if he’s a stand-in for many onlookers’ sentiments – but we’ll score this one in the credible column.

The L.A. weekend with David Madson
By all evidence, Andrew did seem to spend a lavish few days in Los Angeles with David not long before he unraveled. “Cunanan would treat people to fancy things like that, and he had done something like that with David,” Yanez recalls. “Friends mentioned that, and I think friends were in on that visit too. That was part of his lifestyle back then.” In fact, one brief section of the FBI’s dossier on Cunanan (see: page 50) confirms he stayed at Hollywood’s famous Chateau Marmont hotel for nearly a week and made many calls to Minneapolis — where Madson lived at the time — during his stay. It’s difficult to prove with total authority that David was with him, although the bill Andrew is shown to have racked up in “Descent” — $2,742.72 — is, according to the FBI investigation, entirely accurate.

Cunanan’s time at Flicks
As has been noted in previous fact-checks, the Flicks nightclub in San Diego was one of Andrew’s regular San Diego haunts. In “Descent,” he’s shown, well, descending further into addiction and desperation while buying drugs and boring bartenders at the club. This lines up with Yanez and her colleagues’ reporting back in 1997. “That he had a regular spot was on the radar, and that’s where we got a lot of information,” she says. “From the people that frequented that bar. They knew more of [Cunanan] than anybody else, regulars from that bar.” Yanez acknowledges that any anecdotal accounts were taken “with a grain of salt,” adding, “but then, Cunanan was so hard to get a grasp on. If you knew his real story, it was very different from what these people were saying. We’d start saying things like, ‘According to friends, Cunanan told them that….’ You couldn’t really give a fact as a straight-on fact, because he was such a storyteller and a liar. You had to quantify it and qualify it.”

Cunanan’s master bedroom
The one thing Andrew didn’t lie to David about over lobster was his way of finagling privileged accommodations even as a child. In 2009 for the San Diego Reader, a former neighbor and friend posted a fascinating anonymous diary of sorts detailing her relationship with Andrew. In it, she specifically mentions how he occupied the master bedroom in his house. (His mother, Mary Ann, supported this story in a rare 1997 TV interview.) She also recounts how, after the Cunanans scaled down to their Rancho Bernardo apartment, the lone TV was located in Andrew’s room. “He grew up with a sense of entitlement and showed contempt for those more successful than he,” the anonymous acquaintance wrote, echoing the common perception.

The drug addiction
Yanez can’t say for certain when, exactly, Andrew was preoccupied with one drug versus another, but concedes that — if anything — his addiction went underreported as part of what fueled his spree. “When we started looking into San Diego, there was talk of the drug use,” she says. “But that’s an interesting point, because I don’t think we considered it enough at the time. We should have given it more input that he was someone with an addiction. At the time, it was ‘a gay guy killing people,’ it wasn’t ‘a gay guy with a drug habit’ … When he gets to Miami Beach, there were sightings of him trying to buy drugs at the clubs.”

Thrifty pharmacy
Norman’s investigation into Andrew was spot-on, including Cunanan’s time as a Thrifty pharmacy clerk in San Diego. That’s affirmed in the San Diego Reader blog, the FBI files, and New York Times interviews with police, among other sources. You won’t find that particular storefront there any longer, but if you’re ever in and around Rancho Bernardo, you can still snag some “thrifty” ice cream. At Rite-Aid.

What They Took Liberties With

Miglin and Madson in La Jolla
While Yanez found the prospect of Lee Miglin, David Madson, and Jeffrey Trail having crossed paths titillating, she can only offer that she and her peers “never connected that in that way.” Orth’s own reporting on the birthday bash depicted in “Descent” quotes a friend of Trail’s talking about how Andrew persuaded Jeff to wow Norman by saying he was a highway-patrol instructor — not dress up in Naval attire to impress David. The San Diego Reader also published scuttlebutt about Norman having thrown Andrew a lavish beachfront birthday party at his home. No one, however, has seemingly ever implied that Lee Miglin was in attendance, let alone posed for a photo alongside two of Cunanan’s fellow future victims. And when interviewed by the FBI (see: page 104), Norman — despite redactions, it is fairly plain he is the subject — explains that he knew neither Madson nor of any connection between Cunanan and Miglin. If anything, Miglin’s appearance could be foreshadowing further examination of (entirely unproven) rumors that Cunanan was familiar with Lee’s son Duke, then an aspiring actor. Still, we will confess that a photo featuring several unidentified persons and mentioned in page 101 of the very same FBI documents piqued our interest.

