Tag: ryan murphy

Ryan Murphy on why FX’s Gianni Versace ‘Crime Story’ is important to him

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LOS ANGELES — Gianni Versace is the murder victim in the next edition of FX’sAmerican Crime Story, but the story will extend beyond the famed fashion designer.The Assassination of Gianni Versace: American Crime Story, the next chapter in the Emmy-winning anthology series that opened with  O.J. Simpson’s murder trial, examines the lives of Versace (Edgar Ramirez) and his killer, Andrew Cunanan (Darren Criss), who shot and killed Versace outside his palatial home in Miami Beach in 1997. It premieres in January.

Cunanan, who had killed four other men across the country before shooting Versace, later killed himself.

Penelope Cruz plays Versace’s sister, Donatella, and singing star Ricky Martin plays Antonio D’Amico, the Italian designer’s partner.The series opens with a nearly wordless, operatic eight-minute sequence detailing the moments leading to the murder of the fashion designer, who was open about being gay at a time when many prominent gay people weren’t. The scene, shown Wednesday to the Television Critics Association, , features lush cinematography and orchestral music and was shot partly in Versace’s beautifully appointed home.

The new season, which uses Maureen Orth’s book, Vulgar Favors, as its source material, will look backward from the murder to examine the men’s lives. It also will will go beyond the crime itself to examine prevailing social attitudes, including homophobia, executive producer Ryan Murphy said. 

“Versace really did not have to die,” he said. “One of the reasons Andrew Cunanan was able to make his way across the country and pick off these victims, many of whom were gay, was because of homophobia at the time, particularly within the various police organizations that refused in Miami to put up wanted posters, even though they knew Cunanan was probably headed that way.”

Murphy says the season, which features an episode focusing on the “Don’t ask, Don’t tell” military policy, remains relevant today, “particularly with the president we have and the world we live in.” After the panel, executive producer Brad Simpson noted the coincidental timing of a recent tweet in which President Trump said transgender people would not be allowed in the military.

Murphy called Versace “a very important cultural figure” and Ramirez sees the designer as a disrupter who changed fashion and attitudes. “He combined sexiness and glamour and opulence like no one has done before.”

Criss said it’s important to depict the complexity of Cunanan and not present a monster caricature. "We’re not just following what we would assume to be a murderous, horrible person all the time. We see him at his best and his worst. We really get to know him as a person.“ 

Considering Versace’s career, the season will look at fashion as it portrays the designer’s life, offering a bonus after the lawyer-heavy O.J. courtroom drama, Murphy said. “It was a real relief for me not to have to shoot boxy wool suits.”

A third Crime Story, centering on the devastating Hurricane Katrina that hit New Orleans in 2005, was planned to air first but is now due sometime in late 2018 or early 2019

Ryan Murphy on why FX’s Gianni Versace ‘Crime Story’ is important to him

“The Assassination of Gianni Versace: American Crime Story” Will Detail American Homophobia In The ’90s

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Yesterday, television critics got a first glimpse of the opening scene from The Assassination of Gianni Versace: American Crime Story as part of the TCA Press Tour. Premiering January, the FX mini-series recounts the fashion designer’s murder in reverse—beginning with the day he was shot outside of his Miami Beach home and then unraveling the events leading up to that day across 10 episodes.

Creator Ryan Murphy was joined by screenwriter/executive producer Tom Rob Smith, EP Brad Simpson, and series stars Darren Criss, Edgar Ramirez and Ricky Martin for a panel about the series, which is still in production. Ramirez stars as Versace, who was at the height of his success when he was gunned down by Andrew Cunanan (Criss) in 1997. Martin plays his lover, Antonio D’amico, who recently expressed his distaste for the show.

“The picture of Ricky Martin holding the body in his arms is ridiculous,” D’Amico said. “Maybe it’s the director’s poetic license, but that is not how I reacted.” But during the panel, Martin revealed he’d since spoken with D’Amico.

“The first thing that came out of my mouth when he picked up the phone [was], ’I’m so happy we’re talking. And I just want you to know that this is treated with utmost respect,‘” Martin said at the panel. “But more than anything, there is a level of injustice with this story.”

