In the Envelope: An Awards Podcast – Edgar Ramirez

Star of “Carlos,” “Zero Dark Thirty,” “Hands of Stone,” and more, Emmy and Golden Globe nominee Edgar Ramirez has worked as an activist and political journalist, both in his native Venezuela and abroad. This season on the small screen he starred in “The Assassination of Gianni Versace: American Crime Story,” Ryan Murphy’s latest FX miniseries exploring the 1997 murder of the titular fashion mogul, a role to which Edgar brought his intellectual curiosity and nuance. His advice on transforming into a character? Do your homework. | 13 June 2018


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Emmy Podcast: Judith Light On Her Dazzling Performance In ‘Versace’ – Awards Daily TV’s Water Cooler Podcast

Judith Light talks about working with Ryan Murphy, Broadway and the important theme of homophobia in American Crime Story: The Assassination of Gianni Versace.

Judith Light has spent the day talking to press about her latest role in American Crime Story: The Assassination of Gianni Versace. We talk about how she divides time between Los Angeles and New York and our mutual love for theater.

Light was recently reunited with the cast of Versace and Executive Producer, Ryan Murphy when Pose premiered in New York. She raves about the show and Ryan Murphy’s talent. It’s easy to spend all day talking about Murphy and his groundbreaking work for TV, but we’re here to talk about Light and the outstanding performance she gives as Marilyn Miglin.

Her husband, Lee Miglin, a real estate business tycoon has been murdered by Andrew Cunanan and Marilyn, the Queen of Home Shopping goes to all lengths to preserve her dead husband’s reputation and maintain that the Miglins had a perfect marriage. “I won’t allow him to steal our good name.” She says when the police are filling her in on her husband’s gruesome murder. Much later, we see Marilyn break down after much public criticism over her cold behavior towards her husband’s murder. “Am I a real wife now?” She asks the camera.

Light’s performance is extraordinary, she owns every frame she appears in. Her expressions are nuanced, but her eyes tell a million stories. She has a Tony Award, a Daytime Emmy, but if you’re casting your Emmy votes, consider Light in American Crime Story: The Assassination of Gianni Versace.

Listen to our chat below as we discuss Light’s early influences, how she crafted Marilyn Miglin, transforming, homophobia in the 90’s and working with Ryan Murphy. | 13 June 2018

Watch Darren Criss Fan Out Over Mandy Moore’s Musical Past

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Before anything really cracking into the discussion on Variety’s “Actors on Actors,” Darren Criss had to first reveal his early days obsession with Mandy Moore’s early singing career.

“The Assassination of Gianni Versace: American Crime Story” actor praised “1999’s seminal ‘So Real’ album.” Mandy Moore’s debut album. “Not sure if you’re familiar with it,” he joked.

The “This Is Us” actress immediately responded: “I would love to give everyone their money back that bought this record!”

Despite Moore’s delightful protests Criss leaned revealing he was a true Monday stan from way back in the day, and proclaimed that his favorite track off the record was actually was only 15 seconds. “It’s the telephone interlude where you get to hear, I don’t know, maybe a 15 or 16-year-old Mandy Moore!”

Without missing a beat Criss recites the album’s special recording from a young Moore and an unknown friend.

“‘Hi guys. It’s Mandy. You know what to do after the beep.’ And then this mysterious character leaves a message who I kind of wanted, as a lover of narrative, to hear more about–this chick Bonnie. But it goes: ‘Beep. Hey Mandy, it’s Bonnie. I heard what happened. Call me back.’ Click. And then I think the ‘Walk Me Home’ song starts.”

Turning pink laughing, Moore said: “I haven’t thought about this in probably 15 years.”

The “Versace” star explained how he would see the “This Is Us” matriarch on MTV, and thought “hearing her talk, hearing her voice as a human being was so sexy and interesting,” he said. “I was like: ‘Whoa, she’s just a kid. I’m a kid. Cool.‘”

Criss also disclosed how he first heard the song on a mini disc player while on a roadtrip, rewinding and “being like: ‘It’s only 15 seconds? What happens? What happens here?”

Moore cooly avoided spilling the beans: “What was she referring to? We’ll never know.”

The Emmy Award-winning “Actors on Actors” series will air in two episodes on PBS SoCal KOCE, the first on Tuesday, June 19 at 7 p.m. and the second on Thursday, June 21 at 7 p.m. Both episodes will stream on pbssocal.org following their premieres.

Watch Darren Criss Fan Out Over Mandy Moore’s Musical Past

We talk true crime with Darren Criss | Telstra Exchange

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With the entire series of The Assassination of Gianni Versace: American Crime Story currently streaming on Foxtel Now on Telstra TV, we caught up with star actor Darren Criss, who plays spree killer Andrew Cunanan, to talk about his character and the show itself. Telstra mobile customers can stream The Assassination of Gianni Versace: American Crime Story with a 24 month Foxtel Now subscription included with selected mobile plans.

How different was this role to the one that you’re previously known for (Blaine in Glee?)

They’re different in that they’re known for very different things, but my point of attack for all characters is pretty much the same. And Blaine isn’t a real person. Andrew was a real person and people knew him, and people loved or were scared of him. He walked this earth. If anything I was more delicate with Andrew because he is and he was a real person, and the things that he did still very much affect people who are alive today.

What kind of research did you undertake to prepare for the role of a spree killer, Andrew Cunanan?

