It’s 1996 – one year before the murders of Jeffrey Trail (Finn Wittrock), David Madson (Cody Fern), Lee Miglin (Mike Farrell), and Gianni Versace (Edgar Ramírez). We’re in the lavish La Jolla, California home of Norman Blachford (Michael Nouri), a silver fox businessman who – after losing a partner to AIDS – became Andrew Cunanan’s (Darren Criss) sugar daddy. Today is Andrew’s birthday, and he’s throwing a party for himself, much to the chagrin of Norman’s friends, especially bitchy queen supreme David Gallo (Terry Sweeney). Only instead of a happy occasion, it’s another utterly awkward session of fumbling about and trying to impress everyone around him, going as far as to provide fake presents for Jeffrey to give him, in order for David to think he’s truly “loved”.
“Loved.” If there were ever a universal ingredient peppered into the great murderers of our time, it was the inability to feel as if they were adequately adored by parents, friends, neighbors, or the population in general. In “Descent” – the sixth hour of American Crime Story’s The Assassination of Gianni Versace – the entire motivation for Andrew’s deadly existence is boiled down to simplistic (yet no less painful) instances of perceived heartbreak. Despite Norman legitimately admiring the professional liar – his private investigation debunking Cunanan’s claims of possessing a PhD and background in interior design – the wealthy lover’s still willing to let Andrew share his life with him, given the pretty boy’s down to work for it. Yet Andrew simply wants everything handed to him; these bursts of instant gratification allowing him to float on air, like a bump of uncut cocaine (but none of that “gutter drug” crystal meth). He’s an addict, desperately in need of detox.
A forced withdrawal comes when Cunanan walks out on Norman liked a spoiled brat after the millionaire refuses him a list of lavish luxuries – a Mercedes, first class tickets to wherever, all the clothes he could want – that come with the small price tag of Andrew’s affections. Instead, the future killer opts to jet off to Los Angeles (on a near maxed credit card, of course), and fly David out for a holiday together that he literally forbids the aspiring Minneapolis architect from saying “no” to. When David ends up rejecting him, he does so with a speech that translates into one of the most poignant, insightful moments that The Assassination of Gianni Versace has presented thus far (which is saying something, because this show can pack a wallop when it wants to).
“We had a great time in San Francisco,” David says about their initial meeting. “One great night. And maybe there was a chance, but…I get the feeling you don’t have many great nights with people — am I right? So, when you do, it feels huge, it feels life-changing.” If Andrew is a junkie, then this is the closest anyone has come to staging an intervention with him. But Cunanan’s hunger is insatiable, and he retreats to an unfurnished apartment, telling tall tales at the local queer club about the honeymoon he just spent with David in Europe, before buying speed from the spot’s skeevy dealer. The unfillable void inside Andrew’s soul becomes a physical pit, in which he shoves nasty bathtub crank via a needle in his arm. In a weird way, this feels like Andrew actually being truthful with himself for once, all while confessing to Gianni in a hallucination (where the Italian garment maestro is fitting him for a custom suit) about how nobody’s ever truly loved him.
“This world has wasted me,“ he tells his fantasized idol, "it has wasted me while it has turned you into a star. We’re the same. The only difference is you got lucky.” But again, it’s all bullshit; even when Andrew’s being the most honest version of himself. Because almost immediately after, we meet his mother Mary Anne Schillaci (Joanna Adler), who lives alone in a shitty apartment. Almost instantly, we understand where Andrew got his penchant for self-delusion, as she seems to seriously believe her baby’s been traveling with Versace to Tokyo, Sydney, Moscow and Milan. Despite the kid smelling foul and unlike himself (his mom’s own words) and looking like he’s been on a week-long meth bender – because he has, ending in Norman threatening to call the cops after Andrew comes begging to be let back into the mansion – Mary Anne still gives him a bath, before he heads off to Minneapolis. Now, it’s time for our hearts to be broken, as we know this simple-minded, fragile woman will never see her son again, and three men who were gathered together at a birthday party not so long ago are about to be gunned down in cold blood, along with the famous fashion designer. Andrew Cunanan’s mother’s home was his first stop on this road to nowhere.
Tag: march 2018
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what american crime story gets right about the versace story
In this week’s episode of i-D’s fashion podcast, Fash-ON Fash-OFF, we take a look at the latest Versace show and discuss 2018’s most anticipated new series – American Crime Story: The Assassination of Gianni Versace. | 2 March 2018
The Assassination of Gianni Versace: ACS season 2 episode 6 recap: ‘Descent’
On The Assassination of Gianni Versace: American Crime Story, we’ve learned slowly that the show is more a vehicle for Darren Criss and his performance as Andrew Cunanan than anything else. Based on his 26th birthday, last night’s episode showed us the beginning of Cunanan’s bloodthirst.