“I told him that ’I will make sure that people fall in love with your relationship with Gianni,” the out singer added. “That is what I’m here for. I really want them to see the beauty and the connection that you guys had.’ And he was extremely happy about it.”

Like all Murphy productions, painstaking detail was put into The Assassination of Gianni Versace, with scenes shot in Versace’s home, Casa Casuarina, now a hotel.

“I was very emotional shooting it, as we all were,” Murphy said. “I mean, Darren and I were, and Ricky. The assassination was important and tough to shoot, and the crew was crying, and we were very emotional doing it. We shot exactly on the exact step where he died.”

Production designer Judy Becker (Carol) was also able to recreate the home and Versace’s design studio/office on the Fox studio lot.

“It is tiny things I love,” said Murphy, who placed Versace’s favorite orchid on a table as a tribute. “There was an ashtray that was actually made that year that he designed that Edgar snatches the keys out of. I really loved hunting those things down and finding them as a tribute to that character.”

Murphy has long been a fan of Versace, whom he called a fearless designer and an inspiration for being out when even fashion designers seldom did.

“I was always very moved by him. He was a very important and cultural figure, and he lived outrageously and daringly, and he was a disrupter,” he said. “And I think his life was opera… I remember being so proud and excited when he did that interview in theAdvocate, because, at the time, there wasn’t really a lot of people who were brave enough to live their life in the open. I was very emotional shooting it, as we all were.”

Murphy’s inspiration for the series was two-fold: Besides his love of Versace, he also wanted to explore the cultural context in which his murder took place. As EP Brad Simpson mentioned, Versace was killed just three months after Ellen DeGeneres came out.

“Nobody was out. There were no out celebrities,” Simpson said. “There was Elton John. There were no out fashion designers. You know, Versace had given an interview with his lover, and chosen to live openly as a gay man, and that was part of the reason why he was targeted and killed. Andrew Cunanan was a serial killer who killed other gay men.”

The exploration of Cunanan’s motives are a huge part of The Assassination of Gianni Versace, something Murphy believes hasn’t been touched on yet. Cunanan was a 27-year-old hustler who had relationships with wealthy older men. Those who knew him describe his desire for status symbols—lavish houses, fine clothes, vacations. But his access to the men who could provide these luxuries was limited and eventually, he began a killing spree, murdering five gay men across the U.S.

“We pay tribute to all of the victims that are in many ways forgotten and not talked about,” Murphy said. “And I think having episodes that center on their lives and how they were taken too soon is important.”

Cunanan’s other victims include his ex-lover David Madson, Chicago real estate developer Lee Miglin, friend Jeffrey Trail, and cemetery caretaker William Reese. The murders of Trail and Miglin were particularly violent—Trail was beaten to death with a claw hammer, and 72-year-old Miglin was stabbed more than 20 times with a screwdriver, his throat sawed open with a hacksaw.

“Nobody’s really, sort of, traced the Andrew Cunanan of it all that I think Darren does so brilliantly,” Murphy said. “The pain that he brings to that, and why and answer why did he do it. Was he a madman or was he a victim of the times? And I think the answer is, sort of, both. And both things we examine in the show.”

Criss met with dozens of people who knew Cunanan at different points in his life, all of whom describe him very differently.

“There’s a lot left a lot of blanks to fill in, which has been a very interesting ride,” he explained. “Andrew was so many different personalities to so many different people,” he added. “That makes things a bit easier because we’re not just following what we would assume to be a murderous, horrible person all the time. We see him at his best; we see him at his worst; we see him at his most charming; we see him at his most hurt.”

Screenwriter Tom Rob Smith penned all 10 episodes, largely based on Maureen Orth’s 2000 true crime book Vulgar Favors. He said he wanted to connect any similarities Cunanan and Versace had, like their interest in living large. But of course, Versace’s career provided for him in a way that was out of Cunanan’s grasp.