He was so many different people to so many different kinds of people that it was really very hard to track where Andrew was in the centre. Really, my guiding light research-wise was our scripts, because there’s the real Andrew I’ll never get to meet, there’s the Andrew I can kind of get from Maureen Orth’s book and then there’s the Andrew that Tom Rob Smith developed in our scripts – and you kind of have to let the scripts be your spirit guide and Sherpa through the mountains of Andrew’s mind.

Is there something that you learned about Andrew during your research that stood out to you as interesting or unexpected?

Andrew and I had an eerily big amount in common. Both grew up Catholic, both grew up half Filipino. You know I had a very different home life and the details are very different but we both gravitate towards not only big ideas people but big ideas in general – we have a penchant for embellishment. I always assume I have more in common with somebody than not. I just didn’t know it was going to be that much in common.

Your character wears a lot of Versace clothing throughout the show. Was there a particular outfit that was your favourite?

Ha! That’s a great question. I haven’t been asked that before. I mean, all the ’90s stuff was really fun and also I have this crazy hair do. I had a bit of a wig going on because my hair is really curly and Andrew’s hair was really straight. I have this sort of Richard Gere American gigolo thing that I really enjoyed walking around with, and wearing sunglasses – I just felt really, really cool. That was a cool look. I really dug that. I don’t think it ever goes out of style.

The Assassination of Gianni Versace: American Crime Story is streaming now on Foxtel Now. Get a 24 month Foxtel Now subscription with your Telstra Mobile plan.

We talk true crime with Darren Criss | Telstra Exchange

Mandy Moore and Darren Criss on Challenges of Stepping Into Leading Roles

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Neither Mandy Moore nor Darren Criss are new to the television scene, but both found breakout success with their current roles, which showed off their range as performers. As the family matriarch in “This Is Us,” Moore seamlessly embodies a character across four decades, while Criss deftly plumbed the depths of a serial killer in “The Assassination of Gianni Versace: American Crime Story.” After bonding over a favorite track from Moore’s musical days, the two actors settled down to talk about working with visionary producers, chasing their dream roles, and coping with the responsibility of stepping into a leading role.

Mandy Moore: How did you get involved with “The Assassination of Gianni Versace”? Did you know immediately you wanted to audition for Andrew?

Darren Criss: The short version is I worked with Ryan Murphy on “Glee” for a bit. Although never directly, in the sense that, because I joined the second season. So I didn’t have that sort of “We’re building this thing together” relationship, but I was always sort of envious. I remember visiting the set of “Scream Queens” in New Orleans, and I had my 15 minutes with Ryan. I was like, “Hey man, heard you’re doing ‘American Horror Story’ with Lady Gaga. Let me know if you need like a wily bellhop on that show!”

Moore: So you just pitched yourself!

Criss: Relentlessly, without any shame. And he was like, “No, but I’m doing this crime story. I want to make it an anthology and I really want to explore this story about Andrew Cunanan and Gianni Versace. How much do you know about Andrew Cunanan?” The only reason I remembered it was because he was half Filipino and being a half-Filipino kid, it’s a thing that I would remember ’cause of we have similar ethnic background. He said he wanted to have it be a manhunt character piece, and so, as an actor, you’re like, “Sure.” The word character piece is great, not for the ego of being all about you.

Moore: Right, just for the juicy challenge of it.

Criss: Yeah, and also just having the breadth of space to dive into something. Which you aren’t always granted the luxury of doing.

Keep reading

Mandy Moore and Darren Criss on Challenges of Stepping Into Leading Roles

Feinberg Forecast: Reading the Tea Leaves As Voting Gets Underway

Best Limited Series

FRONTRUNNERS

The Assassination of Gianni Versace: American Crime Story (FX)
The Looming Tower (Hulu)
Godless (Netflix)
Patrick Melrose (Showtime)
Genius (National Geographic)

Best Actor in a Limited Series or a Television Movie

FRONTRUNNERS

Darren Criss (The Assassination of Gianni Versace: American Crime Story)
John Legend (Jesus Christ Superstar)
Al Pacino (Paterno)
Benedict Cumberbatch (Patrick Melrose) — podcast
Jeff Daniels (The Looming Tower) — podcast
Antonio Banderas (Genius: Picasso)

Best Supporting Actor in a Limited Series or a Television Movie

FRONTRUNNERS

Jeff Daniels (Godless) — podcast
Edgar Ramirez (The Assassination of Gianni Versace: American Crime Story)
Brandon Victor Dixon (Jesus Christ Superstar)
Tahar Rahim (The Looming Tower)
Peter Sarsgaard (The Looming Tower)
Bill Camp (The Looming Tower)

MAJOR THREATS

Ricky Martin (The Assassination of Gianni Versace: American Crime Story)
Sam Waterston (Godless)
Scoot McNairy (Godless)
Bill Pullman (The Sinner)
Alex Rich (Genius: Picasso)
Michael Shannon (Fahrenheit 451) — podcast
Hugo Weaving (Patrick Melrose)

POSSIBILITIES

Cody Fern (The Assassination of Gianni Versace: American Crime Story)
Jason Ritter (The Tale)
Beau Bridges (Mosaic)
Alice Cooper (Jesus Christ Superstar)
Dylan Baker (Little Women)
Robert Forster (Twin Peaks)

Best Supporting Actress in a Limited Series or a Television Movie

FRONTRUNNERS

Merritt Wever (Godless)
Nicole Kidman (Top of the Lake: China Girl) — podcast
Penelope Cruz (The Assassination of Gianni Versace: American Crime Story)
Judith Light (The Assassination of Gianni Versace: American Crime Story)

Sharon Stone (Mosaic)
Ellen Burstyn (The Tale)

Feinberg Forecast: Reading the Tea Leaves As Voting Gets Underway