Las vidas del polifacético actor venezolano Edgar Ramírez

(Google translate under the cut)

No vinimos a hablar sólo de política, se disculpa Edgar: “Me pongo muy intenso”, sonríe. Las ocho personas que le aguardábamos en el salón del hotel esperábamos ver entrar al Edgar Ramírez del cine, de quijada prominente y cuadrada, y de cuerpo robusto, labrado a golpes de entrenamiento. En cambio, aparece un Edgar Ramírez con algunos kilos encima. Parece una persona diferente, pero tenía que serlo: se encuentra en medio del ajetreo de las grabaciones de American Crime Story, en cuya segunda temporada interpretará el papel de Gianni Versace, el diseñador italiano. “Pasta, mucha pasta, y nada de ejercicio”, revela, como un secreto, a mitad de una sonrisa discreta. Más allá de lo físico, la adaptabilidad de su cuerpo es una alegoría de su capacidad para adecuarse a un nuevo proyecto, sin moldes.

Le gusta la moda, y más que la moda, el estilo. Tan es así que, desde hace tiempo, tiene una estrecha relación con la relojera suiza Vacheron Constantin. Para la sesión de fotos, es muy meticuloso en seleccionar aquello que le agrada y no le preocupa hacer a un lado aquello que no va con su personalidad.

Hace ya un año, en septiembre de 2016, recibió una llamada de Ryan Murphy, uno de los productores de cine y televisión más prolíficos de los últimos tiempos, premiado por las series Nip/Tuck, Glee y American Horror Story. Edgar Ramírez, dice, llevaba tiempo intentando unirse a uno de sus proyectos, pero no fue hasta ahora cuando recibió la invitación de protagonizar la segunda entrega de American Crime Story, la más reciente apuesta de Murphy.

Muy al estilo de este productor, American Crime Story presenta temporadas de antología, es decir, que cada una funciona con una historia independiente de las otras. La primera entrega, sobre el caso del exjugador de futbol americano, O. J. Simpson, condenado por el asesinato de su exesposa y el amante de ésta, fue bien recibida por la crítica. La segunda entrega, que se estrenará en 2018, girará en torno al asesinato del fundador del emporio Versace, el 15 de julio de 1997, en la puerta de su mansión en Miami. Más que una serie biográfica, será un drama para poner en contexto uno de los crímenes más polémicos de los últimos años.

Entre las grabaciones en Los Ángeles y Miami, han sido meses de trabajo extenuante para Edgar Ramírez. A ratos, parece perderse en sus pensamientos. “Perdón si ya no doy una, pero es que de verdad que estoy muerto, entre viajes y rodajes…”, dice, más que cansado, con cierto tono de hartazgo; sin bostezos, sólo con muchas pausas. “Y mañana hay que pararse temprano de nuevo para grabar. Seguimos en esto, sí, por supuesto, de hecho, la serie se sigue escribiendo, esto no se ha acabado”.

Pero parece reanimarse cuando se le pregunta de la serie, de qué se siente trabajar al lado del cantante Ricky Martin, quien interpretará a Antonio D’Amico, expareja de Gianni Versace, y con Penélope Cruz, quien encarna a Donatella Versace, hermana del diseñador y actual vicepresidenta de la marca. “Penélope es genial, simplemente genial”, dice, y agrega que, junto con ella, también hará una película el próximo año, sin revelar más detalles.

El asesino, Andrew Cunanan, será interpretado por el joven Darren Criss, quien ya ha trabajado con Murphy desde la serie Glee. Ya que una de las características del trabajo del director es rodearse de un equipo que suele repetir en varios de sus proyectos. “Ryan tiene el don de trabajar con gente maravillosa que entiende muy bien lo que él quiere. Es muy abierto y muy sensible a las ideas que uno trae a la mesa. Pero, como todo buen director y como buen creador, no puede escapar a sus obsesiones. Es muy específico, sabe muy bien lo que quiere, confía mucho en su instinto, pero empodera a la gente”, dice Ramírez.