“It’s much closer to a story of radicalization than a typical serial killer,” Smith said. “I mean, he killed five people… Technically, he went on a spree. But if you go back a year from most serial killers, they’re committing crimes of one description or another, like assault or arson. There are these signals. With Andrew Cunanan, you go back a year and he’s in a million-dollar condo in La Jolla talking about politics or art, and charming people. How do you get from that person in that condo to someone who can attack someone with a hammer and brutally kill them?”

Smith said it was important for him to present Cunanan “not just someone who is intrinsically monstrous, but who, has similarities to Versace from the outset” and explore “why his footsteps go in one direction and Versace’s go in a completely different direction.”

But don’t expect the series to be a pity party for Versace’s killer.

“It’s about the choices you make,” said Smith. “We’re tracking those choices and seeing how society impacted them, and how he chose various things and the people around him. You’re taking a murder that we all know… and you’re taking it apart and going back to the very nuts and bolts [of it.]”

For Murphy and the other producers, The Assassination of Gianni Versace is a larger story than just a celebrity murder. It’s about being out of the closet in 1990s America.

“I think it’s more than why [Versace] was killed. It was sort of why it was allowed to happen,” Murphy said. “I think the thing about American Crime Story is that we’re not just doing a crime. We’re trying to sort of talk about a crime within a social idea. Versace, who was the last victim, really did not have to die. Part of the thing that we talk about in the show is one of the reasons Andrew Cunanan was able to make his way across the country and pick off these victims, many of whom were gay, was because of the homophobia at the time.”

He recalled how police in Miami refused to put up wanted posters for Cunanan even though they knew Cunanan was a major suspect and likely headed toward the city. “I thought that that was a really interesting thing to examine,” Murphy added, “particularly with the president we have now and the world that we live in.”

“The Assassination of Gianni Versace: American Crime Story” Will Detail American Homophobia In The ’90s

FX Reveals ‘American Crime Story: Versace’ Opening Scene, Ryan Murphy Dishes on Show’s ‘Political Overtones’

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*SPOILER WARNING! – Article has description of the first 9 mins of the first scene of ACS Versace.*

Ryan Murphy is bring the harrowing 1997 murder of fashion icon Gianni Versace to the screen in the upcoming season of American Crime Story, and FX revealed the opening minutes of the premiere episode at the Television Critics Association press tour on Wednesday.

SPOILERS
The first episode starts off with a title card that reads July 15, 1997, the morning of Versace’s murder. The legendary fashion designer (played by Edgar Ramirez) wakes up in bed and walks out onto the balcony of his home in Miami Beach, Florida.

Meanwhile, serial killer Andrew Cunanan (played by Darren Criss) sits on the beach with a book featuring Versace on the cover, as he pulls a gun out of his backpack. Struggling with some internal conflict, Cunanan walks into the surf and screams at the sky.

In his home, Versace takes some morning medication, changes into a black shirt and some light pants, and heads out into the city, walking to a newsstand to buy copies of Vogue and Vanity Fair (which features Princess Diana, who had not yet been killed, on the cover). As he goes about his day, Cunanan is throwing up in a bathroom.

The tension mounts as Versace returns home and walks up his steps – shot on location where the real Versace was actually killed. As he opens the gate to his opulent estate, Cunanan runs at him, gun drawn, and fires off a round. The first shot misses, but the second doesn’t, and as the murder occurs, the episode cuts to the show’s official title card – The Assassination of Gianni Versace: American Crime Story.
END OF SPOILERS

Speaking with reporters at TCA on Wednesday, Murphy opened up about why the show chose to use the word “assassination” in the title, as opposed to murder or homicide, and the producer explained that they chose it for its “political overtones.”

“It denotes somebody who’s taking the life of somebody else to make a point. That’s exactly what Andrew Cunanan did and what he was trying to do and that’s explored in the show,” Murphy shared. “The interesting thing that we’re doing with this show is we’re telling the story backwards. The first episode deals with the literal murder or assassination itself and then we tell the story in reverse, so we get into how he had that motive and why he wanted to do what he wanted to do.”

