Darren Criss on how homophobia was a catalyst for Gianni Versace’s murder

The current series of The Assassination of Gianni Versace: American Crime Story has not only had audiences gripped, but contextualised the circumstances surrounding one of the fashion world’s most infamous murders.

American actor Darren Criss plays serial killer Andrew Cunanan in the anthology series, giving a scene-stealing performance as the young gay man who went on a murderous rampage across the US back in 1997.

His victims included Gianni Versace, as well as Chicago tycoon Lee Miglin, and former US Navy officer Jeffrey Trail.

While Cunanan’s horrific actions are unjustifiable, Ryan Murphy’s American Crime Story shines a spotlight on the rife homophobia that existed in America during that period, which would have had an impact on the killer and his mental health.

During his cover interview with Gay Times this month, Ricky Martin – who plays Gianni’s lover Antonio D’Amico – suggested that it was homophobia that actually killed Versace.

“It’s not the way he died, it’s the way it was allowed to happen,” Ricky told us. “Back in the 90s – and we have to be careful because history tends to repeat itself – Gianni Versace was killed by a man that was on the FBI’s Most Wanted list.

“This man was living in Miami but because he was a gay man killing other gay men, everybody turned the other way. That’s what infuriates me.”

When Darren Criss came to London recently, Gay Times sat down with him to ask him if he, like Ricky Martin, felt that it was homophobia that killed Versace.

“I think there’s a lot to that,” Darren told us. “It’s not just homophobia, but that’s not an off-base or incorrect statement at all. It’s a huge part of it – from the way homophobia played out during the investigation.

“When we use the word homophobia I don’t think it necessarily involves the extreme end of what that means. People tend to think of it in terms of hate crimes and violence, but homophobia exists in much smaller systemic ways. It operates institutionally between fear and misunderstanding.

“A lot of the investigative bodies not necessarily wanting to go into gay clubs to post flyers, not because they didn’t like gay people, but because they weren’t sure if that was something they could do. Maybe they were scared they’d be perceived as homophobic.

“There’s a general sort of disconnect between asking questions and being involved that could be put under the category of homophobia. That’s certainly what allowed Andrew to get away with this for so long.”

Darren added: “The media exposure on Andrew Cunanan in general before Versace was killed had a lot to do with the media’s fear of exposing gay murders. Especially after AIDS was a very hot button topic. That’s also another form of homophobia.

“Andrew’s own fear of himself and not wanting to be this thing in certain circles… It manifested itself in so many ways and different bodies that the amalgam of that probably did kill Versace. It’s a very complex thing.

“Andrew’s history of mental health in his family, and his own socio-economic situation was nothing to do with his sexual identity, but his identity as a person socially. He wanted to be wealthier than he was.

“There was this cocktail of really unhealthy things that were already in place, so homophobia being present in the world around him was just the right/wrong catalyst to make it all blow up.”

Elsewhere, Darren Criss told us what playing gay roles on two major US television shows has, as a heterosexual actor, taught him about the gay experience.

Darren Criss on how homophobia was a catalyst for Gianni Versace’s murder

Darren Criss reveals what ACS: Versace and Glee taught him about the gay experience

While viewers in the US have already been treated to the harrowing series finale of The Assassination of Gianni Versace: American Crime Story, there are still two episodes left to air in the UK.

Darren Criss plays serial killer Andrew Cunanan in the Ryan Murphy-produced series, chronicling his murderous rampage back in 1997 which concluded with the fatal shooting of world-renowned fashion designer Gianni Versace.

The award-worthy performance sees Darren Criss at his finest, and is worlds away from the last gay character he played in one of Ryan Murphy’s television shows, Glee.

Gay Times sat down with Darren during his visit to London to find out what, as a heterosexual actor, he has learned about the gay experience having researched the characters.

“They are two very different roles,” he told us. “Glee was really an extraordinary beam of positivity – especially for primetime television with mass appeal for young people. It was a wonderful example to set on television, and to be a part of that was really a thrill.

“The Assassination of Versace is really the opposite end of that spectrum where you’re really displaying the turmoil of that gay American identity. Particularly through the navy and military and what people had to go through, and still have to go through.

“I think it’s cool that I’ve been able to be a part of telling both sides of that narrative, and see how far we’ve come and how far we have left to go.”

One of the main points Darren took away as a viewer of American Crime Story is the intense political and social climate around LGBTQ people serving in the US military back in the 1990s.

It was the era of the Don’t Ask, Don’t Tell policy being introduced, where LGBTQ recruits were expected to hide their sexual if they wanted to serve. Openly gay people were prohibited from enrolling completely.

“The great thing about this season of American Crime Story was really learning more about – and this is not about the character I played, but rather being a part of the show and watching it – the gays in the military episode,” Darren told us.

Jeffrey Trail – who was one of Cunanan’s five victims – did an anonymous television interview back in 1993 before the Don’t Ask, Don’t Tell policy was introduced by the Clinton administration, revealing the struggles LGBTQ recruits faced.

That moment in history is featured in an episode of The Assassination of Gianni Versace: American Crime Story, outlining the rife homophobia that existed around the time Cunanan committed these atrocious murders.

“It was really illuminating because it’s something that we know about and it’s still talked about in the United States. It still continues to be a divisive topic in our country,” Darren continued. “It’s sort of an abstract concept because most of my friends aren’t in the military, so I’m not as close to it as some people are.