Más allá de la caracterización —en su cuenta de Instagram ha compartido fotos del proceso de maquillaje—, para ponerse en la piel de Gianni Versace, Edgar Ramírez realizó una investigación muy extensa sobre el diseñador de modas. Vio películas, leyó libros y entrevistó a gente cercana a él: todo cuanto estuviera a su alcance para comprender cómo funcionaba la mente de uno de los grandes diseñadores de nuestro tiempo.

“Fue un hombre pionero en combinar lujo, sexualidad y celebridad con moda, eso no se había hecho. Antes, el lujo y el glamour iban por un camino y el sexo y la sensualidad iban por otro, y él logró combinar esos mundos de una manera tan exclusiva como lo hizo”

….

We did not come to talk only about politics, apologize Edgar: “I get very intense,” he smiles. The eight people who waited for him in the hotel lounge waited to see Edgar Ramirez enter the cinema, with a prominent and square jaw, and a robust body, carved out by training. Instead, Edgar Ramirez appears with a few kilos on top. It looks like a different person, but it had to be: it is in the middle of the hustle and bustle of the recordings of American Crime Story , whose second season will play the role of Gianni Versace, the Italian designer. “Pasta, lots of pasta, and no exercise” reveals, like a secret, half a discreet smile. Beyond the physical, the adaptability of his body is an allegory of his ability to adapt to a new project, without mold.

He likes fashion, and more than fashion, style. So it is that, for a long time, has a close relationship with the Swiss watchmaker Vacheron Constantin. For the photo shoot, he is very meticulous in selecting what pleases him and does not worry about putting aside that which does not go with his personality.

A year ago, in September 2016, he received a call from Ryan Murphy, one of the most prolific film and television producers of recent times, awarded the Nip / Tuck , Glee and American Horror Story series . Edgar Ramirez, he says, had been trying to join one of his projects, but it was not until now that he received the invitation to star in the second installment of American Crime Story , Murphy’s latest bet.

Very much in the style of this producer, American Crime Story presents seasons of anthology, that is to say, that each one works with a history independent of the others. The first installment, on the case of ex-football player, OJ Simpson, condemned for the murder of his ex-wife and her lover, was well received by critics. The second installment, to be released in 2018, will revolve around the murder of the founder of Emporium Versace, on July 15, 1997, at the door of his mansion in Miami. More than a biographical series, it will be a drama to put into context one of the most controversial crimes of recent years.

Among the recordings in Los Angeles and Miami, have been months of strenuous work for Edgar Ramirez. Sometimes he seems lost in thought. “I’m sorry if I do not give one, but it’s really that I’m dead, between trips and shootings …”, he says, more than tired, with a certain tone of tiredness; without yawning, only with many pauses. “And tomorrow we have to stop early to record again. We continue in this, yes, of course, in fact, the series is still writing, this is not over. ”

But he seems to be encouraged when asked about the series, what it feels like to work alongside singer Ricky Martin, who will play Antonio D’Amico, an ex-couple of Gianni Versace, and Penelope Cruz, who plays Donatella Versace, sister of the designer and current vice president of the brand. “Penelope is great, just great,” she says, adding that along with her, she will also make a movie next year, without revealing more details.

The murderer, Andrew Cunanan, will be played by young Darren Criss, who has already worked with Murphy since the Glee series . Since one of the characteristics of the director’s work is to surround himself with a team that is often repeated in several of his projects. “Ryan has the gift of working with wonderful people who understand very well what he wants. It is very open and very sensitive to the ideas one brings to the table. But, like any good director and as a good creator, he can not escape his obsessions. He is very specific, he knows very well what he wants, he trusts his instinct a lot, but he empowers people, “says Ramirez.

Beyond the characterization – in his account of Instagram has shared photos of the process of makeup -, to put itself in the skin of Gianni Versace, Edgar Ramírez realized a very extensive investigation on the fashion designer. He watched movies, read books, and interviewed people close to him: everything within his power to understand how the mind of one of the great designers of our time worked.