For Murphy, delving into the nuances of Versace’s death and Cunanan’s motivations and murder spree was vitally important to elevate the series above just retelling the details surrounding the event. The show’s true intent is to examine the pervasive political climate of the 1990s that allowed the crime to happen.

“More than why [Versace] was killed, it’s [about] why it was allowed to happen,” Murphy said. “The thing about American Crime Story is that we’re not just doing a crime, we’re trying to talk about a crime within a social idea… Versace, who was the last victim, really did not have to die.”

Cunanan was responsible for at least five other murders in the months leading up to shooting Versace. He committed suicide a week later.

“Part of the thing that we talk about in the show is one of the reasons Andrew Cunanan was able to make his way across the country and pick off these victims, many of whom were gay, was because a homophobia at the time,” he continued. “So we thought that that was a really interesting thing to examine, to look at again, particularly with the president we have and the world that we live in.”

Murphy explained that one episode of the upcoming season is dedicated to the military’s “don’t ask, don’t tell” policy, which was enacted under President Bill Clinton and generated a lot of controversy at the time.

“I just thought it was topical and really social and about something, which I think is this show at its best,” Murphy added.

Before the first episode of the show even aired, it was already facing push-back from some of the real-life people involved – chiefly Antonio D’Amico, Versace’s lover, who denounced the mini-series when photos of the cast were first leaked online.

However, Murphy explained that he’s subsequently reached out to D’Amico, as has Ricky Martin, who plays him in the series.

“Ricky spoke to him today and he was very great and excited to talk to Ricky,” Murphy said, adding that it’s “very hard to judge anything that you’re watching based on a paparazzi photograph, which is apparently what his judgment was about.”

“When you’re doing a show like this or a show like [The People v. O.J. Simpson], you’re not really doing a documentary, you’re doing a docu-drama. So there are always certain things that you’ll take liberties with,” Murphy explained. “You have to be respectful but you also have to make it your own.”

“Our version of the show is based on a book that Maureen Orth wrote,” Murphy said, referring to the extensively researched true crime tome Vulgar Favors: Andrew Cunanan, Gianni Versace, and the Largest Failed Manhunt in U.S. History, first published in 1999. “She has a definite point of view in that book. We’re true to that point of view.”

Executive Producer Brad Simpson reiterated Murphy’s point, explaining that the series is “really about the victims.”

“We examine the victims [on this show],” Simpson said. “In many ways we’re trying to bring to life and celebrate the lives of these people that Andrew Cunanan snuffed out.”

Murphy later opened up about the show’s stellar cast – which also includes Penelope Cruz as Donatella Versace, Max Greenfield as Santo Versace, and Finn Wittrock and Jeffrey Trail, one of Cunanan’s earlier victims – and marveled, “The thing that’s amazing about this cast is they were all of our first choices.”

Reflecting on casting Ramirez as Versace, Murphy said he was “the only one” he ever considered.

“I had many meetings with Edgar. I was literally like, ‘I’m not going to let you say no. I just know that you are that character,’” he shared. “I’ve seen a lot of his work and I think his previous work is incredibly soulful and Edgar has a great soul and a great mystery. You cannot deny the physical appearance and the resemblance, which is startling.”

Ramirez, who joined the cast and crew at the TCA panel, had nothing but praise for Murphy and for what the show has managed to accomplish.

“For the first time he combined sexiness and glamour and opulence like no one had done before,” the Gold star explained. “It’s very interesting how the story captures an amazing story but also captures the spirit of the time.”

The Assassination of Gianni Versace: American Crime Story will premiere in January 2018 on FX.

FX Reveals ‘American Crime Story: Versace’ Opening Scene, Ryan Murphy Dishes on Show’s ‘Political Overtones’

American Crime Story: Versace–Interview with Ryan Murphy | Emanuel Levy

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This is the third installment of Ryan Murphy’s acclaimed anthology, American Crime Story: Versace.

Edgar Ramirez stars as the openly gay designer, who was tragically gunned down on the steps of his Miami Beach mansion in 1997 by serial killer Andrew Cunanan, played by Darren Criss.

The limited series chronicles the bizarre murder and the manhunt for Cunanan, who targeted gay men and was responsible for five murders.

