‘The Assassination Of Gianni Versace’ Season Finale: What Does Designer’s Murder Mean 20 Years Later?

Tonight we returned to the July 15, 1997 crime scene where serial killer Andrew Cunanan guns down famed Italian designer Gianni Versace on the steps of his Miami Beach mansion, and a manhunt pursues. Having once been tested with an I.Q of 147, Cunanan was brilliant and he was able to dodge the Feds and change his appearance not just for another eight days in Miami Beach after his notorious crime, but for roughly three months prior after taking the lives of naval officer Jeffrey Trail, lover David Madson, Chicago real estate developer Lee Miglin, and caretaker William Reese.

Cunanan ducks and covers in a house boat, where he watches the media coverage of his slaughter, that is until the police descend upon him, and we see that he commits suicide with the same gun he used to kill Madson, Reese and Versace.

Some have criticized this second season of American Crime Story for not having the resonance of 2016’s The People v. O.J. Simpson. In an era where social media over hypes headlines, that tabloid trial continued to ring true 20-plus years later, not only in the way it was originally covered by the media, but it also touched upon the reality that times haven’t changed. As series EP/writer Scott Alexander assessed during a panel for the show, bad relationships between police departments and blacks continues to exist, ditto for gender inequality in the workplace as we saw portrayed in Sarah Paulson’s Emmy-winning performance of prosecutor Marcia Clark.

If there was a gripe by critics over the Assassination of Gianni Versace, it was a superficial one, as the miniseries across nine episodes didn’t dote on the ins and outs of the intriguing fashion designer’s life, rather the deplorable murderer Cunanan. However, much like O.J. Simpson focused on how a fractured American has remained exactly that, Gianni Versace zeroed on the complexities that the gay community weathered in the late ’90s, and how homophobia continues to pervade society.

Nowhere is this more apparent than in the piercing speech delivered by Ronnie (Max Greenfield turning in an Emmy worthy performance) to the Feds after they bring him in for questioning over Cunanan’s whereabouts. Wiry and HIV-positive, Ronnie berates them for their insensitivity and idiocy in not catching Cunanan sooner while he was in plain sight in Miami (As EP Tom Rob Smith said at TCA, the Cunanan murder case “was the largest FBI fail of all-time.”)

Ronnie blasts, “The other cops here, they weren’t searching so hard were they, why is that? Because he killed a bunch of nobody gays?…You know what the truth is, you were disgusted by him, long before he became disgusting. You’re so used to us lurking in the shadows. Ya know, most of us, we’re obliged! People like me, we just drift away, we get sick, nobody cares, but Andrew was vain. He wanted you to know about his pain, he wanted you to hear, he wanted you …he wanted you to know about being born a lie. Andrew is not hiding. He’s trying to be seen.”

EP Ryan Murphy at TCA said that Versace’s murder was a “political” one and that Cunanan was “a person who specifically went out of his way to shame and out people…He was having a form of payback for a life he could not live.” At one point Murphy and the American Crime EPs considering putting Cunanan’s name in the title, but they decided they didn’t want to glamorize him.

At a post season finale screening Q&A Monday night at the DGA Theatre in Hollywood, EPs and cast members discussed the personal impact for them working on the show, and how the gay community has been effected in the years since Versace’s murder.

Judith Light, who plays Marilyn Miglin, the wife of Cunanan victim Lee Miglin, said that Gianni Versace, “is a cultural and historical event, and that’s what I think is so powerful about it. And when we talk about the time it happened and the love that people had for each other, particularly Antonio and Gianni, and that relationship is iconic in the sense that we’re still living in a time of homophobia. And what this does, it talks about that and brings it present and reminds us where we were in the ‘90s and talks about that we’re still not finished with it today.”

“Had Andrew had a life where he could have been open and lived his life in a way that was supportive to him, these things may not have happened,” added Light.

“We live in divided times about how separate we all are, but it (American Crime Story) shows how interconnected we are” said Tom Rob Smith about how Cunanan’s atrocities didn’t just damage those in rich Italian circles, but extended to various society levels, rich and poor.  Smith wrote tonight’s episode “Alone,” which was directed by Dan Minahan.