The final visit with MaryAnn Cunanan
Andrew’s mother was definitely living in less-than-glamorous conditions in her San Diego neighborhood, and most certainly was in denial about her son’s state of mind. In the aforementioned 1997 interview for the TV show Hard Copy, she referred to him as a “saint,” alleged he was executed by the Mafia, and invoked her faith by exclaiming that he was “free in heaven.” But there’s no evidence that points to Andrew having sought solace with MaryAnn for one final, brief stay before snapping and endeavoring on his murder spree. Likewise regarding whether he submitted himself to a maternal sponge bath and berating about his body odor. “I think they hadn’t seen him for a while when he went on his spree,” Yanez says. “They’re trying to make a point there that he’s kind of like her. He’s not what she’s thinking she is, but she’s created this vision that he’s successful and going along with it, kind of like he does.”

The break-in at Blachford’s house
Some scenes in The Assassination of Gianni Versace are more transparently for effect than others. It’s not a stretch to imagine Andrew, broke and strung out, banging on Norman’s glass doors after trying to force his way into the home, as Norman threatens to call the police. In truth, per the FBI files (page 100), Norman — once again, despite redactions, it’s clear he is the interview subject here — attests that Andrew never attempted to reconcile and the two would only bump into each other at the occasional social event. And that they last spoke when Cunanan made a conciliatory phone call — from Minneapolis.

The Assassination of Gianni Versace: Fact-checking Episode 6

The Assassination of Gianni Versace Recap: A Crystal Ball

Editor’s Rating: ★★★★☆

As we learn more about Andrew Cunanan in this episode, I have a very serious question: Is it considered skinny dipping if he’s still wearing goggles? I find it very curious that Andrew swans around this big, expensive home in La Jolla, a wealthy suburb of San Diego, and dives into the pool overlooking the ocean in his birthday suit, but takes time out to put on some reflective goggles that make him look like a figure in a David Hockney painting as he emerges from the water.

All joking aside, we all knew this wasn’t Andrew’s house. Instead, it belongs to a wealthy older gay gentleman named Norman. Not only is Norman rich and willing to keep Andrew in the manner in which he’s become accustomed, he’s also rather handsome. And he also hasn’t made Andrew put out in three months, either. This is the easiest salary a rent boy like Andrew has ever drawn.

It’s the day of Andrew’s big birthday party and we learn a number of things very quickly. First of all, he is deeply disliked by Norman’s friends, a set of old queens with the vicious tongues right out of Boys in the Band (now back on Broadway!) because they think that Andrew is only interested in Norman for his money. Gil even reminds Andrew that he is nothing more than Norman’s employee, something that his fragile ego can hardly bear to grapple with.

The other thing we learn is that he’s willing to enlist his closest friends in his lies. He tells his friend Lizzie that she has to help him convince David, who is coming from Minneapolis just for the party, that he can afford this grand house all on his own. When Jeff shows up for the party, seemingly one of Andrew’s only actual friends, Andrew forces him to wear fancier shoes, lie about his job, and even gives him a fake present to pretend be brought. He wants David to think that he has really great friends, even if he has to say, “Versace doesn’t make shoes,” under his breath when Jeff hands him the box. (Wrapped in Tiffany blue, of course.)

Yes, this whole party is just to impress David. Andrew even blows off Lee Miglin, who could have been another giant source of income if he were really sick of Norman, but instead he’s trying to chase his love for David. “He’s a home,” Andrew tells Lizzie about him. “He’s a yard and a family and picking kids up from school. He’s a future and up until now I’ve only dated the past.” The problem is that, as soon as David shows up at the party, he’s giving off major “I’m just not that into you” vibes. He’s flirting with Jeff right in front of Andrew, wondering where he’s going to sleep in the house (because he obviously won’t be sleeping with Andrew), and just generally treating him the way he would any friend.