Casting Darren Criss as Cunanan

Ryan Murphy: I didn’t have to convince him at all. What I like to do is give people opportunities sometimes that they would never have. And Darren is obviously a brilliant singer and a performer and a showman and did “Glee” and has been on Broadway. When Brad Simpson and Nina Jacobson and I were first talking about this idea of doing Versace as sort of the O.J. follow-up, which was around two years ago, I immediately called Darren. Because to me he was the only one for that part. And I just said, I’m thinking about doing this, would you be interested. And he said, well yes, very much so because it’s such a great part. And I said, ok I’ll get the contracts drawn. And then it took two years because you have to write it and you have to get it green-lit. But he was always the only person I had in mind for it because I knew that he would push himself because he was so hungry to prove himself in a different way. And it’s a truly insane dramatic part. And he really wanted to go there. So he was the only person we talked to. He hadn’t heard from me and then he was getting ready to do another show and the day it was announced that Versace was up, he was, oh shit what am I going to do. But we all worked it out so he was able to get out and commit pretty much a year to it. And he was great. Brad and Nina went to see him in “Hedwig” and he knew they were in the audience so of course he came out and sat on Brad’s lap and did the whole showbiz thing.

Relationship to Versace

RM: I never met him but I know a lot of people who did meet him. I sold my first script in late 1996 so I was just starting. And he obviously was killed a year later so I never got to meet him. I knew a lot of people who were very close to him. I’ve worked with Naomi Campbell who was very close to him, who told me a lot of interesting things about him. Madonna, there’s the Madonna guest suite upstairs which is the first place I went to when we came here. She used to sit in the bathtub and stand up and tease them all out in the courtyard. I never got to meet him, but he was always somebody I was very interested in. I loved him. I felt like I had a lot in common with him, what he did and where he came from and how he really dedicated his life to beauty and style and was obsessed with a vision of things. And I related to him. I was at restaurant called Off Vine in L.A. when I first heard the news. And weirdly was also at the same restaurant when Princess Diana died. So I’ve stopped going to Off Vine after the Princess Diana announcement. I was just very moved and shattered by it. It was somebody who’s gay, who is in the gay community, of course then, half the people I knew who had had ties to Hollywood and San Diego said, I was at a bar, I met Andrew Cunanan.  So there was always a very mythical thing about that guy. But it was just a real tragedy. And the reason I wanted to do this story so badly was because if you do O.J., what do you do to top O.J.? You have to do something completely different. And I wanted to do something smaller and more intimate. And, it’s a different kind of crime. When we do “American Crime” we’re not just going to do Jon Benet, we’re not going to just do something salacious. It has to be about something that has American social issues in it. And this period of time that we’re talking about, 1997, there were really two people who were out in entertainment, Elton John and Gianni Versace.

Versace as Openly Gay

RM: Versace really struggled with it. There were a lot of conversations with Donatella. Should I come out of the closet? Because my business is going public. He was terrified that by not being able to be himself he would be discriminated against and lose everything. That was also the period of don’t ask, don’t tell, which we dive into.  The reason why it’s such an interesting American crime is because Gianni Versace was only killed because of homophobia. Andrew Cunanan killed and targeted people who were gay or who were in the closet. And his murders tend to out them. There was a gentleman who was in his 70’s named Lee Miglin who was one of the early victims, whose family was so upset and terrified of his personal life coming out that they just sort of said, motive unknown. And the police didn’t pursue it. And by the time Cunanan got to Miami, the police officers in town had thousands of wanted posters in the trunks of the cars that they would not put up because they would not go to gay bars. They just wouldn’t do it. So we’re delving with all this very dark period of American society that is obviously personal to me, and very upsetting.