From what we’ve seen in the show, Andrew targeted gay men who remained in the closet. The thing is, most of the recounting of these stories is either speculative or part of stories that Andrew told. So we can’t really trust a lot of what we’re seeing.
Unlike with The People Vs OJ Simpson, Andrew Cunanan’s killing spree was not as documented for the public eye until he murdered Gianni Versace in cold blood. But seeing the final straw and taking it back to the beginning is an interesting way to spin this show.
This is a story that not that many people knew going in. So do I wish that we could have seen Cunanan’s descent in chronological order? Yes, I do. I get it, this is a dramatic take on the story, but it isn’t what we originally thought we were getting. And if we just saw the rise and fall of Andrew Cunanan, knowing he would be the reason for Versace’s death, it might make for more thrilling television.
Instead, most weeks I’m struggling to not play games on my phone while watching Cunanan, who I’ve already seen murder countless men, figure out that he’s psychotic. But then again, it is a Ryan Murphy show so something crazy could still be up his sleeve.
The Assassination of Gianni Versace: ACS season 2 episode 6 recap: ‘Descent’
Emmy Predictions 2018: Outstanding Lead Actor in a Limited Series or TV Movie
Last Year’s Winner: Riz Ahmed, “The Night Of”
Still Eligible
: No.
Hot Streak: Since 1992, at least one actor from an HBO film has been nominated in this category — films, not limited series.
Fun Fact: Benedict Cumberbatch is one nomination away from tying Laurence Olivier for the second-most nominations in the history of this category. Olivier, however, won four out of his six nominations, whereas the best Cumberbatch could hope for is half that.
Can Darren Criss follow in the footsteps of Courtney B. Vance and Cuba Gooding Jr. in “American Crime Story”? Can Benedict Cumberbatch get back in the race without “Sherlock”? Can Kyle MacLachlan earn his first Emmy nomination since “Twin Peaks” first went off the air in 1992?
There are a lot of questions surrounding the category for Best Lead Actor in a Limited Series or TV Movie, but one thing already seems certain: HBO has at least one nomination locked up. Barring an unforeseeable catastrophe onscreen and off, Al Pacino is all but assured his fourth Emmy nomination for the film “Paterno.” From the trailer alone, he looks the part, acts the part, and hell, he almost shares a name with the part. (Paterno and Pacino do share a beginning and an end.) Even now, this nomination seems like a sure thing.
It’s also not HBO’s only strong contender. Michael B. Jordan is riding a (never-ending) wave of strong buzz, most recently for his dynamic turn as the villain in “Black Panther.” That love could spillover to his lead role in “Fahrenheit 451”: Jordan is a consistently powerful performer, and people are taking note now more than ever.
These names are just the tip of the iceberg: Antonio Banderas looks to make waves as Pablo Picasso in the second season of “Genius.” Matthew Macfadyen will get a push for the Starz adaptation of “Howard’s End,” as will James Norton in AMC’s “McMafia.” AMC also has Jared Harris in Ridley Scott’s “The Terror,” while Netflix will be backing Jesse Plemons in “Black Mirror” and Peter Sarsgaard in “Wormwood.” Finally, of all the choices available from “Room 104,” here’s hoping HBO gets Philip Baker Hall front and center for “My Love.” His incredible display deserves recognition.
Below are IndieWire TV Critic Ben Travers’ predictions for Outstanding Lead Actor in a Limited Series or TV Movie (listed in alphabetical order), which will be updated throughout the season. Make sure to keep checking IndieWire for all the latest buzz and highlights from the 2018 race, and read predictions for the rest of the categories, as well.
Predicted Nominees:
1. Darren Criss, “The Assassination of Gianni Versace: American Crime Story”
2. Benedict Cumberbatch, “Patrick Melrose”
3. Michael B. Jordan, “Fahrenheit 451”
4. Antonio Banderas, “Genius: Picasso”
5. Kyle MacLachlan, “Twin Peaks”
6. Al Pacino, “Paterno”
Spoilers: Jeff Daniels, “The Looming Tower”; Matthew Macfadyen, “Howard’s End”; James Norton, “McMafia” Jesse Plemons, “Black Mirror: U.S.S. Callister”
In a Perfect World: Jared Harris, “The Terror”; Philip Baker Hall, “Room 104: My Love”
Emmy Predictions 2018: Outstanding Lead Actor in a Limited Series or TV Movie
Inside Look: Versace’s Fashion: They weren’t just clothes. They were an expression. The cast and crew explain how the wardrobe helps create a personality. | 2 March 2018
edgarramirez25: Esta noche nuevo episodio de #ACSVersaceEnFX en Colombia,Chile,Mexico,Argentina a las 22:00 pm y en Venezuela & Brazil 23:00 en @canalfx [en la foto al fondo…un pequeño guiño de ojo para mi 🇻🇪]
ACS Versace Recap: “Descent” Brings Us To A Time Before Death
After giving us a week to recuperate from the devastating episode that was “Don’t Ask, Don’t Tell”, The Assassination of Gianni Versace: American Crime Story is back, and it gives us the episode that many of us have been waiting for: the one that slightly explains Andrew Cunanan’s motives. While there are still a lot of missing pieces of the puzzle that explain why Cunanan killed Versace, we do get some insight as to why Jeffrey, Lee, and David ended up on his kill list.