One of the more intriguing turn of events following Versace’s murder which tonight’s season 2 finale briefly covers is how the fashion designer’s boyfriend Antonio D’Amico (Ricky Martin) was arguably casted out by the Versace family following the murder; blocked from taking ownership of the Lake Como property promised to him by Gianni no thanks to sister Donatella and the label’s board. The miniseries shows Antonio taking his life with a bottle of pills, when in fact that’s debated whether he actually went that far in his depression following Gianni’s murder. What is known is that Antonio is alive and well, with his own fashion label in Northern Italy, and a reported $30K a month payout for life in Versace’s will. Overall, Donatella and Antonio were never on good terms.  

Having been a closeted gay during pinnacles of his pop music career, and finally coming out in 2010, playing Antonio was both a cathartic and painful experience for Ricky Martin.

“I feel so much sadness seeing this last episode, and also a lot of anger; this could happen over and over again,” said Martin about the struggles which gay men go through in a homophobic society. He is proud that Versace possessed a strong courage to be out. As Martin confessed on stage the other night he personally “made a lot of my partners hide” and endured “a lot of self hate.”

But despite reliving the pain, there was a positive, resilient takeaway from The Assassination of Gianni Versace for Martin.

Says the Grammy winner, “I just want to be louder, louder and louder”

‘The Assassination Of Gianni Versace’ Season Finale: What Does Designer’s Murder Mean 20 Years Later?

Party Report: Inside Darren Criss, Ricky Martin’s ‘Assassination of Gianni Versace’ Finale Celebration (Photos)

FX threw a “finale” celebration for the “The Assassination of Gianni Versace” at the DGA on Sunset Blvd. on Monday night to bookend a season that launched with a Mer-man and models strolling a glittering runway in Hollywood. Why don’t more hit TV shows celebrate the end like this? A few hundred guests (and Emmy voters) got a sneak preview of the last episode and some face time with the stars, writers and directors (including director Matt Bomer, far right) but unfortunately no Ryan Murphy.     

Multiple media outlets tried to pry a St. Patrick’s Day-hued Judith Light for commentary on her other series,  Amazon’s “Transparent.” The accusations against Jeffrey Tambor and his subsequent exit scrambled the show’s future, but Light is a pro and shut down all inquiries. “We’re here to talk about ‘Versace,’” she said repeatedly.  Also Read: ‘American Crime Story’: Yes, Marilyn Miglin Still Sells Perfume

The “Versace” line snaked down Sunset Blvd. in West Hollywood and extended to the corner of Fairfax. There were still about 75 people waiting helplessly in a standby line 20 minutes after the show had already started … that’s a good sign, showing that industry fans couldn’t wait two more days for their “Versace” fix.  

“I’m not playing a killer. I’m playing a person,” lead actor Darren Criss, who plays serial killer Andrew Cunanan, said. “Once you enter it from that portal, it’s a little easier to understand.” We have a hunch we’ll be seeing a lot Criss over this Emmy season. It’s indisputably his show, even if he claimed a subordinate position in the group photo at the top of this gallery. 

Could the series net FX a costume design Emmy nomination? Sure. Some of the memorable threads from this season graced the DGA lobby. There is also a new costume category this year: “Outstanding Period Costumes.” Ryan Murphy’s prior series, “The People v. O.J. Simpson” got a nomination and “America Horror Story: Freak Show” won a prior iteration of this category.

“I just came back from France and people were crazy about [the show],” Edgar Ramirez (left, who played Versace) told The Party Report. When not on stage, Ricky Martin introduced himself to other actors who he didn’t share scenes with. The season finale airs Wednesday night on FX.

Party Report: Inside Darren Criss, Ricky Martin’s ‘Assassination of Gianni Versace’ Finale Celebration (Photos)

GAY TIMES APRIL 2018 • RICKY MARTIN

April 2018 Keiynan Cover

Ricky Martin has long established himself as a true gay icon. Recently catapulted back into living rooms with his portrayal of Gianni Versace’s partner Antonio D’Amico in Ryan Murphy’s American Crime Story: The Assasination of Gianni Versace, Ricky is again using his platform to diversify and broaden our understanding of love in the 21st century. Now happily married with two children, he lives a far less ‘vida loca’ than previously, but urges us not to forget the past and reminds us just how important it is for younger audiences to know the story of Gianni Versace.

