Judith Light Opens Up About her Former Struggles with Emotional Eating

[…] LB: Speaking of substance, you are about to start shooting the fifth season of Transparent.

JL: It’s going to be later than planned. I also just finished working with [writer, producer, and director] Ryan Murphy on The Assassination of Gianni Versace …

LB: And people are dying over it, asking to change the Emmy categories so you can get the guest actress nomination. You’ve always received a lot of attention, but how does it feel when you get this confluence of great reviews?

JL: It’s so wild. It always feels good. I was at a Christmas party with Joan Rivers once, and we were having this lovely conversation, and she said, “I say yes to everything,” explaining that the world works out for you in certain ways when you say yes to things. And it’s true. That’s how a whole trajectory of things fell into place, including working with Ryan Murphy, which is something I’ve always wanted to do.

LB: And he’s so great with women who aren’t 12. I mean, Jessica [Lange], Kathy [Bates] …

JL: Exactly. We didn’t really know each other, and then, when he saw a play I did [Other Desert Cities] and the response to it, he just said, “OK, we’ll do things.” He was so incredibly gracious and kind.

LB: Isn’t it wonderful that one of the great things about getting older is the equity you own? There’s something about “You know me and my work, and you know that I’ll show up for you” …

JL: That is so brilliant and so true.

LB: Who do you find beautiful?

JL: The memory of my mother is very beautiful to me. My father, the same thing: really light, beautiful. We’re talking about soul beauty now. My husband has been so beautiful and present for me—you know, my publicist, my agents, my friends … All the people I worked with on The Assassination of Gianni Versace and Transparent. They are people who are there in the goodness of their being, not in their doing.

LB: And that is … 

JL: That is beauty.

Judith Light Opens Up About her Former Struggles with Emotional Eating

Feinberg Forecast: First Read on 2018 Emmys Race

The charts below reflect how THR’s awards columnist Scott Feinberg believes the Emmy standings would look if voting ended today. They are formulated using a combination of personal impressions (from sampling many programs), historical considerations (how other shows with similar pedigrees have resonated), precursor awards (some groups have historically correlated with the TV Academy more than others) and consultations with industry insiders (including voters, content creators, awards strategists and fellow members of the press).

Best Limited Series

FRONTRUNNERS

The Assassination of Gianni Versace: American Crime Story (FX)

Best Actor in a Limited Series or a Television Movie

FRONTRUNNERS

Darren Criss (The Assassination of Gianni Versace: American Crime Story)

Best Supporting Actor in a Limited Series or a Television Movie

FRONTRUNNERS

Edgar Ramirez (The Assassination of Gianni Versace: American Crime Story)

MAJOR THREATS

Ricky Martin (The Assassination of Gianni Versace: American Crime Story)

POSSIBILITIES

Cody Fern (The Assassination of Gianni Versace: American Crime Story)

Best Supporting Actress in a Limited Series or a Television Movie

FRONTRUNNERS

Penelope Cruz (The Assassination of Gianni Versace: American Crime Story)
Judith Light (The Assassination of Gianni Versace: American Crime Story)

Feinberg Forecast: First Read on 2018 Emmys Race

nicola.lambo: #aboutlastnight✨@americancrimestoryfx
Just 1 conversation with @judithlight and you are filled to the brim with her love + her light. She drinks you in and for that moment the rest of the world simply melts away. She makes You feel incredibly special and THAT is her #superpower
You are #inspiring #enlightening and hands down one of the most giving human beings #onset and off the set. So much #love💖 for you!
I adore you for creating this artistic picture with me… mini #photoshoot📸

Emmy spotlight: Judith Light deserves overdue trophy for ‘tour de force’ performance in ‘The Assassination of Gianni Versace’

Judith Light makes only two appearances in FX’s “The Assassination of Gianni Versace: American Crime Story.” But boy, does she make an impact, especially in the season’s third episode, giving what Joe Reid (Decider) called “one of the all-time best single-episode performances in a Ryan Murphy series.” It’s a performance that deserves to be recognized at this year’s Emmys, and could bring the veteran Tony and Daytime Emmy-winning actress an overdue first win at the Primetime ceremony.

In the season’s third episode, “A Random Killing,” Light plays Marilyn Miglin, a high-profile cosmetics mogul whose husband Lee (Mike Farrell), a prominent developer and philanthropist, was brutally murdered by Andrew Cunanan (Darren Criss) in the months leading up to Cunanan murdering famed designer Gianni Versace (Edgar Ramirez). The Miglins were well-known Chicago socialites, and their marriage is portrayed as one of deep love and mutual respect. However, Lee is also a closeted gay man who regularly hires Cunanan as an escort when Marilyn is out of town.