“He was a pioneer man in combining luxury, sexuality and celebrity with fashion, that had not been done. Before, luxury and glamor went one way and sex and sensuality went on another, and he managed to combine those worlds as exclusively as he did. ”

Las vidas del polifacético actor venezolano Edgar Ramírez

Backstage tour of ‘American Horror Story’: The devil’s in the details

For “The Assassination of Gianni Versace: American Crime Story,” set to premiere in early 2018, Murphy insisted that his crack research team chase down the most trivial of factoids: the backpack and shoelaces favored by killer Andrew Cunanan, the ashtray where Versace stashed his keys, the orchid plant on his dining room table.

“Detail is everything,” said producer Alexis Martin Woodall, who has worked with Murphy for a decade. “If you have to stop in the midst of a great moment because you’re looking at the artifice, then we’re not doing our job. Every bit of polish has to be there so the minute you hit ‘play’ or turn on the TV, you’re in it. We’re all obsessive about that.”

With at least three series in production at any moment, Murphy doesn’t have time to personally sweat over every prop and color scheme. He’ll meet with department heads months before the cameras roll, offer general notes and then have his team report back with miniature models and storyboards a few weeks later. Even after the sets are up, Murphy still must give his stamp of approval — and a thumbs down can come at any time.

Mossa, for example, had to pull a driftwood sculpture in the “Cult” living room because Murphy decided it didn’t fit.

“He makes decisions very quickly, which I find great,” said set designer Judy Becker, who is overseeing the look of “Versace” and whose work on “Feud” is up for an Emmy. “I don’t take things personally. If he doesn’t like something, I’ll say, ‘Fine,’ and find something else. It’s the people who are indecisive that are hard to work with.”

For “Versace,” the film crew shot scenes at the designer’s home in Miami Beach, capturing his lavish swimming pool (now part of a hotel). Becker made sure that the decorated picture frames in his hallway mimicked Versace’s taste.

Film crews won’t actually shoot in Minnesota, where Cunanan’s killing spree began, but they scouted areas of Los Angeles that could double for downtown Minneapolis and screenwriter Tom Rob Smith pored over 400 pages from Twin Cities police reports to help shape the interior scenes featured in two of the 10 episodes.

Being detail-oriented doesn’t always mean historically accurate, however. Becker and Murphy took liberties in reproducing Versace’s Milan workplace.

“He and [his sister] Donatella worked in a bare white space. We felt we had to improve upon reality to make it interesting to a TV audience,” said Becker as she showed off the Italy-based set, which is so swank it could double as a nightclub. “In ‘Feud,’ Hedda Hopper really lived in a ranch house. That wouldn’t have looked good on-screen. I like to know what reality is and then we can decide whether to go with it or not.”

That philosophy may not win Murphy and company any hurrahs from historians, but it’s made his shows catnip to viewers. In addition to “Cult” and “Versace,” he’s developing miniseries about Hurricane Katrina and Princess Diana’s divorce.

Expect the details to be dazzling.

“That, to me, is one of the joys of the work,” Murphy said.

Backstage tour of ‘American Horror Story’: The devil’s in the details

The Sit-Down by Broadway.com by Broadway.com on Apple Podcasts

darrencrissarmy:

Editor-in-Chief Paul Wontorek sits down with GLEE star and Broadway favorite Darren Criss (HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, HEDWIG AND THE ANGRY INCH) to chat about the upcoming Elsie Fest. In its third year, Criss’ ELSIE FEST is a concert celebrating musicals, featuring stars and songs from Broadway and beyond. Criss also discusses his involvement in the upcoming new installment of Ryan Murphy’s FX series AMERICAN CRIME STORY: THE ASSASSINATION OF GIANNI VERSACE, in which he plays serial killer Andrew Cunanan.

This interview originally aired on The Broadway.com show, which you can watch on YouTube, Facebook, smartTV apps and on Broadway.com.
September 20, 2017 at 1:10 PM

The Sit-Down by Broadway.com by Broadway.com on Apple Podcasts