“What killed Gianni Versace was homophobia. It’s not the way he died, it’s the way it was allowed to happen. Back in the 90s – and we have to be careful because history tends to repeat itself – Gianni Versace was killed by a man that was on the FBI’s Most Wanted list. This man was living in Miami but because he was a gay man killing other gay men, everybody turned the other way. That’s what infuriates me.”

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Darren Criss, Ricky Martin Discuss The Assassination of Gianni Versace: American Crime Story at Emmys FYC Event – Awards Daily

Emmy season kicks off with FX hosting the cast and crew of The Assassination of Gianni Versace: American Crime Story at the Director’s Guild of America with Darren Criss, Ricky Martin and Edgar Ramirez in attendance.

The gold Oscar dust has barely settled in Hollywood, but the Emmy campaigning is in full swing. Monday night, the cast and crew of FX’s The Assassination of Gianni Versace: American Crime Story came out to attend a screening of the final episode of the series. Darren Criss, Edgar Ramirez, Ricky Martin, Cody Fern, Max Greenfield, Judith Light, Jon Jon Briones, executive producer Brad Simpson, writer Tom Rob Smith, and Maureen Orth discussed working on the show and the challenges after the episode aired.

Hosted by Entertainment Weekly’s Kristen Baldwin, Criss who plays serial killer talked about the hardest scene for him to shoot. Criss said that it was easy to shoot the violent scenes, but what was difficult was shooting the scenes with Mike Farrell who plays realtor and millionaire Lee Miglin. “ It’s easy to get angry. But what is truly twisted and heartbreaking is looking into Mike Farrell’s eyes playing this deeply closeted man who loves his wife, and is truly a good man who is fighting a demon he can’t escape. Then me having to drive the car as somebody waging psychological warfare on this person.” He continued, “When I would leave those scenes, I’d feel like, Ugh”. I think people on set maybe thought it was because I was getting intimate with Mike Farrell, but it wasn’t that, it was having to penetrate a man’s soul who was trying so desperately to keep it together.”

Playing Versace’s longtime partner and lover, Antonio D’Amico was personal for Ricky Martin. He told the crowd, “it was very painful to be quite honest. When I was in the closet, I made a lot of my partners lie, so I was reliving that.” Martin took a moment to thank the cast, crew and creator/Executive Producer Ryan Murphy for the chance to tell the story. Actress Judith Light who plays Marilyn Miglin on the show added the the show talks about homophobia in the 90’s but it served as a reminder that we are still dealing with homophobia and “we are still not finished with it today.”

Simpson talked about the final episode which he said was the “hardest to figure out.” He added, “We had fragments and we had to put them together, but we didn’t have a plan on how to put them together.” The episode deals with the funeral of Versace, but also the manhunt for Cunanan coming to an end after the FBI close in on him.

Baldwin talked to the panel about their clothing. Longtime collaborator Lou Eyrich worked with Murphy once again on the extravagant costumes and wardrobe. Ramirez who plays the designer told the Television Academy audience that he kept the Medusa keychain used in the first episode. Criss joked he was wearing Cunanan’s pink speedos and Martin joked that he wanted the angel wings seen in the club scenes.

Darren Criss, Ricky Martin Discuss The Assassination of Gianni Versace: American Crime Story at Emmys FYC Event – Awards Daily

‘The Assassination of Gianni Versace’ cast reveals most difficult scenes to film

Emmy nominations may be four months away, but the campaign season kicked off on Monday night, when the cast and producers of The Assassination of Gianni Versace: American Crime Story reunited for a For Your Consideration event at the Directors Guild of America theater in Los Angeles.

After a screening of the season finale, “Alone” (March 21 at 10 p.m. ET on FX), stars Darren Criss, Edgar Ramirez, Ricky Martin, Cody Fern, Max Greenfield, Judith Light, and Jon Jon Briones, as well as executive producer Brad Simpson, EP/writer Tom Rob Smith, and Vulgar Favors author Maureen Orth, talked openly about the challenges of bringing the story of Andrew Cunanan and his victims to the screen, the most difficult scenes to film, and, of course, which wardrobe pieces they really wanted to steal.