Though Lee’s brutal murder is the key plot point of the episode, it is Light who resonates, giving a richly layered performance that alternates between stoic anger and deep pain. While it is never clear whether or not Marilyn was aware of Lee’s sexual proclivities, she refuses to allow her husband’s name to be tainted by scandal, and she uses her connections in the police department to squash the embarrassing details of Lee’s death, insisting that Cunanan was nothing more than a common thief and murderer.

Sewell Chan (The New York Times) called the episode “a tour de force [for] Judith Light, whose portrayal of a wife in denial is simply magnificent.” And he’s right. “A Random Killing” gives Light one Emmy-worthy moment after another, beginning with the episode’s cold open, which shows Marilyn’s chilling reaction to the discovery of Lee’s body, a simple mouthing of the words, “I knew it.” Later, when explaining her decision to keep the details of Lee’s death under wraps, she proclaims with equal parts heartbreak and venom, “Dollars, jewelry, socks, suits — that’s all I’ll allow that man to steal from me. He won’t steal my good name. Our good name.” What is Marilyn is trying to protect more: her family’s reputation or the now-shattered illusion of her fairy-tale marriage?

But Light also gets to show Marilyn’s grief in a devastating monologue in which she describes her relationship with Lee — their adventures and their accomplishments, the respect they felt for each other. When she finally breaks down in sobs after being questioned about her lack of public grief, she cries, “Am I a real wife now?” The episode ends with Marilyn selling her cosmetics on The Home Shopping Network and addresses her husband’s murder on air. As the camera slowly zooms in on her, Light delivers a devastating monologue about love and loss, listing all of the things that her husband was to her, that they were a team. “How many husbands believe in their wives’ dreams?” she asks. The episode ends in a close up of Light’s face as she closes her eyes, a moment of stunning emotional impact.

Although Light is no stranger to awards — having won Featured Actress Tony Awards for “Other Desert Cities” (2012) and “The Assembled Parties” (2013), and two Daytime Emmys for her iconic role as Karen Wolek on “One Life to Live” (1980, 1981) — she has gone zero for three at the Primetime Emmys, earning a Comedy Guest Actress nomination in 2007 for “Ugly Betty” and nominations in 2016 and 2017 for Comedy Supporting Actress for “Transparent.” Light’s status as a respected veteran can only help her in the Movie/Mini Supporting Actress category at the Emmys, which counts among its winners such respected actresses as Mary Tyler Moore (1993), Vanessa Redgrave (2000), and Eileen Atkins (2008), as well as Jessica Lange (2012) and Kathy Bates (2014), both whom won for their performances in separate seasons of “American Horror Story,” also created by Ryan Murphy.

Emmy spotlight: Judith Light deserves overdue trophy for ‘tour de force’ performance in ‘The Assassination of Gianni Versace’

kerimaletto: Gang. I am so sorry. It appears my scenes as an HSN host were cut. I was called about coming back a few weeks ago for some added scenes but then released. It now appears those scenes were reshoots of the original scenes I was in to line up better to the tempo of the story. Alas, my part is now on the cutting room floor. I am definitely saddened as this was a big moment for me, but this is the game of Hollywood. Here is a photo with me and the amazing Judith Light from my day on set. As they say in this biz… on to the next. I thank each and every one of you for your consistent support and encouragement. This is a hard career I have chosen, which is met with far more disappointment than winning moments. I will not give up, and will keep pushing on. #aroundtheworldgirl#kerimaletto #americancrimestory #actor#judithlight #film #fx #tvseries

‘The Assassination Of Gianni Versace’ Season Finale: What Does Designer’s Murder Mean 20 Years Later?

Tonight we returned to the July 15, 1997 crime scene where serial killer Andrew Cunanan guns down famed Italian designer Gianni Versace on the steps of his Miami Beach mansion, and a manhunt pursues. Having once been tested with an I.Q of 147, Cunanan was brilliant and he was able to dodge the Feds and change his appearance not just for another eight days in Miami Beach after his notorious crime, but for roughly three months prior after taking the lives of naval officer Jeffrey Trail, lover David Madson, Chicago real estate developer Lee Miglin, and caretaker William Reese.

Cunanan ducks and covers in a house boat, where he watches the media coverage of his slaughter, that is until the police descend upon him, and we see that he commits suicide with the same gun he used to kill Madson, Reese and Versace.