For this week’s episode, we are traveling back in time once again, which brings us even more spectacular performances from Finn Wittrock, and David Fern.
Gather ’round and let’s discuss “Descent”.
The Dream Life: We are first taken to Andrew Cunanan living the life in a beautiful beach home, arms laden with shopping bags, wearing sunglasses, and diving naked into a pool. It looks like Cunanan found a way to live that rich and famous life. Later on, it appears that Cunanan is having a birthday party, and Lizzie, his pre-serial killer days’ friend, has a lot of questions about his new gay lifestyle and questionable relationship with a much older man, Norman, whose house it happens to be. Lizzie wants to know what Andrew is doing with him but he is very vague in his answers, though we know he’s with Norman not out of love. That “love” is apparently reserved for David.
Let’s Play Charades: For the birthday party, Jeffrey arrives first, and Cunanan tries to manipulate the scene a little better for David’s benefit, so Cunanan looks more “loved.” He also asks Jeffrey to lie about still being the Navy because being an officer is much more impressive than what he currentl does. All these things, Andrew does to impress David, whofinally arrives, all the way from Minneapolis, and who Cunanan kisses him on the lips immediately. It’s obvious that David is impressed, and also impressed when Jeffrey presents Cunanan with his self-bought gift, one that is in a Tiffany’s box to boot. Unfortunately for Cunanan, the chemistry between Jeffrey and David is quite evident, and that sends Cunanan into a tizzy and straight into the bathroom for another line of coke.
The Library Is Open: One of Norman’s friends finally snaps at Cunanan, putting the would-be killer in his place as an attempt to protect his friend: “Too lazy to work, too proud to be kept,” he tells Cunanan. “That room is full of people who love me,” Cunanan said, gesturing to the party. “That room is full of people who don’t know you,” the man replies. Cunanan is then thwarted by a familiar face on his way to stop Jeffrey and David from getting too chummy: Lee Miglin, who came all the way from Chicago, clearly crazy about Cunanan even though Cunanan is embarrassed by him. Cunanan is surrounded by all of his future victims in a group photo—the next scene shows he’s scratched out all of their faces but David’s.
An Ultimatum: Cunanan later on gives Norman a list of demands in order to stay together: an increased living allowance, a car, and his entire inheritance. But unfortunately for Cunanan, Norman is a businessman, and he reminds the future killer about the one thing Cunanan hates the most: the truth about who he is. Norman knows Cunanan’s real name. He knows that he had been working minimum wage and living with his mother. After presenting the facts, Cunanan walks away, silenced. Sadly, Norman is too generous with Cunanan, much like David, and he offers to increase his living allowance and pay for his college. He sees through the lies and still wants to help him. Norman offers to help if only Cunanan stays with him. Cunanan throws a temper tantrum and ends up leaving and going home, which is a miserable oatmeal apartment with a bare mattress.
The Ball Starts Rolling: It is in this apartment where the chain of events kicked off as Cunanan delivers his first vindictive act: the postcard attempting to out Jeffrey to his father, for the sin of Jeffrey hitting it off with David at the party. Jeffrey confronts Cunanan and holds Cunanan against the wall. He tells Cunanan he got a new job — in Minneapolis. Where David lives. “I’m leaving,” he says. “I thought you should know.” Later, Cunanan offers David a full funded trip to LA, which he accepts out of pity. Cunanan drowns him in expensive gifts and fancy food, which makes David feel guilty. “Andrew, I’m not the one,” he says, after offering to pay for half of everything. “I’m sorry.” The truth of their “relationship” then comes out: they had one great night together in San Fransisco. David just wants to get to know the real Cunanan but loses interest once Cunanan starts up with his lies again.
Completely Undone: Cunanan ends up returning to his home, out of money and drugs, which leads him back to Norman, who doesn’t let him back in and threatens to call the cops. Cunanan has nowhere to go but his mother’s house. She believed his lies and preps him for his next adventure. What city is next, she asks. “Minneapolis,” he responds.
Instant Reaction:
Criss, Fern, and Wittrock all deliver amazing performances once again in this episode.
Cunanan is crazier than I thought.
I’m still confused about whether Cunanan ever really met Versace….
Quote of the Night:
“I…curate his art.” Cunanan
ACS Versace Recap: “Descent” Brings Us To A Time Before Death