“To me it seems very clear-cut, but when you get into the complexities of what it means to people, like how do you do marry an identity between two things that mean a lot to you. There was a lot of stuff that was explored that I necessarily wasn’t as familiar with, and I was thrilled that it was told on television. I’ve never really seen anything like that before.”

Darren added that although Andrew Cunanan’s sexual identity in part informed his actions, that inner conflict is something all humans can relate to on some level.

“I think even beyond it necessarily being a gay narrative, it’s a human narrative,” Darren told us. “Irregardless of anyone’s sexual identity they’re just fascinating human tales.

“You don’t have to be Chinese or African or any other race or identity to understand the triumph of certain historical events, or the struggle and conflict we’re all familiar with.

“Conflict is what makes drama. When you witness these conflicts within these young men and women in our show, you can’t help but relate to their resilience or their ability to get through it.

“It’s been a real privilege to be a part of that, because to me it’s less about gay identity and more about human identity.”

Darren Criss reveals what ACS: Versace and Glee taught him about the gay experience

GAY TIMES APRIL 2018 • RICKY MARTIN

April 2018 Keiynan Cover

Ricky Martin has long established himself as a true gay icon. Recently catapulted back into living rooms with his portrayal of Gianni Versace’s partner Antonio D’Amico in Ryan Murphy’s American Crime Story: The Assasination of Gianni Versace, Ricky is again using his platform to diversify and broaden our understanding of love in the 21st century. Now happily married with two children, he lives a far less ‘vida loca’ than previously, but urges us not to forget the past and reminds us just how important it is for younger audiences to know the story of Gianni Versace.

“What killed Gianni Versace was homophobia. It’s not the way he died, it’s the way it was allowed to happen. Back in the 90s – and we have to be careful because history tends to repeat itself – Gianni Versace was killed by a man that was on the FBI’s Most Wanted list. This man was living in Miami but because he was a gay man killing other gay men, everybody turned the other way. That’s what infuriates me.”

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Here’s why you must watch the new series of American Crime Story: Versace

Following the success of Ryan Murphy’s critically acclaimed The People v. O.J Simpson, the second instalment of the crime anthology revolves around the assassination of fashion designer, Gianni Versace.

The series debuted in the US on FX back in January, and finally arrived on BBC Two in the UK last week.

But while murderous pursuits of serial killer Andrew Cunanan is the focus of the series, the show deals with a whole lot more than a tragic killing spree in 1997.

Here’s four reasons why you need to watch The Assassination of Gianni Versace.

1. Darren Criss plays a sociopath

We never expected to see a Glee character suffocate an elderly man with duct tape before bludgeoning him to death with a brick – but Darren Criss’ portrayal of Andrew Cunanan, the serial killer who shot Gianni Versace, is disturbingly captivating.

It’s unfathomable as to how somebody can create a character boasting irresistible charm and intelligence, and juxtapose it with such insincerity and brutality, which makes it hard to watch and even harder not to.

He’s as compelling as a sociopath as he is a choir boy – which will make your moral compass spin all over the place.

2. Gianni Versace and Antonio D’Amico’s open relationship

Édgar Ramírez (Gianni) and Ricky Martin’s (Antonio) open relationship is a fresh representation of the often underrepresented concept of polyamory. But their openness doesn’t devalue their relationship, and the compassion they have for one another.

They are, in other words, the ultimate power couple.

“I want to normalize relationships like this. It’s good for the world; it’s good for me as a gay man with kids,” Ricky Martin said in a recent interview about the scenes.

“It’s important that we shed some light on power couples like [Gianni Versace and Antonio D’Amico], even though [D’Amico] was quiet and behind the scenes and he was just there supporting his man for 15 years.

“I also believe there was a level of homophobia going around in his family where he was hiding, even though he says, ‘My relationship was very open and free with Gianni’…”

3. That pink pants scene

If you don’t know what we’re talking about, see the images below and thank us later. As part of his narcissistic character, Darren Criss dances in some tight pink undies, as one of his ‘clients’ lay terrified on the bed- unable to see due to the tape over his eyes.

Besides the obvious appeal, this scene highlights how compelling Criss’ portrayal of a twisted killer really is.

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4. Homophobia in 90s Americana

The Assassination of Gianni Versace might not be what you expect.

Amongst the Versace runway, Miami beaches, and Darren Criss well-fitted underwear, the miniseries cleverly explores the consequences of being gay in the 90s. Because beyond the glitz and glam lies the not-so-pretty reality.

Homophobia affects most of the characters in the series. Andrew Cunanan struggles to come to grips with his sexuality and targets in-the-closet homosexuals. Each one of his murders, which are poorly chased up by the police, are acts of internalised homophobia.

In what could be his best role yet, Ricky Martin doesn’t only have to face the grief he feels from the death of his partner, he also has to deal with the implications that this horrific murder and its corresponding investigation has for him as a gay man.

He deals with institutionalised homophobia from the police who investigate him, estrangement from Gianni’s sister Donatella (portrayed by Penélope Cruz), and remains half in the closet when he’s forced to suppress the truth about his sexuality. His performance is bound to leave you teary-eyed.

Later in the season, the real-life stories of closeted business tycoon Lee Miglin, and gay naval officer Jeff Trail – two other of Cunanan’s victims – are explored further, unpacking the rife homophobia in which the LGBTQ community had to operate in in their personal and professional lives.

Here’s why you must watch the new series of American Crime Story: Versace