The funny thing about Andrew is that he doesn’t see how flimsy his lies really are. They’re like a pointillistic painting: From far away it all makes sense, but when you give it even the slightest bit of scrutiny, you realize how it doesn’t all quite fit together. Everyone knows it, including Jeff, Lizzie, David, and certainly Norman. I don’t think Norman really needed to hire an investigator to find out that Andrew isn’t who he says he is, but he did anyway. He finds out that Andrew is poor and lived in a shitty condo, that he dropped out of state school after only one year, and he used to work in a drug store.

What’s amazing is that these people are always trying to save Andrew. Just as David did in Minneapolis, Norman also offers to help him. Andrew approaches Norman and tells him that since he cost him the love of David, he wants more money, a fancy car, and to be written into the will as Norman’s sole heir. Norman says that he will do that, but only if Andrew treats their relationship like a real partnership, not like he’s doing Norman some huge favor. He also offers to keep paying Andrew, set him up at a university, and pay for his degree. It’s a generous offer, but Andrew would rather continue living in his privileged fantasy than actually have to work hard.

Norman asks specifically about that aversion to hard work and earning the luxurious life that he craves. “It’s just so ordinary,” Andrew whines, before smashing the table, walking out on Norman, and going to live in a seedy condo that looks like it’s somewhere very close to the airport. (Why are all the worst places to live always near the airport?)

While he’s there, we learn that Andrew sent a postcard to Jeff’s father trying to out him as some kind of threat. I never entirely understood what this gambit was all about. Is he trying to extort Jeff by saying he’ll out him to his parents? Jeff doesn’t have any money. During this exchange, we also learn that Jeff is moving to Minneapolis, possible to be closer to David.

Andrew freaks out and invites David on a last-minute vacation to Los Angeles, where he says he’s hard at work on a movie. But David sees right through all of Andrew’s lies because Andrew doesn’t behave like an actual rich person. Real rich people never talk about “five-star hotels,” they just go and stay in them. A real rich person would never throw his keys at the valet. That’s just something that people do in movies, like running into the street and shouting, “Taxi!” Andrew is always projecting what he really is, an insecure kid playing rich.

When David shows up, he’s uncomfortable with all of Andrew’s very staged displays of wealth and says he’s not interested in that world. Not only are Andrew’s attempts transparently fake, they’re also not the right way to impress someone like David. He gets one final chance to be authentic when David takes off his jacket and clears the table and asks Andrew to tell him about his real life. Instead, Andrew just manufactures more lies about his parents and his mother bringing him lobster dinners at boarding school. You can see David resign himself to the fact that Andrew will never change. “We had a great time in San Francisco,” David tells Andrew, blowing him off. “One great night. Maybe there was a chance, but … I have a feeling you don’t have many great nights with people. So when you do, it feels life changing.” Even when trying to let him down gently, David is still trying to help. Andrew really does prey on the nicest guys.

After that failure, Andrew gets into injecting crystal and we see how life altering it is. He imagines himself with Versace, but even then Versace doesn’t behave like a real person, he’s just a receptacle for Andrew’s bitching. He says that he’s the most generous person in the world and he’s given everything to the people he loves, but he doesn’t do it out of generosity. He does it so that he’ll have love and acceptance. Andrew never realizes it’s something he can’t buy.

Quickly, we find out where all of his pathology comes from. When Andrew hits rock bottom and runs out of money thanks to his crystal habit, he goes to see his mother in her shabby apartment and she gives him a sponge bath, which is really, really weird. It’s like Bates Motel weird. As his mother launches into a story about running into a woman in the supermarket, we realize that Andrew is just like his mother. She says that family is everything, that she gave it all up for him, that she just wants him to be something great so that she can share in his glory.

In a rare vulnerable moment, Andrew says that he’s unhappy. He wants to be honest with the one person who truly understands him and where he comes from. But his mother doesn’t want to hear it. She wants to believe in the lie that she created. She wants her son to be extraordinary, even if it’s fake. With that, she seals her son’s fate. He gets in his car and heads off to Minneapolis, starting a spree that will eventually lead to the murder we’ve been working backwards from all season.

The Assassination of Gianni Versace Recap: A Crystal Ball

The Assassination of Gianni Versace Episode 6 Review: Descent

With episodes three through six, The Assassination of Gianni Versace has placed the lives of Cunanan’s victims front and center. They are used as a lens to explore Andrew, but they are also shown to be people in their own right, with their own lives and motivation before Cunanan was through. Listing the names at the opening of this episode was a stark reminder of the stakes of the series.