Some have criticized this second season of American Crime Story for not having the resonance of 2016’s The People v. O.J. Simpson. In an era where social media over hypes headlines, that tabloid trial continued to ring true 20-plus years later, not only in the way it was originally covered by the media, but it also touched upon the reality that times haven’t changed. As series EP/writer Scott Alexander assessed during a panel for the show, bad relationships between police departments and blacks continues to exist, ditto for gender inequality in the workplace as we saw portrayed in Sarah Paulson’s Emmy-winning performance of prosecutor Marcia Clark.

If there was a gripe by critics over the Assassination of Gianni Versace, it was a superficial one, as the miniseries across nine episodes didn’t dote on the ins and outs of the intriguing fashion designer’s life, rather the deplorable murderer Cunanan. However, much like O.J. Simpson focused on how a fractured American has remained exactly that, Gianni Versace zeroed on the complexities that the gay community weathered in the late ’90s, and how homophobia continues to pervade society.

Nowhere is this more apparent than in the piercing speech delivered by Ronnie (Max Greenfield turning in an Emmy worthy performance) to the Feds after they bring him in for questioning over Cunanan’s whereabouts. Wiry and HIV-positive, Ronnie berates them for their insensitivity and idiocy in not catching Cunanan sooner while he was in plain sight in Miami (As EP Tom Rob Smith said at TCA, the Cunanan murder case “was the largest FBI fail of all-time.”)

Ronnie blasts, “The other cops here, they weren’t searching so hard were they, why is that? Because he killed a bunch of nobody gays?…You know what the truth is, you were disgusted by him, long before he became disgusting. You’re so used to us lurking in the shadows. Ya know, most of us, we’re obliged! People like me, we just drift away, we get sick, nobody cares, but Andrew was vain. He wanted you to know about his pain, he wanted you to hear, he wanted you …he wanted you to know about being born a lie. Andrew is not hiding. He’s trying to be seen.”

EP Ryan Murphy at TCA said that Versace’s murder was a “political” one and that Cunanan was “a person who specifically went out of his way to shame and out people…He was having a form of payback for a life he could not live.” At one point Murphy and the American Crime EPs considering putting Cunanan’s name in the title, but they decided they didn’t want to glamorize him.

At a post season finale screening Q&A Monday night at the DGA Theatre in Hollywood, EPs and cast members discussed the personal impact for them working on the show, and how the gay community has been effected in the years since Versace’s murder.

Judith Light, who plays Marilyn Miglin, the wife of Cunanan victim Lee Miglin, said that Gianni Versace, “is a cultural and historical event, and that’s what I think is so powerful about it. And when we talk about the time it happened and the love that people had for each other, particularly Antonio and Gianni, and that relationship is iconic in the sense that we’re still living in a time of homophobia. And what this does, it talks about that and brings it present and reminds us where we were in the ‘90s and talks about that we’re still not finished with it today.”

“Had Andrew had a life where he could have been open and lived his life in a way that was supportive to him, these things may not have happened,” added Light.

“We live in divided times about how separate we all are, but it (American Crime Story) shows how interconnected we are” said Tom Rob Smith about how Cunanan’s atrocities didn’t just damage those in rich Italian circles, but extended to various society levels, rich and poor.  Smith wrote tonight’s episode “Alone,” which was directed by Dan Minahan.

One of the more intriguing turn of events following Versace’s murder which tonight’s season 2 finale briefly covers is how the fashion designer’s boyfriend Antonio D’Amico (Ricky Martin) was arguably casted out by the Versace family following the murder; blocked from taking ownership of the Lake Como property promised to him by Gianni no thanks to sister Donatella and the label’s board. The miniseries shows Antonio taking his life with a bottle of pills, when in fact that’s debated whether he actually went that far in his depression following Gianni’s murder. What is known is that Antonio is alive and well, with his own fashion label in Northern Italy, and a reported $30K a month payout for life in Versace’s will. Overall, Donatella and Antonio were never on good terms.  

Having been a closeted gay during pinnacles of his pop music career, and finally coming out in 2010, playing Antonio was both a cathartic and painful experience for Ricky Martin.

“I feel so much sadness seeing this last episode, and also a lot of anger; this could happen over and over again,” said Martin about the struggles which gay men go through in a homophobic society. He is proud that Versace possessed a strong courage to be out. As Martin confessed on stage the other night he personally “made a lot of my partners hide” and endured “a lot of self hate.”

But despite reliving the pain, there was a positive, resilient takeaway from The Assassination of Gianni Versace for Martin.

Says the Grammy winner, “I just want to be louder, louder and louder”

‘The Assassination Of Gianni Versace’ Season Finale: What Does Designer’s Murder Mean 20 Years Later?