Cunanan as Character

RM: We had the book that we optioned, “Vulgar Favors.” The thing about Cunanan was a mystery in many ways. The things that I was fascinated about is the creator-destroyer idea of Cunanan and Versace sort of were the same beginning. They came from immigrant families, they wanted to be famous, they wanted to be celebrated and one person did the work and took the risk, which was Versace, and one person didn’t, who was Cunanan.  Cunanan was also a tragic story. He was lied to by his parents, specifically his father, who told them they were incredibly wealthy, almost royalty in the Philippines. And in his teenage years he discovered that his father had been lying the entire time. He was treated like a celebrity in his own family. When he was very young his parents gave him the master suite. So he sort of grew up with this kingly idea of who he was and who he could be. And then it was all taken away and he was shattered by it. And he had real psychological difficulties dealing with. There was also what we could never verify or prove, sexual abuse in his family. So he was also a very tragic figure and wanted fame and fortune so desperately that what happened with him was when he killed someone, the first victim, that probably was in a fit of pique and rage, he decided well, I’m going to go to jail, I’m going to be destroyed, so I want to be famous so I’m going to move towards that. And in taking the life of the famous person became his fame which is also a very American story that we see time and time again, that’s gotten progressively worse with social media over the years and threats and violence.  When you have somebody like Cunanan, who is thought of in many circles as a monster, and the person that took away Gianni Versace from us, you also have to with the actor say, well let’s talk about his childhood. He was a real person. Something along the way made him snap. So we’ve talked a lot about that. And Darren did a lot of research on his own and showed up ready to go.

Edgard Ramirez as Versace

RM: Whenever I do something like this, or like O.J. or, I always have one person in mind that I think of, always. So, Darren was the obvious choice. I was friends with him. I knew him. And I wanted people to see something that I saw which was a great dramatic actor. In the case of Edgar, if you look at Edgar, Edgar looks exactly like Versace. When we have the prosthetic and the wig and can show you pictures it’s amazing. And Edgar has that sort of grandiose gravity as a human being that Versace had. And he was my only choice. And I met him. And I always have this thing when I give this really long, impassioned spiel, I’m going to die if you don’t do it. And at the end of the meeting I was, what do you think? And he was, well, let me think about it. I was, what? What do you mean? And then I was, ok I’m going to get you no matter what, and I did. And he met with Brad and Nina and loved them and I really pushed hard. And by the time I gave him a second script you can’t deny the power of the part. And he was, ok, I get it, I love it, I’ll do it.

Ricky Martin as Versace’s Lover

Ricky was another example of somebody that, people think of Ricky as “La Vida Loca” and a Vegas showman and he’s doing Sting. But Ricky is so soulful and intimate. And I just saw something in him. I’ve also worked with him once before. And you know the boyfriend, Antonio, was a very tragic figure because he was with Versace for 15 years and loved him and Versace was killed and he was out. He was thrown out of this palace and this life. And he had suicide attempts. And I thought, well I think Ricky could really go there and would want to do this. I met Ricky, I just called him up and said, can I talk to you? And I explained to him the role. And then I offered him the role. And at the end of the meeting we both got really teary because he didn’t tell me that he and Edgar were very close friends. And Edgar was, oh I want you to do this part so bad but I’m not going to, do that.

Penelope Cruz as Donatella

RM: was a little bit trickier because I obviously know and adore Gaga. And we briefly discussed it but she was doing “A Star Is Born” with Bradley Cooper, that’s basically shooting this whole year and I had to shoot the show this year. So then I was sort of thinking about people and I know Penelope because of Javier and “Eat, Pray, Love” and I spent a lot of time with them. And I just asked if I could speak with her. And she is friends with Donatella.  And I thought that was a great in because she knew her, she would be an advocate for her. But again, she is an Oscar winning actress and a great one at that so I thought it would be interesting. And she said yes instantly too. So I had great luck with it. And I also love that for all of them, you’ll see a different side of them. You’ve never seen Penelope do something like that. You’ve certainly never seen Ricky Martin or Edgar do something like that. And it’s been exciting to see.