There’s been a certain amount of criticism over how little the series has focused on Gianni Versace. Certainly, given the title, the viewer is entitled to be annoyed. But from an ethical standpoint, honoring three of the other four victims is a worthwhile pursuit, and it has made for excellent television.

However, it’s the absence of an episode devoted to victim number four, cemetary caretake William Reese, that exposes the show’s intentions more clearly: he is the only victim who (undisputedly) had absolutely nothing to do with Andrew Cunanan. It’s purely a situation of the wrong place at the wrong time, which means there’s little his death (or life) can do to shed life on who Andrew Cunanan was, or why he became a spree killer.

Therein lies the rub of true crime: even when it endeavors to honor the victims of a particular crime, it’s almost always in service to more exposure for, and a better understanding of, the perpetrator of the crime, rather than their victims.

The presence of Lee Miglin at Andrew’s birthday party, and in a picture alongside Andrew, David, Jeff, and Andrew’s paramour of the week, is startling. For one thing, a picture of Andrew with three of his five victims would be a big deal on it’s own. Second, Miglin’s family disputes to this day that the two ever met. Futhermore, to show a photo being taken is a bold assertion in anything based on a true story, since it insinuates that the photo actually exists. I couldn’t find any such photo online, nor any mention of it in discussions about whether Miglin and Cunanan knew each other. To portray it here feels like an overstep of the contract that true stories make with their audience, since it would be reasonable to assume the photo was real based on this episode, and I have yet to hear about even a purported existence of such an image.

Andrew’s host is an interesting figure, as is his friend who clearly has Andrew’s number. Andrew clearly isn’t fooling anyone; his older lover has no delusions about their situation. Yet he is firm when Andrew tries to overstep with his extravagant requests, and the incentive to value the older man more dead than alive. “If you want to live this life, you have to work for it. Or you can share it with me. There is no third way.” Much of Andrew’s actions could be seen as looking for that third way. More troubling still, is the fact that in spite of his taste for the good life, he clearly didn’t kill for it. So what, then?

The Andrew Cunanan of “Descent” is fittingly desperate and sad. He’s modeling his life around the kind of person he thinks David could love, which is heartbreak to watch when it’s played so well, but Ryan Murphy and Darren Criss won’t let us forget what’s to follow, even for a second. Andrew is transparent in his attempts to thwart David and Jeff’s chemistry upon meeting, doing everything he can to keep them apart, appear single to David without alienating any of his older patrons too much, and scrambling to project the kind of life that he mistakenly thinks will appeal to David.

This episode, more than any other, demonstrates the warning signs of Andrew’s earlier abusive behaviors. Obviously the physical violence is the most extreme, but there’s more to learn from how he acted before he escalated to such extreme violence. It’s important to state clearly here that Cunanan’s victims are not to blame for not noticing the signs or not speaking up. However, it’s worthwhile to point out abusive behavior whenever it occurs, in the hopes that it helps to keep more people safe.

Much of Andrew’s behavior comes from the classic power and control wheel of the world of intimate partner violence and sexual assault – I’m thinking here of the way he plays the victim when Jeff gets physical in response to Andrew sending the postcard to Jeff’s father to out him, which is itself an act of abuse. Andrew tries to gaslight Jeff and whatever audience he may have, real or imagined, into thinking that Jeff’s actions were more aggressive and threatening than they really were. Andrew effectively flips the conversation so that instead of answering for his betrayal, Jeff has to answer for his reaction to it.

There’s an interesting dynamic at play here that’s not often discussed on mainstream media, that of abuse between members of the LGBTQ community. Andrew’s reaction to Jeff plays up the idea that Jeff is larger and more masculine, making himself seem more vulnerable. Further, so many of the red flags that David, Jeff, and others noticed about Andrew’s behavior would have been easily dismissed due to myths related to intimate partner violence. For example, Andrew lacked a physical advantage, one that is often credited with so much of the imbalance in heterosexual power dynamics. In earlier episodes, Jeff and David shrugged Andrew off as harmless though annoying, or even cruel.

Unfortunately, the downplaying of emotional and verbal abuse is all too common, and it allows more intimate partner violence to flourish. Andrew’s ability to manipulate myths and assumptions around homosexuality and intimate partner violence helped him fly under the radar and ultimately hurt more people.

★★★★☆

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