Here are a few highlights from the event:

Playing Versace’s partner was ‘very painful’ for Ricky Martin

To portray Antonio D’Amico, Gianni Versace’s longtime partner, Martin had to revisit a time in his own life when he was not yet publicly out as a gay man, and the actor told the crowd that dredging up those memories was “very painful, to be quite honest.” Martin added that shooting episode 5, when Versace talks openly to a reporter about his sexuality for the first time, was particularly moving. “When I was in the closet, I unfortunately made a lot of my partners lie. So I was reliving that,” he explained. “I’ll always be so thankful to [executive producer Ryan Murphy] for allowing me to tell this story with everyone on this panel, because it’s been so therapeutic for me.”

The hardest scene Darren Criss had to film did not involve murder

Though he murders four people onscreen as killer Andrew Cunanan, Criss said the most difficult scene for him to film was the intense encounter in episode 3 between Andrew and his third victim, Chicago real estate mogul Lee Miglin (played by M*A*S*H star Mike Farrell). “People always ask me what the hardest thing to shoot was, and I think they want to hear the violence, the aggression — but those are simple things,” said Criss. “Violence is a base act from a very accessible place — it’s easy to get angry. But what is truly twisted and heartbreaking is looking into Mike Farrell’s eyes [as he’s] playing this deeply closeted man who loves his wife, and is truly a good man who is fighting a demon he can’t escape — and then me having to drive the car as somebody waging psychological warfare on this person. When I would leave those scenes, I’d feel like, Ugghhh,” the actor continued. “I think people on set maybe thought it was because I was getting intimate with Mike Farrell — it wasn’t that, it was having to, like, penetrate a man’s soul who was trying so desperately to keep it together.”

Jon Jon Briones might actually be the hardest working actor in Hollywood

Veteran stage actor Briones gives a star-making performance as Andrew’s father, Modesto “Pete” Cunanan, a fast-talking, truth-stretching Filipino immigrant who had big dreams for his favorite son. Maureen Orth, who wrote the book this season of Crime Story is based on, marveled at the accuracy of Briones’s portrayal. “I interviewed Pete Cunanan,” said the author. “And when I saw Jon Jon, I thought I was watching [Pete] on the screen.”

Briones’s performance is all the more impressive considering that during production on Crime Story, he was also working another job — all the way across the country. “While we shot that episode, Jon Jon was performing in Miss Saigon as the lead on Broadway in New York,” said exec producer Brad Simpson. “So often he would shoot with us, take a red eye, then arrive in New York and do a matinee and evening performance.”

Fortunately for the actor, he had a very supportive director: American Horror Story star Matt Bomer, who made his directorial debut with “Creator/Destroyer,” Briones’ breakout episode. “I would recommend it to every actor — on your first big break, get another actor to direct you,” Briones said with a laugh. “Because [actors] are the most insecure people in the world. And every single take we’d cut, and he’d come to me and go, ‘That was amazing. Let’s do another one.’ He kept telling me during filming, ‘You know, if you don’t succeed, I don’t succeed.’”

Everyone loved the wardrobe…

Naturally, a show about renowned fashion designer Gianni Versace is replete with beautiful costumes — and naturally, the cast and creators coveted some of those exquisite pieces. Exec producer Brad Simpson recalled how Ryan Murphy was so enamored of the long, flowing pink robe Versace wears in episode one, costume designer Lou Eyrich had a replica specially made for him to own. Ramirez told the crowd that he still has the keychain bearing Versace’s Medusa head emblem, which his character wore in the premiere, while Martin admitted that he considered sneaking off with another actor’s costume: “I wanted the wings on the male escort that was dancing at the club.” As for Andrew’s pink Speedo, which made its debut in episode 2, Criss joked, “I’m wearing it right now.”

…with one key exception

Martin, who talked with his real-life counterpart during production, said that Antonio D’Amico took issue with a “shocking green” shirt Martin wore during a scene where Antonio and Versace are walking on the beach. “I talked to Antonio, and he goes, [in thick Italian accent] ‘But Reeeky, Reeeky, you have to understand I would never wear a green shirt in my life! I wear black.’”

‘The Assassination of Gianni Versace’ cast reveals most difficult scenes to film