Surprises: Versace was HIV+

We have a brilliant writer named Tom Rob Smith who’s writing the episode and has really taken an auteur approach to the material. And so he’s really immersed in it. And he’s constantly coming up with great nuggets that are surprising. I think the most devastating thing for me that I learned was that he had HIV and almost died. And at that time there was no cocktail. And he was really devastated because he was a person who loved life and he was trying to figure out a way to pass the company to Donatella because he was going to die. It was a death sentence. But miraculously, right around the time the cocktail had started to come back and he took the right cocktail of pills and got his health back.  He felt he had so much left to say and then he was killed out on his steps that morning. He was creating again and designing again and he was crying all the time because his life had been given back to him. You can imagine for Donatella and Gianni and Antonio to have this second life, this great lion of a man was restored to vigor. And he was just snuffed out instantly with two bullets to the face. That was really devastating to me.

Other Victims

The Lee Miglin killing was just so barbaric and cruel and awful. He was a closeted gay man. And Cunanan did that and had such rage, obviously self-loathing, that he killed him in such a violent way. And then dressed him up as a woman with panties and lot of sex toys around so that his family would find this and be humiliated. We spent two days shooting that assassination. And it was really tough. The crew was crying and the actors were crying because it was the exact spot he was killed and you can feel him. Like, who does this in a room? And what else could he have done? He was taken so soon. And you can just imagine the gifts he would have given us.

Actual Filming

Every story has its own organic thing. So for this story we did a really cool thing, we’re starting the story with, the first 15 minutes are music, opera, no dialogue, and it’s Versace restored to health, getting up and starting his day with his staff and then walking to the News Café, intercut with Cunanan stalking him and tracking him.  It starts with his murder. And then what we wanted to do was tell the story backwards. Versace was the last murder but in our show he’s the first. And then we go back in time. We tell the story backwards, ending with the Cunanan figure as a young man and Versace as a young man trying to make a stab of it as a designer.

There’s only violence and murder in the first four or five episodes. And then you really get into the psychological struggle of how does one person become a creator and how does one become a destroyer. And then the last episode is Cunanan on the houseboat making a decision to kill himself before they arrest him.  I’ve never done anything backwards. But I loved the storytelling of it because I think you’ll be so moved because it starts with a violent act and by the time you’ll get to the end you will really realize what Versace had to go through to become Versace and what Cunanan went through to become that killer.

Donatella

RM: We have had some contact with Donatella. I met Allegra when she was younger, she came to the “Glee” live tour. I was very excited to meet Allegra Versace. Donatella had been very kind and very lovely. As a mother she really has been very protective of her children. And that was really her only request was, which she conveyed to Penelope and thus to me, is she really wanted to make sure that her kids weren’t portrayed on screen and that there was nothing about them in the show. I’m a parent and I can understand, I don’t want them to see that and go through any pains. We removed them at her request. And I think it was the right thing to do. But that was it. She has been sort of hands off, and that was her only request. I’m sure it will be incredibly difficult to see. But in a weird way I hope that the family can see it because it really is a tribute to his genius. And also, she comes off incredibly well because it’s really a very modern idea about a woman who is the sister of a very famous person. She’s also creative but suddenly he’s dead and what do I do? Do I fold up the tent or do I keep the business alive? That was incredibly difficult for Donatella to do. And I think she did a very heroic job of it. She saved the company. She mobilized the family. She kept the business afloat and became a modern heroine.

American Crime Story: Versace–Interview with Ryan Murphy | Emanuel Levy

Trump Gets a ‘Bracing Cold Slap’ from ‘The Assassination of Gianni Versace,’ Says Ryan Murphy

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Ryan Murphy has never been one to shy away from bold storytelling and provocative themes. Last year’s The People v. O.J. Simpson: American Crime Story, which Murphy executive produced, was about the iconic trial but also delved into issues of racism, sexism, and fame obsession in our culture.

For ACS‘s second installment, The Assassination of Gianni Versace, the TV producer hopes to once again use a crime as a way to explore social issues. In particular, Murphy sees the 1997 murder of the fashion designer as a chance to discuss sexuality and homophobia in the 1990s. “The more I had read about it the more I was startled by the fact that [Versace killer Andrew Cunanan] really was only allowed to get away with it because of homophobia,” says Murphy. “There was this great apathy about it and nobody cared and I think part of that was because it seemed like gay people were disposable in our culture.”

He also believes the current political climate makes Versace‘s themes even more relevant. “I think it does open a discussion and I think it’s the perfect timing based on this president we have,” says Murphy. “One of the reasons I wanted to do this was I felt that Obama was a president who I revered. He was my president. I felt there was so much progress in terms of gay rights and rights for any marginalized group of people. Suddenly, it felt like Trump is inaugurated and the door closed and there’s fear again and they’re trying to take away everything that we fought for for so long. This is a bracing cold slap against the policies that the current government has. We celebrate gay people and gay creativity. So I think it’s the perfect time to put that on.”

Trump Gets a ‘Bracing Cold Slap’ from ‘The Assassination of Gianni Versace,’ Says Ryan Murphy

How Ryan Murphy Plans to top ‘People v. O.J. Simpson’ Phenomenon with ‘Gianni Versace’

How do you top a phenomenon like last year’s The People v. O.J. Simpson? Opulence, sex and Ricky Martin, naturally. Those are just a few of the elements viewers can expect when The Assassination of Gianni Versace: American Crime Story premieres in early 2018, focusing on the tragic killing of the fashion titan (Martin plays his long-time love Antonio D’Amico). FX’s follow-up to Simpson, featuring the same team of executive producers including Ryan Murphy, Brad Simpson and Nina Jacobson, won’t premiere for months but EW was exclusively on the set in May as the cast shot in Versace’s former home, Casa Casuarina. “It was very moving, sometimes disturbing,” says Penelope Cruz, who plays Gianni’s sister Donatella, of shooting in the house. “We all felt a very powerful energy. It just made me have more passion to tell this story.”

On July 15, 1997, Gianni Versace had left to go on his regular run to Miami Beach’s News Cafe. As he returned home and was opening his front gate, Andrew Cunanan, a sociopath who had become fixated on the designer after reportedly meeting him years earlier, walked up behind Versace and shot him twice in the head. The openly gay Versace was one of the most exciting and provocative designers of the moment, famous for his bold skin-baring designs. “Gianni was a disrupter,” says Edgar Ramírez (Joy), who plays the colorful figure. “He was doing things at the time that no one else was doing. He had this rock-star vision of couture and was the master of combining fashion, celebrity, and fame in a way that had never been combined before.” But his future was snuffed out by Cunanan (Glee’s Darren Criss), an intelligent, handsome, and highly disturbed young man from San Diego. Versace, based on the book Vulgar Favors by Maureen Orth, hopes to show how these two men’s paths crossed and ended so violently. “Here are two men from comparable backgrounds that had all kinds of similarities,” explains writer Tom Rob Smith (London Spy). “They came from parents who were striving but not wealthy. They had the Italian-heritage connection. This feeling of being an outsider. The sexuality connection. Why does one go on to become this incredible creator and great life force? And the other young man ends up destroying so much?”

The tale haunted Murphy, who pitched doing it even before Simpson aired. “I kept going back to Versace because it was different from O.J. tonally,” says the executive producer, sitting on the back patio of Casa Casuarina. “It was a manhunt and it takes place all over the country.” And just as the O.J. Simpson trial was a lens through which to examine racism, Murphy sees the Versace murder as a chance to do the same with sexuality and homophobia in the ’90s. “The more I had read about it, the more I was startled by the fact that Cunanan really was only allowed to get away with it because of homophobia,” says Murphy. “There was this great apathy about it, and I think part of that was because it seemed like gay people were disposable in our culture.”

The ACS team now not only has to live up the legacy of Simpson‘s success but also a glut of other true-crime scripted series. “I would only feel pressure if we were doing, like, the Menendez trial,” says ­Murphy. “But this is so dramatically different, and it’s about fashion and celebrity. Everything feels like you’re jumping off a diving board for the first time because there’s no template.” In this week’s cover story, EW has your exclusive deep dive on how Murphy brought together an Oscar winner, a Glee favorite, and a music superstar for one of 2018’s most anticipated television events.

How Ryan Murphy Plans to top ‘People v. O.J. Simpson’ Phenomenon with ‘Gianni Versace’